
This will be a positive review of the event "Believe", which opened the artistic activity of the Vincuration art center art center
The easiest way to deal with the genre of the event, carried out on Sunday night in the premises of the former Vinzavod immediately behind the Kursk station. This is an art attendation. Of course, there is no novelty, something was already in Kyiv three years ago, in Arsenal. In Riga, such a thing was arranged in the first half of the 90s, when Vanags took a whole five-story building of the Dzintars perfume factory for the Raiv + art projects, and the plant was ecologically resettled in the city center to the outskirts. Of course, there were similar shares in St. Petersburg from the time of the NF/RF, this is in the late 80s. There they had a strong bastard, exactly behind a large house. In short, the background is enough and not in them happiness, but happiness - in the presence of a suitable room.
The genre is simple: the room, which is used inappropriately, is located inside the room, there are special light objects and a large number of persons, which are in one way or another related to the production of artistic values or simply to their positive perception.
In fact, it was like this: a basement or semi -basement of a large size, the main passage was very high and wide. Some sinuses to the right rectangular shape were erupted to the right, for example, small submarines could fit in them, but there were - judging by the name of the object - tanks with wine. There are seven such cameras or something. Or eight. On the other side - on the other side of the main corridor - there is also a passage, but narrow.
The term "attraction" is used because all exposed thin objects do not dominate the event, but provide it with connectedness. There seems to be 51 of them-this number came across somewhere, but it was impossible to be confident in the fact that they turned out to be seen. For example, the author of this description barked barked when D.A. Prigova and inquiring from him about where, in fact, his creative object called "underground creatures" announced in the press. YES. It was amazed at the issue and explained that the object is in the most prominent place: in the main aisle, almost completely burning it. Yes, in fact - it was a seasoned excavator, covered with black cloth. Of course, this is a secret: is it a real excavator, and if so - then how was it dragged there?
In turn, the artist of simple life forms A. Shaburov said that they (he?) Built here an artistic object that had the appearance of a active tank with wine, from which the locals, still the remaining workers, had already merged 50 liters. Where the tank did not indicate, but he had cognac. In general, it was chilly in the dungeon, but the audience was watered with mulled wine and coffee.
From separate works, the blue cardboard trolleybus of Mr. Koshlyakov will be mentioned-he stood in a small long longitudinal aisle, just as much burning it. There was a device, which from time to time released smoke rings, such as nybies (about five or six at the same time). There was a strongly increased copy of the part of the picture of the artist Manteeni, depicting the leg, the work of D. Gutov. There were other kunshtuki, and the most popular was this: the real life of the Moscow metro was projected onto the arch on one of the walls (the train came, people go out, enter, the doors are closed, the train left; the sound is natural), it was here that there was a constant and rehabilitating audience, in the average number of at least 50 people.
Another point about the attraction: it is impossible without the elevated mood of all those present, and there was elasticity. It is also nice - to come to the place, which was at the Vyselki, and located five minutes from the Kurskaya and Chkalovskaya metro station - if you go back and no longer loop it.
The fact that the action was formal and correct confirms the aggravated feeling of the beautiful: on the way back, a large sign on the street on the street on the street on the street on credit, black on the yellow, shone on the back of the night. And if so, then everything went well.
Where does skepticism come from. Well, this story was about the commissioning of a new artistic place. But what's next? The place, on the fact of its discovery, has been marked with a place for art-items, but how to arrange them at least once a month? Meanwhile, it is about the fact that all (well, five) galleries of contemporary art will break through to the former plant. Here they are, they will accommodate in these wine compartments, approximately like the conic on the art shooter? Or will they be scattered in a fair area of the plant? But all the same: since this place is such that they have fun here, what will happen to a serious advancement of modern art in creditwood?