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In the aftermath of Moscow’s February 2022 invasion of Ukraine, experts warned that Western sanctions might tank the ruble, threaten the Russian state’s capacity to pay public employees, and cripple the national economy. So far, however, the financial system is holding out. Russia has avoided a run on its banks, and the ruble now trades for more dollars and euros than at any time since 2015. This relative stability is largely the result of the policies pursued by Elvira Nabiullina, the chairwoman of Russia’s Central Bank, which now operates in wartime conditions. Meduza examines how Nabiullina and her deputies have managed Western sanctions, and what moral dilemmas the Central Bank’s leadership faces while the Kremlin wages a full-scale war against Ukraine.
Russia has been waging an all-out war against Ukraine for more than four months. During this time, many Russian citizens have openly supported the so-called “special military operation,” but an anti-war movement has also been growing across Russia and abroad. The combined audience of Russian Telegram channels that oppose the war is more than 250,000 people (according to data from Antiwarriors, an independent anti-war project). Together with the editors of the capacity building project Teplitsa: Technologies for Social Good, Meduza rounds up the most significant anti-war initiatives that have emerged since Russia began its full-scale invasion of Ukraine.
On June 29, Moscow’s Culture Department dismissed the heads of three theaters. Among them were the leaders of Gogol Center, Alexey Agranovich and director Alexey Kabeshev. Both are associates of the venue’s founder, well-known director Kirill Serebrennikov. After nine years of successful work, the theater will change not only its management, but also its name: it will now be known as the Gogol Drama Theater. And it will be headed by Anton Yakovlev and Alexander Bocharnikov, who have no relationship with the previous leadership. For Meduza, theater critic Anton Khitrov explains what the Gogol Center meant to its audience and what its closure means for the Russian theater world.