1985: rage

(The enormity and importance of the issue will be devoted to several issues; this is the first, here is mainly about sex Pistols, Bitles and Mayakovsky. In the next - or the next, as it turns out, it will be about Derzhavin, Brodsky, Bisty Boys, Prodiga, etc.)

So, rage. For what? Where does such a passion for this - to ensure that there is rage in verses (songs)? - Elementary, Watson. I will explain now.

And then, Watson, that rage is a good condition, people like to be in it. For it is a state in which a person finally feels himself capable of dringing and crushing all the obstacles in his path in one fell swoop - but it is joyful to feel able to pack, finally, all obstacles.

And who once hammered this - strives for this again and again. And if someone is a man of art, again and again he wants to produce such works that they excite this feeling in listeners / readers.

In order to share the best that they (us) have, OGA.

1. Sex pistolz, of course, Figle to say there:

Sex Pistols - Holidys in the Sun, 1978.

Video: Channel IDIOTPIGFROMGUINEA

2. Or here: ours, Russian group Psyche:

I know absolutely nothing about them - who are they from where, what and how. I came across a clip by accident. Nitsche is so impressive.

Video: Channel Prizrak69

3. Although, of course, I personally reject any wheezing and a roar. Because this is a very simple remedy - in this way to convey rage - and too much more fucking - millions, and if you take around the world, but for, well, for example, 45 years since the mass implementation of Fuzz - they are doing this. Firstly, to be one of a dozen millions of holly-Waddlo, and secondly, it does not work for a long time: absolute devaluation-up to 0.000000000000001 The starting cost-due to inflation! Red, Reva and wheezing. Havimal, Yegor Letov, etc.

4. Although roar, thunder, roar, squeal, rattle and any other sound flurry, storm, tornado, hurricane and madness of the distraught elements are also working, it is true. The examples above are given. More:

The Beatles - Helter Skelter.

Video: Channel Uphoyaax

5. Work. But making them work is much more complicated than it seems.

6. In poetry? Well, Mayakovsky, of course:

The restaurant was from the electricity of Red,
The chairs are doused into a ladies' pulp.
When, offended, the conductor ran out
He ordered the musicians to cry.

And immediately to the one who is in a beard
Thick salmon is delicious,
The pipe, getting drunk, hit the face
Handful of copper tears.

He had not yet had time, between icot,
Titch a scream into a golden jaw, -
His beaten thrombons and basins
Crumpled and jumped through.

When the latter did not crawl to the door, -
He died in a cheek in the sauce, -
Order to the musicians to howl like a star
The conductor was distraught at all!

In the very teeth of the carcass
I squeezed the pipe like a copper kalach,
Blew and listened - doubled, doubled,
The crying in the belly is rushing.

When the next morning, from anger is not eight,
The owner brought the calculation
Conductor on the chandelier, already blue,
Hung and blue again.

1915.

Drevyar is still incredible steeply.

In the end, however, he let go with saliva. Of course, it is also powerful-but some kind of Chinese way of revenge: hang around on the offender's door. There is nothing to be done here - such a Mayakovsky was a man: without “I live without affection, pain in the soul of Zatya” could not do.

“Yurai Hip” at their time called “Havi Operetta” - to Mayakovsky it is even more applied.

6.2. “Handful of copper tears” - Ozhe, sk. Bittolses on the same are built: “Michel” is the same: a teenager for fifteen years I listened to them and was amazed: it seems, the song is more harmless and tearful, but with what fury he shouts this: Avonchu Avonchu Avooonch! Anya Mitsu Mi! For this rage, I Bitolzes then became phonnat - and I remain to this day. (Yurahip, Dupol, Ledzepeling and all other difficulties I not only heard, but also knew quite well, by the time when I fell into my hands the coil of the greatest hits of the Beatles 1962 - 1966. And the Bitolses - turned out to be much fierce than those who were more. Then I was cooled down at all. And no longer burned out. -But he, in general, as we now understand, is quite quite much different than hard.)

