Songs about this

A common expression states that there was no sex in the Soviet Union. But sex, of course, was at home, with detached curtains and often in the light turned off. It was almost not noticeable in public life, in the behavior of Soviet people and in official mass culture. Even hints of love were foggy. “In each line, only the point after the letter L”-as it was sung in the famous song of the 1960s, possibly for the passage of the conspiracy of the named “eastern” . In contrast in the unofficial, underground culture of the Soviet Union about relations between a man and a woman, erotica and sex, they spoke frankly, directly and often rudely - a swearing tongue and a vulgar joke. “And I don't care - I really want,” as Vladimir Semenovich Vysotsky sang.

With the broken of the Soviet state mashmashin, which occurred in the 1986-1990s, the sexual energy has been accumulated for decades escaped into public conscious and unconscious. Together with the movie, literature, theater and new media, mass music also decided to talk about sex openly and without abyss.

It is generally accepted that the first “Song of this” in the Soviet Union was the on-successful success of the film “Interdard” Rock Romance Chris Kelmi “Night Randeva” (1989). The venerable author of the text Karen Cavalier deftly did without the word “sex”, playing on transparent hints: “Again behind the veil of impenetrable curtains, we will slowly begin an ancient conversation.” But the director of the clip, who was actively spinning on central television, boldly dorisaly doroded everything that was hidden between the lines: a singer with a foreign surname and a fashionable hairstyle, sofas in the lobby of hotels, Soviet champagne and a frank (as far as possible) scene in the shower . The plot of the “interdovka” was replicated by pop culture, and in the Soviet vocabulary a new fashionable word “confused” appeared-in three hoarse voices the first stars of chanson Mikhail Shufutinsky, Alexander Kalyanov and Oleg Gazmanov carried him into the people.

In the ex-SSR, a sex revolution finally took place.

Very loudly and very often the word “sex” sounded on the album “Talk about sex” of the impudent rapier “Boyish”. Then it was still a curiosity. Many teenagers of the 1990s first heard about “sex” from the “boyfriend”-however, like their parents and teachers. The first circulation of the album recorded in 1991-literally under the clang of the caterpillars of tanks walking along Kutuzovsky Prospekt to the White House-scattered around the country with a giant fan of 600 thousand copies. The SEX SELLS law formulated in the West confirmed its omnipotence on one sixth of the land.

Since 1991, the theme of sex finally ceased to be unspoken in Russian mass music-a sex revolution has finally occurred in the ex-SSR. They sang differently about “this”: some performers were frank to indecent, others cost bashful euphemisms. Most of the songs of that time are ashamed to listen-it is embarrassed for themselves, then for the performers, but it must still be admitted that in the 1990s, Russian pop music set itself more ambitious tasks than today. Now the function of music for the masses has come down to a sluggish attempt to entertain and distract, then it acted as a medium in new ideas and an honest mirror of changes taking place in society.

Further-the most relaxed “songs about this”, rare and common, in a special playlist for the erotic disco of the 1990s.

Tracklist

"Princess" - "Sex in the rain"
Lika MC - "Rain"
"Rap Bandit"-"Tunnel of Love"
"Home collection" - "Dance with me"
Clementia - "Make me Sex"
Igor Seliverstov - "Bed"
Natasha Koroleva - "First Kiss"
Lada Dance-"Girl-Non"
"Boy" - "I want you"
Svetlana Vladimir - "Davi for Gas"
"Sex Court"-"Forbid me, mom"
Boris Moiseev - "I will visit my love in paradise"
"Police of morals" - "Beige Prince"
Bogdan Titomir - "Girl in Red"