Pushkin against primary

The game of RG and the " New Descriptions " section of the RG continues. It is this: in but out of the totality of disparate and fuzzy circumstances, they freeze (when alive, when not very) new entities. In turn, RG in relation to the editor but behaves antagonistically, offering him to disclose topics related to existing standards, word forms and other cornerstones of being. About television - it was, about contemporary art - it was, about the theater , which the whole world, too. The next topic is the influence of the seasons, in particular - spring. This refers to its positive influence on individual consciousness and other feelings of anthropos.

Giving installations for good is right. Moreover, given the not too joyful shell of this spring. Another installations for good are made to understand what it happens at all. There is a traditional genre: “10 things that need to be done in ...” (in Venice, Rome, the investigative insulator, etc.). Or 10 books (films) that need ... 10 feelings that need to be felt in the spring, fit into this row. This is not even NLP by education of the corresponding feelings, but a promising set, a package of feelings. There is genreness and some new texture. So far, this format has not been reflected, but it will come to it - the grocery rations of the Soviet era for the holidays here is an obvious but false likeness.

But now the question is different. How exactly such an installation is reproduced and acts, perceived at the same time as an installation on good? After all, if you understand this mechanism or a substance that contributes to the fact that all incoming calls and other messages are supposed to be positive ... If you learn to develop such a substance independently, then you can improve the quality of life. This is not just a step towards tolerance, positive feelings will arise independently and sincerely, and not as a result of the violence of the individual by external alienated rules. Tolerance here will arise by itself. Why strain if good is statistically more likely at any meeting?

But with the spring and the positive that is positive, things are not so radiant. First of all, the frame of its positive is installed in a not too sophisticated format, something like that is green, the sun glitters, and a swallow with spring to the office flies to us. This is the frame of "native speech", which, of course, is the base of the domestic attitude. There is even a highly specialized term "native speech" - it describes one of the trends at auctions for the sale of works of domestic art (for example, here ). This refers to "visual images hardened from childhood - all sorts of alena on a gray wolf and the capture of a snowy town." Accordingly, such works - directly sending customers to children's memory - cause an irresistible desire to possess this topic in them. But only the code of "native speech" is no further than until the 8th grade. At least in relation to spring. And then Pushkin arises, whose attitude to this time of the year was different.

"... I do not like spring;
The thaw is boring to me; stink, dirt - I'm sick in the spring;
Blood wanders; Feelings, the mind is longing constrained. "

Perhaps, only the individuality of his position saved from a complete boycott by the Russian household culture of Pushkin: he did not give an attitude here, but informed the society about his problems. Moreover, Pushkin is not about the lack of lighting and not about the temporary inconvenience of the transition to the summer, because the summer arising from spring is also rubbish: also rubbish:

"Oh, the summer is red! I would love you
When it would not be heat, but dust, but mosquitoes, but flies.
You, all the spiritual abilities, are destroying
You torment us ... "

So, this topic takes place precisely under the slope of the spiritual abilities, that is, features that are individual subject and are not subject to the overall state. At the same time, in the Soviet tradition, spring is unambiguously associated with the best period of the year, noted, among other things, a number of gender holidays, then proletarian, and then national. Now Easter joined this row. There can be no doubt that spring is good. If we consider events from the point of view that each civilization has its own genocode, that is, an internal one, forming its cultural code, then a segment from February 23 to May 9 is an extremely important area for Russian civilization. Goodness and joy are concentrated there in the option of the mental rise of all the physical forces of a citizen.

But if this topic reduces the time of the year and the spiritual life of the nation, then what will be the most accurate Society adjustor on this topic? It is difficult to say what this function is now being implemented, but it is easy to remember that the tear -off calendars previously performed. It was with the loss of tear -off calendars in society that fermentation and lack of synchronization arose. What is a tear -off calendar? A pack of fastened leaves numbered along the course of time, each of which contained an information block. The date, day of the week, the phase of the moon, the longitude of the day, and also the memorable dates. On the back there were useful tips (how to properly grow tomato seedlings on the windowsill) or more or less corresponding to the day the texts. Any phenological observations, something from history, sometimes even jokes and - to festive dates - a poem. There were not so many types of calendars: a general -degree, some female, perhaps for schoolchildren in the version of the pioneers (the "Pioneer Calendar", it seems, was). "Youth", probably, some other appeared as progress. In general, they were synchronized-the phases of the moon were in any way coincided. Having such a tool, it was not difficult to set the correct physiological installations: they had already hung on the wall in the prepared form. In general, the New Year is probably loved from the presentation of tear-off calendars: life is thinning, losing weight ahead, here is the last sheet ... But no, now the new, thick, and a bunch of pages in front, these days can already be felt for the future: 5-6 centimeters in thickness.