( Michelle , by the way, is one of the first songs of Markhatny, at the age of 12 he composed it, in the mid-fifties, even before meeting Lennon. He was not able to play and was not going to study on the guitar (he tried to master the pipe then; someday to play on the ensemble), he selected accompaniment to her at his father’s piano.)

6.3. Or Gerl - again, an incredible masterpiece of heartbreaking - and at the same time an extremely furious and evil song in its content: “Shiz Ze Kaind of Herl Yu Wont with Mach It Make Yu Sori” = “This is the type of girls who so cleverly know how to make you feel guilty all the time!” Just in the 1985 described, these truthful words of J. Lenonna were extremely relevant for me.

7. Also, this is what I want to say. I already wrote it somewhere, but I will repeat it.

The new generation of youth, who has grown up, has grown up, and who is required, of course, rebel - I would recommend that they do not waste time on surrogates like Limonov, Letov, Murakami, Zhenya, Selin, Burrose, Ginzberg, Miller, Yarkevich, Mogutin and other “religious authors”, and apply directly to Mayakovsky: to contact Mayakovsky:

In the mounds of books that buried the verse,
To find and detect glands of lines,
To find out with surprise what in them -
At least the old, still-prenachamous weapons!

Just learn from Mayakovsky it is precisely rage and rabies, and saliva, snot and attempts to put pressure on a tear with all their might - this is not necessary. This, firstly, is just a wabbed, and secondly, in the main ones, it just doesn’t work: the girls are good, I mean, girls do not really like tears in general, and even in our harsh time-even more so.

I know what I say: in early youth he tried to do this - to imitate Mayakovsky in the case of tearsholence. Thank God, he quickly threw it. Then the girls fell in love with me.

8. And here's what about Mayakovsky - again, I wrote about this, but again I will repeat - for it is correct and important.

Khodasevich somewhere has a discussion about Mayakovsky in the spirit of the fact that M. is just a crook from futurism: quickly realizing that with figs to someone understandable futurism-ultraastangardism you will not go out to big people-this is too dehumanized art, in the spirit of Ortegi-i-Gasset, that is, not about people, structures, sound, and lengths and lengths. This is a general public, in general, is completely uninteresting; The fate of the total impoverished comrades in the futurism of Khlebnikov, the twisted, Vasilisk Gnedov, Benedict Lifshitsa, etc. and so on. there was a visual example; The lighthouse turned the futuristic technique and tools in the opposite direction of the “human, too human”, deftly starting the reader of the wagons of the speaker from romanticisms; The romanticism, which was already under Prytkov, was a universal laughingstick and in the tomb of which the same Prutkov already the last nail seemed to be injected for 50 years:

When you meet a person in the crowd,
Which nag *;
Whose forehead is darker than a foggy Kazbek,
Uneven step;

Whom Vlas were raised in a mess;
Who, crush,
Always trembles in a nervous fit,
- Know: it's me!

Who is caused with anger forever new,
From kind to genus;
With whom the crowd is the crown of his laurel
Crazy crazy;

Who does not persuade the backs to anyone flexible,
- Know: it's me! ..
In my lips a calm smile
In the chest - a snake!

* Option: "On which the tailcoat is." Approx. K. Prutkova.

etc.

And this, everything is so, everything is true. The most pre -nasty rrromantism to plunge into the thrill of provincial young ladies - using the technique of futurism. Absolute truth and the most precise truth.

Only now it is not true that allegedly Mayakovsky borrowed this technique from someone. Some generalized "futurists". That's what is not so. The romanticism is the prenipotal and prerealized, yes, but rhyme, but rhythm is its own. Rhymes and rhythmic system of Burliuk or Khlebnikov are quite ordinary; Experiments and innovations of Pasternak, Aseev and subsequent ones - this is already under the influence of M.

And this, in general, determined the entire subsequent Russian poetic technique to this day.

