
For more than a month now, the central character of the broadcast has become Navalny. Even Putin is hidden in his shadow, flickering episodically in a parquet chronicle. The political future of Alexei Anatolyevich is vague, but his role in changing the usual world order is already clear.
The new large style (NBS) crept unnoticed. This category is usually associated with an artistic space, but the TV is also an extremely artistic space: reality is composed here. The pen test began in the summer with Mikhail Efremov. The nakedness of the human drama in front of the eyes of millions of spectators caused a shock. The cosmic cynicism of the authors of the Hell show was motivated, as always, simply and accessible. Skabeevs of all stripes, languishing from love for the people, were to be repeated - people will not understand if Efremov is released. Efremov was planted for eight years. The people sighed in relief.
The series with Efremov ended, as the blockbuster with Navalny started. What seemed to be foam of days yesterday turned into a given,
That is, in a indicative political process. The motive is the same as Efremov - people will be offended if the Berlin patient remains free.
Note: the touchiness of Russians is a relatively new category. She is characterized by historical amnesia. An instructive example of how and why the "people's will" went to terror, unfortunately, is forgotten by everyone. People's volumes are (initially) not so much about politics as about human dignity. It was because of him that Vera Zasulich shot at the governor General of St. Petersburg Trepov (he ordered the flogging of the political prisoner during the ban on bodily punishment). She was released directly from the courtroom after the speech of the ingenious horses. By the way, both the tsar and the Minister of Justice demanded that Anatoly Fedorovich inspire the jury thought about the harsh punishment for Zasulich, but he did not inspire. Such a height is inaccessible to the current government. For moldy creators of meanings, the dignity of a person, his right to a voice is an empty phrase.
Finally, the creators began real work. The daily chronicle of the confrontation between the state and man live is designed to fill in the ideological vacuum of recent years. Combine the sovereign with gigantomania, longing for the cathedral past with straightforwardness, sprinkle densely Solovyov - and now the NBS is ready. The commonality of the form implies the community of the worldview. The search for enemies in the "who is not with us, he is against us" was the main thing of the TV.
To say that the channels translate all the courts over Navalny (even on weekends), which means not to say anything. Each word of the defendant, each of his gesture is grinding, fits into the tooth, condemned. Most often, the broadcast begins with an authoritative overthrow of double standards of Maria Zakharova. She reports the number of foreign diplomats in the courtroom. Tolmachi immediately start work. If there are many diplomats, it comes to interference in the affairs of Russia. If not enough - about the end of Navalny, from which everyone turned away. A rare ether does without the exposure of the comrades of the defendant - Volkov and Ashurkov. There are only two videos, one for each, but it will do so.
The struggle of motives does not bother anyone. Vyacheslav Nikonov, the main expert on the "Big Game" in the Fatherland, scornfully frowning: “And who is Navalny? Boring, girls. " Boring, only the "girls" do not let up. The image of the insignificant person-opposition is written to the smallest detail, but they continue to talk about him. The squalor of the repertoire is trying to dilute Navalny himself. The farce is won only with even greater farce. Navalny focuses the reception. He pronounces his “last words” with the temperament of a great artist (which it would be nice to sometimes extinguish). The “last words” turn around the fresh literary genre of the era of unlimited absurd. After all, the real term is not related to law, rather to the location of stars in the frosty sky.
Any style is quickly overgrown with mythology. The piquancy of the situation is that today the main creators of social myths are security forces.
It is art historians (in the form and in civilian clothes) that NBS sculpt. The degree of their powers is limitless - from repression to ethics with aesthetics. The portrait of the berry over Navalny during the next court no longer looks like an accident. From the abundance of accidents and the pattern of a new style is born. Metamorphoses of historical development: there were Bolsheviks and Mensheviks, there were only security officials.
Sentences, detention, liberation are included in everyday life. Alexey Pivovarov, a sensitive registrar of life, one of the latest issues of the “editorial office” is devoted to the topic “Prison and Peace”. This is a kind of guide to places of imprisonment with comments of those who know about prison worlds firsthand. A very instructive program. It seems that now everyone should study the thin line between the special -reception, IVS (temporary detention center), pre -trial detention center (pre -trial detention center), the Kremlin central, stage, colony.
Mandelstam, who passed the similar stages of a large path, often repeated the line of Khlebnikov: a police officer “a site is a great thing! This is the place of meeting me and the state. ” A hundred years pass, and the meeting place cannot be changed.