Partly, this loss is trying to replace television, but it would be much better if from a special gap in the wall every morning, like from a toaster, another ticket jumped out: a picture of nature, the parameters of the day, something mental on the occasion, two or three good news that had already happened. This would be perfectly and positively oriented for the whole day, contributing to both tolerance and a positive attitude to reality. Civilization will certainly come to this. In the meantime, I have not come, you should consider the issue more in common.

The question is to encode each new day, as well as what is its connection with the presence of common codes for this civilizational community?

Here you should make a retreat regarding the relationship of code and style. For example, different parts of the city of Vienna - both semantic, and social, and historical - are connected by the style. Of course, this is a secession, which designed itself and everything that was there, and what will happen for some time. Therefore, of course, that you can no longer do without it. And she puts up a lot of things: all these seasoned domes in a fair amount, and spiers, and the grilles of parks, and the ring, and Freud, and Shenbrunn - all in a row. That is, it is precisely that the Habsburgs, and Weberne, and anyone, at least Strauss or Muzil, are now components that are precisely that the city’s sezession code. In this case, the code is set by the style, and it encodes everything else further. Not only artifacts, but all in a row. Near the secession , let's say (to some extent the main structure of the style), a certain boulevard, tightly forced by the shops in which they eat, begins directly through the intersection. Cheap, in Riga there are such in the Matveevsky market, also in the center. And nothing, the shops stand normally, not causing reasoning on the topic of the contrasts of the big city. As well as the very minimalist gallery "Wein & Co", standing on the corner between Secession and Boulevard with these plugs. In a gallery from one edge, wine is sold in bedridges, from the other - Wein is specifically poured. And "Co" is what is bitten by. They have such a network city method of drinking wine in the city. At the same time - all in one code. And in the underground crossing, which begins next to the secession and leads to the Karlsplatz station, a long transition, there is a mirror on one wall, inside of which the longest series of numbers. The latter are changing: for some reason they calculate the number of "pi" there. And some other scoreboard, where some not very motivated numbers are also changing. The walls are white, the scoreboard is silver, the numbers are red.

All this is a tourist art history about how it happens when there is a code. The story of Vienna was re -registered by Sets, and she already entered Mozart in herself, and the Novovens, and ... full of them there were very diverse, but now one code. The code does not cut them all, on the contrary, it extends to personal and time limits. He, of course, arose gradually, and then everything took shape. Moreover, he clearly has a stock, especially since the code is based on artistic, and then it is more flexible and, say, to incorporate the entire Ludwig museum is not a question. Why does the current relaxation of the inhabitants become clear and the complete absence of pathos in their behavior. And in a fig, is he in such circumstances?

What kind of code arises within the framework of Russian self -determination, after the previous code has broken, conditionally - large style? Russia looks at Buka, I am confident in its superiority over everyone who is around the perimeter and further, but I’m not too sure, which is why it will constantly puntes, and also hysteria for any reason. Of course, in such circumstances it is necessary to use the "native speech", including the spring piece of traditional code in it.

Note that the Soviet code also knew how to work retroactively: the whole story was extended in accordance with it. Well, the views on history, as an adamant movement towards the highest phase of the development of society, the conscious struggle of the people with the oppressors since the time of Prince Vladimir, or even earlier. Then this code was almost overturned, which made fair shocks, but the articles and research began to return the initial texture, decoding it. And now it is no longer clear what further: either the wounded code will restore strength, or a new one will form from its fragments with the addition of some inserts. It is more interesting that the presence of code is not at all programming, but the basis for confidence in its own existence.

Here Europeans have a code, and it is actually the same everywhere, although the details of the organization of private life in different countries are different. But there are a lot of codes in general - there is personal, there are city, as with Vienna, there are common ones. Not ideological, but domestic: how to walk along the street, how to communicate, how to react, the degree of relaxation, the same dress code (in the bastard, in general, go). There is no special difference between Vienna, Berlin and Warsaw here. Either they already had a tendency to this state of affairs, or the code simply now arose and spread. It is also clear that the finished Russian code will not cover the entire territory of the Russian Federation, at least - does not take into account all segments of the population. There are many other codes that are completely developed, but completely not insisting on their distribution. Thus, a situation is possible in the common code from the “New Russian Speech” when the official state code is positive, but not into the local group code. What can you do? This group has every right to refer to Pushkin.