9. Or here from the "Cloud in Pants":

Ah, why is it, where does it come from
In a bright fun
Dirty fist of swings!
I came and curtered my head with despair
The thought of crazy houses.

And - as in the death of a dreadnought from the showering spasm
Rush into the lifted hatch -
Through his own, to a scream torn, eye
Climbing, distraught, Burliuk.

Almost bloody eyelids,
He got out, got up, went.
And with tenderness, unexpected in a fat person
He took it and said: "Good!"

From you who are darkened in love,
From which a tear poured in the centuries,
I'll leave, the sun by a monocle
I will insert it into a wide -sown eye.*

Incredibly dressing yourself up
I’ll go on the ground to like and burned,
And ahead
I will lead Napoleon on a chain like a pug.

The whole earth is fields by a woman,
hesitates with meat, although surrendered;
Things will come to life - lips are things
Surely: "King, King, King!"

...

Suddenly
And clouds
And the cloud other
Raised an incredible pitching in the sky,
As if white workers diverge,
The sky declaring an embittered strike.

Take out, walking, hands from trousers -
Take a stone, knife or bomb,
And if who has no hands -
So he came to and beating his forehead!

So that the flags are fluent in a fever,
Like every decent holiday -
Rise above, lampposts,
The bloodied carcasses of the labazes.

Review, bend it, cut it!
Climb behind someone-bite into the sides.
It’s not for nothing that the sunset is blazing in the sky -
Red as a Marseille,

Hey you! Sky! Remove the hat! I'm going!
Deaf.
The universe sleeps, putting on a paw
With ticks of stars a huge ear.

* Gygy, of course. The lighthouse was just the first to be in love with love and a hundred-year-old tears-but let's pretend that we do not know about it.

10. From the little popular poem "150 000 000":

Yours in the name
Beat in order to
In the thunder, in smoke
We stand on the hind legs.

Thirst, sing!
Hunger, saturate!
Time in battles
To wear the body.

In wild defeat
Old washing
New defeat
The world is myth.

Bullets, thoroughly!
On the oozing!
In the thick of the running
Ducky, Parabellum!

This is the most!
With the bottom of the shower!
Fervor, burning, iron, light,
Fry, burn, cut, ruling!

Instead of Ver - in the soul electricity, steam.
Instead of beggars - all the worlds are wealth!
Star - kill. On the ashtrays of the skull!
We will finish you, the romantic world!

As we written, -
The world will be as follows.
And on Wednesday, and in the past, and now; And
And tomorrow, and further forever and ever!

11. Where did he come from - the revolutionarism of Mayakovsky, as well as Blok, Tikhonov, Selvinsky with Bagritsky and Lugovsky, and so on. and so on. and so on. And the current countless herds are lemons, Letov, Vitukhnovskaya, all the NBP in a skip, and so on, and so on, the name is legion?

And from there - in search of a poetic rage. It does not work to extract it all the time - well, at least from external sources: from the same fury of the revolution.

12. There, at the beginning of Hollidia Inya Sanya, stands.

There is a place in it where Rotten just comes in almost barking, he already does not have words adequate his rage, and he just goes in a frantic bark.

We discussed the freshly coooped plate “Never Mind” in the rock club , I expressed the opinion that but for a boring effect it is possible to really get on all fours and barking naturally. Two and a half years later, in March 1988, Romello Necoshev implemented this plan in Novosibirsk, here is a photo:

The glory of the IPV went from the Novosibirsk Fest - there Guryev and others saw her. The figures of Mosandgrand Journalism, were delighted, discharged to Moscow - and it rushed.

13. And even a certain amount of time later, Kulik carried out the same, turning himself into a sunshine man. In a person, or rather, who depicts a person who decided that since life is a dog, then we must live-naturally like a dog.

I don’t think he knew about IPV. I don’t know if he heard Holliday Inya Sanya. But what exactly he read - and I, by the way, - so the poem of Mayakovsky "So I became a dog." It probably led me to the idea of ​​both me and kulik.

