"In the House of Father"

A simple but very honest Vakero Armando ( Will Ferrell ) humbly grazes the stunted herds to please Don Miguel-Ernesto's own father ( Pedro Armendaris ml. ), Who considers him a suitable fool. Father, as befits an venerable widower, misses his smart, intimidated, senior son Raul ( Diego Luna ), who has left for earnings in Mexico City. In the district, desolation, a merciless drug lord in white, nicknamed the Cat ( Gael Garcia Bernal ), who elected the Alvares family for his brutal reprisals, refuels everyone. And only two faithful assistant Armando, Etsyban and Miguel, announce the surroundings with sad serenades. But then Raul returns to his native places, and not one, but with the beauty-universal Sonya ( Genesis Rodriguez ) and announces the wedding. A little later it turns out that Sonya is a cat’s niece, Armando's mother killed a local sheriff, Raul is engaged in drug trafficking in the United States, then another million dramatic ups and downs followed, and closer to the finale the whole thing summarizes the teddy cheetah -albino.

The former full -time comedian “ Saturday evening on the air ”, and at the same time the regular author of Will Ferella and the director of the Variable success at the 2x2 comedy show “ Gori TV channel in hell ” Matt Pidmont shot his debut full meter. " Father's house " is a first -speed parody of Latin American passion, a concentrate from Mexican soap operas, Brazilian series and spiritual -lifting television overlains. All this was served as a protracted plot from the "big difference", in which Alexander Oleshko could not get out of the role. Honored actors behave like complete idiots, professionally lying a fool, and it seems that the entire film is glued from Stringer gags, which accidentally lowered the entire budget.

Bernal and the Moon, against the backdrop of penny scenery, argue for the title of Pablo Escabar of the local spill: they smoke cheap cigaries one after one, kiss chikit, make cocaine paths in the form of their name and wave their gold pistols. Ferrell in the paradise of artificial flowers makes faces, shows the ass and carries romantic nonsense. The beauty Rodriguez plays Princess Fiona in the pampas, and Nick Offerman from time to time acts as a rented from the " type of cool legal " policeman.

All this is homominically funny for about the first seven minutes, then the debate begins with its own taste, because in every moment you have to re -find out where the line is between Kitch, vulgarity and "What was it at all?" Some scenes reach Montipayton heights, with all the absurdity, undergraduate, grimaces and visiting tears, while others even in the “ town ” would be ashamed to show. These endless humorous swings are interspersed with a huge number of stamps, quotes, film greetings and chases with painted backders, for which the director started all this, and the idea seemed to be a success. At least it is clear that everyone who took part in the filming was very fun.