This truly black comedy has become a peculiar cultural sensation of the 1991 movie season. She received a lot of premiums and good for the aesthetic, shaft, it was “delicious little thing” that took place in the European box, then came to the United States (by the way, the idea of the film came to Jean-Pierre Zhenya during his trip to America in 1988), where, by the way, she was specially represented by the famous director of Terry Gilliam and also a great lover of a surrealist and a surrealist. absurd humor. The traditions of the French tragifars, the Grand Gignol and Rabelazian hyperbolic are combined in “delicacies” with the aesthetics of comics, drawn series (by the way, the wives began as an animator and had two “Cesar” prizes for such short films), the action of which unfolds in a certain apocalyptic future.
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Friends, I invite you to this wonderful movie to the Dacha club, on Pokrovka. September 13, at 19.30, the event will begin. Free admission. Read more about the event here ...
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Luison, a former clown from a circus hired by the butcher’s assistants, to supply the inhabitants of a strange house on the outskirts of the city of their neighbors, this is another “crazy Pierrot”, which over time could turn into another “romantic maniac” like Mima killers in a “strange drama” by Marcel Carne (the authors of the “delicacies” probably knew this amusing one with a heart. The black comedy of the 30s) ... If it were not for the call of the “resistance” pipe, which are hidden in sewer labyrinths and intend to raise a rebellion against the dictatorship of invisible bloodthirsty tyrants.

Here, the genre of anti -utopias and philosophical parables about totalitarianism, for example, the “Brazil” of the mentioned Gilliam, is ironically rethought. In addition, this work of young French directors was created with rare cinematographic ingenuity, although sometimes the audience can manifest the “overeating syndrome” from the abundance of kinomatic generous scenes.
Sergey Kudryavtsev. Black Comedy-Gignol