(That's how the bridge between the two main lines of this message - Mayakovsky and sexopils. Eco!)

14. Here in this song, Romella probably barking: "Eastern Breeze":

Video: Gouselle channel

This, by the way, is the first song of his composition, April 1986. More precisely, one of the first two, the second - “Lieutenant”. It was as it was.

In the fall of 1985, I formed an IPV from me Arcana and Jeff - Romych bought a guitar and began to master it.

April 12, 1986 was the famous twelfth of April - the first, and the grandiose, and the IPV concert, which had a crazy success - approximately the number of April 15, Romych came to the university with a guitar and suggested listening to what he was pumping. And then there were two indicated songs and sang to us under the indicated guitar on the steps of the University of the Istfak Corps on Perekopskaya. The audience consisted of me, hats, Guzeli, Zhevtuna and Arkana Kuznetsov. We warmly approved, especially I, to the big, amazement of R. Negoroev. And then we began to be friends with him (before that we were not particularly friends at all - we are very different people.)

15. Here's one more: R. Negoroev captivates by singing N. Sokolov, later known under the name of the "old women of Krupskaya". "Breeze" he yells:

This is April 19, 1986. It was then that we had absolutely nowhere to gather, discuss issues, make a striking on guitars in order to compose new songs - well, we decided to gather in an athlete - conveniently, in the center, and vyasnna! Well, they gathered. Romych is already a member of the IPV-Formyishen (see).

VENCE: :) Good photo. Miroslav, can you clarify this foggy detail for me of those times: where was the hostel of the motor factory in which the “Defense Instructions” were recorded?

za_gonzalez: st. Energetikov, house 44. I was immediately behind the exhibition hall. Maybe there is still.

Vens: there is :) I know this hostel :))

(Anonymously) (from 84.254.201.75): Can you do more about N. Sokolov? Natalia? And what is she doing now?

Nemiroff: lives in Moscow. He owns a rather large company in trade in industrial refrigeration equipment. It is an unnecessary beauty - pure Sophia Loren.

16. Khalidia Inia Sanya.

Grail Marcus about her:

“Bernard Rodes, in 1975, one of the partners of Malcolm McLaren around the SEX store, and later became the manager of The Clash:“ In the 75th I listened to the radio and there some experts were balabil that it would happen if by 1979 the number of unemployed will increase to 800,000 people, and one guy said that it would be chaos and anarchy on the streets. Here they are - the roots of the punk. And I alone knew about it. "

Socialists like Bernard Rodes knew about this, but about Malcolma McLaren and his friend Jimmy Raid, to the SEX store-an anarchist publisher and a plastic artist, it is difficult to think.

By the fall of 1977, when the “Golallidia Inia Sanya” was released, unemployment in Britain increased to an incredible million and the Chelsea punk group expressed its attitude in the Right to Work protest single.

Chelsea - Right to work, 1977.

Video: Channel Cherryredgroup

But Johnny Rotten does not speak the language of protest, in which those who are looking for only satisfaction of their grievances and asks the authorities with a prayer in their voice, thereby recognizing the legitimacy of power in general. Johnny Rotten is a twenty-two-year-old man in front of a microphone who declares himself a demon-destroyer and immediately moves on to action, leaving no stone on stone from nothing. He does not protest, but simply exterminate a series of crazy vowels everything around, so that it is already a pure pleasure of destruction.

The music is growing, roaring, tearing air; Johnny Rotten's voice is subject to such devilish tricks that words fly off the lips, not having time to take shape in the language. Initellous, they scare, plunge into confusion, frenzy and delight. Time and place - London, 1997 - pure convention, in fact, what is happening now is the pure quintessence of what is happening, although very rarely, everywhere and always.

17. In general, McLaren was one of the primary -valued music clip. He made a movie clock by the release of each single (then McLaren was more interested in cinema than music, he was mostly interested in the most opportunity to release a film about how he worked with a rock band).

