Mars attacks

At the last economic forum in St. Petersburg, the director and producer Timur Bekmambetov announced that in the summer of 2010 the filming of the aliens-seizures would begin in the Russian capital. The director and film crew are American, the Russian company Baseli Production produces the film. This will be the first American film in the new technological format 3D, shot in Russia. Before the arrival of the film crew in Moscow, the Baselian press service prefers to keep silent about which of the directors is at the head of the project and what an acting ensemble. However, some information leaked to the press: the working name of the action movie is “the very first hour”, RIA Novosti reports . “Salt” turned to the coordinator of the Russian Ufological Station Rufors to Nikolai Subbotin to try to predict the objects of Moscow by the movie aliens will strike in the first place.

- In the global cinema of aliens as a threat to the population of the Earth, they have long been a threat to the population. Is this position correct today: with the knowledge that modern ufologists own?
- In fact, ufologists do not have any information about the goals and objectives of the possible guests of our planet. Therefore, one of the main unspoken issues of ufology still: "Who are they and why come to our world?" So the question of the correctness of the display of aliens on the screen is rather creative than moral. Cinema is an art that can create various images, worlds and ideas about reality. And the "good" aliens on the screen no less than the "evil". Remember, the images of positive aliens are perfectly represented in the films “Coconut”, “Et. An alien ”,“ Flight of the navigator ”,“ Man from a star ”and others.

- What do you think, what Moscow objects of political, industrial, cultural importance to the aliens would be logical to direct their first blow?
-I would still not confuse real life and cinema. The world is much more complicated than it seems to us, and in order to control this world, remaining invisible and inaccessible, it is not at all necessary to seize “objects of political and cultural significance”.

-But if they prefer to remain invisible and inaccessible, then how can you understand which of the many images-tractings correspond to reality?
- In order to answer this question, it is enough to turn to legends, myths, religion. Everywhere they write almost the same thing: earthly civilization was created "in the image and likeness." This means that representatives of other worlds, gods, aliens from stars, non -infilim, Annunaki and other mythological creatures who “went from heaven and taught people” should be like us ... more precisely, we are like them.

- However, fear of them still remains. After the audience sees volumetric aliens in 3D, can panic (like the one that the Americans arranged in 1938 after the Radio of the World War of Herbert Wells arranged)?
- Then a fictitious story was taken as a real report on the Martian Invasion. Today, for us, this, of course, is a historical nonsense. It seems to me to fear similar mass panic now. Is it after watching the Avatar in 3D that someone had a panic?

-A person of what modern profession can heroically confront alien-provards?
- It seems to me that a common language with aliens - in this scenario - could find, for example, a person with philosophical views.

- We, spectators, are so used to the fact that movie aliens are always the first to beat in America, but in no way in Russia. Is there a provocation in this?
- What is the provocation? Just a fairly original tremor creative approach to the development of the plot. In fact, how much can you capture America! Let the movie aliens try to break their alien tooth about our capital. Original and fresh.

Aliens in world cinema and animations: what they look like, what they want

"The village of Damn" (Wulf Rill, 1960)

For several hours, the population of a small English village falls into a dream. Waking up, residents continue to live as usual. Here are only some women suddenly discover that they are pregnant, and recordly quickly give birth to the same babies - blond and with luminous eyes. Alien children are growing by the day, but by the clock and soon turn into monsters. A dilemma faces the parents: kill or re -educate?

"Et. Alien "(Stephen Spielberg, 1982)

A foreign-allain charm: a body similar to a turtle without a shell, and with his face-to Albert Einstein and Pugs at the same time. People flew to the ground with good intentions, evil people this time were people. Children save from the fate of the experimental rabbit of the alien.

"Predator" (John Mactirnan, 1987)

The main hope and support of the Earth of the 1980s Arnold Schwarzenegger-against cunning and dangerous hunters: smiles and extinguishes. If it were not for the passionate desire of alien guests to turn Schwarzenegger into a target, by the way, they could become his good friends.

"Clowns-killer cosmos" (Stephen Chiodo, 1988)

Two -meter alien clowns (in colored costumes, with red noses) land in the forest -park zone of the zaisky American town and break the tent there. They flew here exclusively to devour and stock up with provisions for the future. They eat, actually human: they shoot at the victim from the pink gun - after which it automatically rolls into a cocoon of sweet cotton wool. Vata gathered decently, several hundred coils, but in the final earthlings were still covered with a bench, killing a level boss-a large clown-an accurate shot in the nose.

Mars attacks (Tim Barton, 1996)

Small and vicious, like a crumb of Tsahes, green cerebelles run on the ground-mature with lasers and conduct hellish experiments on head transplanting. Humanity is saved only thanks to the obsessive melody from the radio.

"Simpsons" (episode "Territory of horror VII", 1996)

“Cosmic aliens! Do not eat me. I have a wife, children. Eat them! " - shouted the head of the yellow family of Homer to two aliens Kang and Kodos, who flew to the ground to capture humanity. They did not eat anyone to eat, but to enslave anyone - they enslaved: having touched the bodies of candidates for the post of US President Bill Clinton and Bob Doula.

"People in Black" (Barry Sonnenfeld, 1997)

Aliens are among us, they are simply disguised as people. Beetles, worms, cockroaches - the whole palette of characters. The main villain is a huge cockroach: both in appearance, and in the state of the soul.

"Faculty" (Robert Rodriguez, 1998)

An alien in the form of a huge octopus -like monster, as often happens, instills in a beautiful female body and dissolves in a crowd of schoolchildren. One by one he “turns” the monsters - first teachers, and then schoolchildren. Only those who do not disdain drugs are saved - they work as an antidote: in general, in its pure form, the combination of pleasant with useful.

"Signs" (M. Knight Shyamalan, 2002)

Long -armed, stooped and producing poisonous gas from the wrists, aliens do not spare either children or the elderly. Their motives are unknown, but judging by the finale, they flew only in order to convince the hero of Mela Gibson to believe in God again.

"War of Worlds" (Stephen Spielberg, 2005)

What did these highly developed aliens do not live that they suddenly decided to destroy the whole Earth? They would continue to live, making all the new discoveries, to which people still walk and walk. Now the unfortunate humanity has to escape from the invasion of huge cars, controlled by invisible evil power.

"Truspecters" (Michael Bay, 2007)

The foreign-planet robots are brought to the ground by chance. Fighting with each other, two races of mechanical smashed and were not going to touch human civilization, but stupid little people inappropriately turned up by their arm. And - yes, if not for earthlings, not to see the "good" aliens of victory.