Moreover, the sexypistolses did not particularly have the ability to act, first due to insufficient fame, then because of too wide fame - these were the videos and replaced concerts for the phonnates. They were not played on television - there were no MTV, there was nowhere to twist; They twisted in cinemas. Here's how they, for example, went to Paris to the premiere of the video from the “Year of Saywa Queen”. Exposure of the secretary of McLaren Sofia Richmond from the Diary of the Secretary:

"Spots. May 13. The group signed up with Verdin, excluding Sid, who only left the hospital today and looks OK.

Pon. May 16: Malcolm drove up early: a crisis - a & m does not allow us to use their impress (Singe Save the Queen / No Feelings), which hit us very much ... Sid came in good shape and went to sign a contract. Then the release of the National Front (Nazis - p. P.), Obviously we were noticed last night according to the London program, which was dedicated to the NF. There are many letters that make a split into our ranks ...

Tue. May 17: ... Jerry appeared, then Malcolm, and with it the plague - the CBS factory refuses to make a record - strikes are scared. Oberst and Stollman (CBS) are not involved. Mr. Pigl (Branson, Director of Verdin) in a panic. We are sitting all day on the edge of the abyss - is it not better for us to temporarily tear from Verdin? Will Crichece be able to make us a promotion in Britain? A lot of panic. Malcolm calls the factory, says with John Blake from Ivoning News. As a result, everything is in order. Huge relief.

Four May 19: ... I'm tired of keeping a diary. В основном из-за того, что в офисе ничего не происходит, работа моя заключается в том, чтобы ворчать, заставляя людей делать то, чего они не хотят, плюс счета и другие прекрасные занятия. Говно — работа.

Пон 23 мая: Буги ждал меня рано в офисе, но я не могла все послать на хуй и бежать к нему. Суматоха вокруг его идеи на счет Рекламы «Боже, храни Королеву» вместе с фото-сессией Верджин. Безумие, насколько я это понимаю. Несмотря на это, все утро бегала-искала деньги. Мне завидно, что у него есть возможность двинуть собой, и он делает это безо всяких колебаний. Особенно мне не нравится, что на моей спине вечно кто-то выезжает. OK. Дело сделано, остальное приложится.

Четв 26 мая: Все едем в Париж на презентацию фильма «секс пистолз № 1». Спешим в кинотеатр — хаос, компании хиппи наверху устраивают свои дерьмовые розыгрыши. Внизу, где мы, полнейший бардак — нам и слова не вставить... хиппи маячат перед нами...

...Ушли выпить, продираясь через скопище позирующих парижских панков, обожающих фотографов. Встретила все-таки Малькольма. Свободных мест уже нет. Народ выдрючивается, ходят по проводке. Мы, приличные англичане, раздражены. Из-за бунтующих французов фильм все время останавливают, народ выдирает сиденья, рвет экран, а один особенно неприятный пытался разбить прожектор«.

(СОФИЯ РИЧМОНД: Секретарь и оффис-менеджер Пистолз и Макларена. 26 лет. В течение истории Пистолз жила с Джеми. Отец — дипломат. Училась за границей. Романо-Католическая школа-монастырь, Университет. С Джеми писала и издавала Suburban Press. Сейчас София исчезла со сцены и растит свою маленькую дочку.

ДЖЕМИ РИД: Арт-директор Секс Пистолз. В течение карьеры Пистолз жил с Софией. 30 лет. Вырос в Кроудоне. Отец журналист, мать домохозяйка. Начальная школа. Арт-колледж Кроудон. Полупрофессиональный футболист. Рабочий-подрывник. Садово-парковый архитектор. Выпускал Suburban Press с Софией. После Пистолз сотрудничал с Dead Kennedys и другими и упрочил свою репутацию. В 1981 г. Музей Виктории и Альберта купил принадлежавшую Джеми коллекцию графики и арт-работ Секс Пистолз за тысячу фунтов.)

На Халидейя инья Санья тоже был клип. Гузель, которая разыскивает для меня все в интернете, к сожалению, его найти не смогла.

18. Как так возможно, что я и битолзов фоннат и сексопистолзов? Да как, — совершенно как раз естественно такое сочетание, по-моему. Я как Секс Пистолз услышал, так сразу их и воспринял как прямых наследников и продолжателей дела Битлз — хороших, конечно, Битлз настоящих, не Битлз поздней унылой тягомотной попсы «Эбби Роуда», «Хей Джуда» и всего такого.

Кстати, и Мэтлок, автор всей музыки в Секс Пистолз, был прожженный битломан.

А что отрицали пистолеты битолзов на словах и всячески демонстрировали презрение — ну, это понятно. Битлз к тому времени уже были наглухо экспроприированы истэблишментом, который всегда этим занимается: все хорошее пытается объявить своим и исключительно своим: битласов, Пушкина, сейчас еще и Пастернака с Мандельштмамом и Бродским, а скоро и до Хармса очередь дойдет. Естественная реакция — сказать «да подавитесь вы своими битласами, Пушкиным и Пастернаком, они вообще говно!»

Это реакция естественная, но неправильная. Неправильная, потому что с какого хуя вот так вот взять, да им все хорошее и отдать? А правильная реакция — сказать: идите на хуй, ебаные козлы; битласы (Пушкин, Пастернак, Хармс) — никакие не ваши, а наши!

Об этом у нас, аРрока через О , песня есть, скоро доделаем и опубликуем.

19. Что до битолзов, то в Тюмени не было их особых любителей. Ну, разве что я да Артурбан Струков. Ромелла — не знаю, не говорили с ним не разу о Б. А вот Шапа и Плотников — были ярые битлоненавистники: битолзы для них были прямо-таки настоящие погубитель подлинного аррока. В этом они были солидарны с Гороховым, например, с его хлесткой фразой «чтобы создать один Битлз, пришлось убить десять тысяч других групп мерси-бита, каждая из которых была ничуть не хуже».

Шапа к середине нулевых осознал ошибки и стал ярый битлофоннат. Пло тоже смягчил позицию и заслуги битолзов признает. Хотя все равно не любит. Конечно, он Мадонну любит.

Приложение 1. Краткий словарик встречающихся имен и понятий:

1.1 Аркан — Аркадий Кузнецов
1.2 Артурбан, Артурка — Артур Струков
1.3. Джеф — Игорь Жевтун .
1.4. ИпВ — Инструкция по Выживанию
1.5Ромелло, Ромыч — Роман Неумоев
1.6. Шапа — Юрий Шаповалов
1.7 . Х. Ортега-и-Гассет. Дегуманизация искусства .
1.8. Рок-группа « Психея »
1.9. Гурьев —Сергей Гурьев

Приложение 2. Поэтические клипы — читает и комментирует Мирослав Немиров:

2.1. В. Маяковский. Conductor

Video: Gouselle channel

2.2. В. Маяковский. Отрывок из поэмы 150 000 000

Video: Gouselle channel

2.3. В.Маяковский. Отрывки из поэмы «Облако в штанах»

Video: Gouselle channel

Приложение 3. Ярость в словарях:

3.1. Толковый словарь русского языка Ушакова
Я'РОСТЬ , и, мн. нет, ж.
1. Сильный гнев, озлобление. Скрежещет в ярости зубами. Krylov. Прийти в я. 2. перен. Неукротимость, крайняя устремленность, напор. Я. ветра. Я. волн. 3. У животных — возбужденное состояние в период течки (обл.).

3.2. Толковый словарь живого великорусского языка Владимира Даля
Ярость ж. яризна арх. свойство, состоянье по прилагательному, сильный гнев, озлобленье, лютость, зверство, неистовство; порыв силы бессмысленной, стихийной; || lust. Олень в ярости рюхает. Ярость пламени, бури, волн. Человек в ярости безумен: как медведь, сам на рогатину прет. Яростный церк . яростивый , ярый, в значении лютый, звереватый, неукротимый. Яростный взгляд зверя. — порыв бури. || Яростивый, пск. и др. усердный, горячий в деле, неутомный, стойкий. Яроватый , ярый, в меньшей степени. Яровитый тамб. яровистый вят. бойкий, быстрый, ретивый. Ярить кого, разъярять, горячить, кипятить, сердить, дразнить, злить, злобить, озлоблять, приводить в ярость; || разжигать похоть. Яриться , страдат. и возвр. по смыслу. Цепные собаки так и ярятся на свиней. Лошади ярятся, горячатся. || Похотничать, быть в течке, расходке; о птице, роститься. Взъярился пес на пса, за мосол. Заярилось ретивое. Наяривай на скрыпочке! Объярить ткань, сделать объярью. Поярился на бой, не слезая с полатей. Подъяривать собак, травить, уськать, атукать, улюлюкать. Разъярить зверя. Яренье , действие или состояние по глаголу. Яровать , быть ярым; лютовать, свирепеть и свирепствовать; неистовствовать, забываясь; || о животных и более о птицах: быть в поре, в течке, расходке, роститься, токовать. || Ряз. кипеть на огне. Ягольник яруя , горшок кипит. || Яровать или подъяровывать скакового коня, подготовлять его для скачки, наезжая его по зарям и давая поменьше корму, особенно сена и пр. || Яросл. яровать , обрабатывать поля под яровое, под вешний посев. Мы еще не яровали , не пахали или не боронили.

3.3. Оксфордский толковый словарь по психологии / Под ред. А. Ребера, 2002 г.
Ярость
Термин, обычно используемый для обозначения крайнего полюса эмоциональной области, обозначаемой как гнев, то есть гнев, вышедший из-под контроля. Она обычно характеризуется теми же паттернами висцеральных и мышечных реакций, что и гнев, но они более резко выражены, более интенсивны, и реакция нападения считается более вероятной.

3.4. Большой толковый словарь
Ярость , -и; and.
1. Сильный гнев, бешенство. Прийти в я. Вне себя от ярости. Приступ ярости. Он страшен в ярости. Кричать, ударить с яростью.
2. Необычайная сила, интенсивность проявления чего-л., осуществления какого-л. действия; неукротимость, неистовство. Волны пришли в я. С яростью дул ветер и полыхало пламя. Я. боя, атаки. Проявлял я. In work. С яростью делать что-л.

3.5. Словарь психиатрических терминов
Реакция «Короткого замыкания» — острое временное психопатологическое нарушение, определяющееся либо расстроенным сознанием, либо резко выраженными, не соответствующими поводу аффективными расстройствами (напр., иступленная ярость , отчаяние и т. п.), сочетающимися с импульсивными, автоматическими действиями, в том числе опасными для окружающих, с последующим сном или резким психофизиологическим исто-щением (прострацией).

3.6. Медицинский центр «Ваше здоровье»
Ярость
Ярость — очень захватывающее чувство. Нами весьма трудно переносится потеря контроля над собой хотя бы на момент. Ярость либо вспыхивает от сильнейшего разочарования, либо является следствием бессилия, доводящего до отчаяния. Часты и комбинации этих причин. Ярость стремится обрести исход, и чем больше мы пытаемся ее контролировать и подавить, тем сильнее она сказывается на организме.

Влияние ярости на организм
Возможные последствия ярости для организма:

— расстройства функций желчного пузыря
— проблемы с желудком
— изжога
— заболевания зубов
- haemorrhoids
— респираторные заболевания
— проблемы с сердцем
— напряженность и судороги
— рак
— проблемы с почками и с мочевым пузырем.

1985 and about: previous issues:
#1 from the author
#2 chronicles
#3 Arrok through the ocean
#4 Yankov Andrey, Siberian Man
#5 Nuclear horror
#6 January