Translated material
Jazz dates in March
In the encyclopedias of jazz, either absent or cut up to ten lines.
Your short -waves are configured to freedom frequencies. You also listen to us through the satellites of Hotbird and Asiasat-3, and most importantly-with our website www.svoboda.org. The microphone has in this very Lutetia - your DS. The city is French-feminine. William Shakespeare wrote that inconstancy is the name of a woman. I do not always agree with him, but this is exactly what we have in Luthetia of the feminine weather! Then + 16, then - 2 ... I prefer when I shakes me from something else.
1. Lou Levy - If You Cold See Me now - 6:04 (Lou Levy Trio - My Old Flame - Fresh Sound)
DS: - “IF You COULD See Me Now”, “If you could see me today” - Tedda Damron. Livi Livi - piano; FRED DOVED - double BAS and John Dentz - drums. Fresh Sound was recorded in 78 in Hollywood.
It is useless to look for his notes in chain stores or in traditional ones with regiments and living sellers. You can only lead you in Japan. Livi Livi, they write about him: "The magnificent Bibop pianist, who played and signed up with the best jazzmen of the post -war era." Scott to Yanou gives five stars - for the Lunacy SD in 92 - “Lunaticism”. Four stars for a disk recorded ten years earlier on Verve - “The boy has a rumor!” Steve Harris recalls the discs on which Livi Livi accompanied the singers “This old black magic”, “Violets to the color of your eyes” (both disks 56 years old), “Like a high moon” - 62nd; "I am old -fashioned" - 82; And "AH Moore" and "Ya Know", 92nd and 93 ...
2. The Lou Levy Trio - YesterDays - 6:16 (LUU LEVY - A MOST MUSICAL FELLA - Radio Recordings)
DS: - “Yesterdays”, “Yesterday” - Harbach and Kurn. January 56. Livi Livi - piano; Max Bennett - double bass and Stan Livi - drums. Record of Hollywood radio, California.
Let me remind you: Livi was born on March 5, 1928 in Chicago. He left the San Clem and all the same state, once and for all, January 23, 2001.
John Leslie Montgomery was born for three years and one day earlier than Love Livi. His younger brother, Baddy, was a pianist and vibrophonist, the eldest - Monk Montgomery - a smuggler. The brothers come from Indianapolis and it is easy to assume that their first combo was called “Montgomery Brothers”.
The heir was the heir to the very calm young man who, taking advantage of Benny Gudman’s appetite and the interpretation between the two sets, put up an electric power challenge on the stage and hoisted his red skin on his red skin. In short, the heir was the heir to Charlie Christian himself, who proved that the guitar may sound like a sax.
You listen to the all -pervasive and stubbornly swinging "jazz time." On shortened “freedoms”, from the near space through satellites Hotbird and Asiasat-3 and from our sleepless site www.svoboda.org. The microphone in Lutetia has your ds.
3. Wes Montgomery - Moanin ' - 5: 48 (Wes Montgomery - Portrait of Wes - Riverside)
DS: - “Moanin '”, “Renania” by Bobby of Timmons. Montgomery - guitar; Mel Rain is an organ; George Brown is drums. October 10, 63. New York.
But the original:
4. Jazz Messengers - Moanin - (Art Blakey & The Jazz Messengers --Moanin ' - Blue Note)
DS: - “moanin” - whether Morgan is a pipe; Benny Golson-tenor Saxon; Bobby Timms, the author of the composition, the piano; Jimmy Marrite - double bass and art Blake - drums. On October 30, 58, the recording studio Rudy van Gelder.
As we see, or rather, we hear, Montgomery's departure played in the footsteps of the famous Hardbopic composition of Timmons, which lasts nine minutes in this case. The "Jazz messengers" have several versions of this composition. This, on the disk of the same name, went to "Blue Note"
Professionally, the Uyez began playing in the large orchestra Lionel Hempton and played from 48 to 50. Returning home to Indianapolis, he worked at the radio factory in the next six years, and played in clubs in the evenings. In one of these noisy nightlines, “Missile Room”, he heard him “cannon nucleus” Educeri, who immediately contacted Riverside and said that he had discovered a genius. In October 59, Montgomery wrote his first disk with Mel Rain on the organ and Parker Parker in drums. In 60, he released on Riverside Vinyl “Incredible guitar of Uza Montgomery”. According to the French historian Jazz Claude Ober is "the best guitar disc jazz of all time."
Let me remind you that you are listening to the "Jazz Time" at the frequencies of "Freedom" and our site www.svoboda.org. You will find the podcast of this and previous programs in our archive. The microphone in Paris has Dmitry Savitsky.
5. Wes Montgomery - In Your Own Sweet Way - 4:53 (The Incredible Jazz Guitar of Wes Montgomery - Riverside)
DS: - “In your Own Sweet Way”, “It is so sweet, as affectionately as you can” ... - Dave Brubek. Montgomery - guitar; Tommy Flenagen - piano; Percy His is a double bass and his younger brother El His - drums. January 26, 60. This is the same "best guitar jazz disk of all time."
And, as in the case of the first castling, I offer you the original composition of Dave Brubek “In Your Own Sweet Way” performed by the author’s quartet at the Newport festival of 56 years.
6. Dave Brubeck - In Your Own Sweet Way - 8:39 (Dave Brubeck - Time Signatures- Columbia)
DS: - "In your Own Sweet Way". Dave Brubek - Author of the composition - behind the piano. Paul Desmond-Alt-Saxophone; Norman Bates is a double bass and Joe Dodge - drums. July 6, 56, Newport. This is the first version of the block of Brubek. The classic quartet fulfilled this ballad in 63 and it went to the “Columbia” at the Brandenburg Gate Vinil.
The music of the composition “In Yor Own Sweet Way” Dave wrote in 52, but this jazz ballad was registered only a year before the festival. Later, Dave's wife, Iola Brubek, wrote to “In Your Own Sweet Way”.
The great connoisseur and fanatic jazz actor and film director Clint Eastwood called his 2010 documentary about Brubek exactly - “In Your Own Sweet Way”.
Another March cat is in line. He played on a tenor-saxophone, but better known as a clarinetist. And he is much older and Libe Livi, and Uzes Montgomery. But before he forces him to vibrate the forties, a reminder:
In the company of friends or complete loneliness, on the live Live or in the podcast from our site www.svoboda.org, you listen to the weekly and lead “jazz time”. “Jazz Time” is the story of American music from Ragtaym and Blues, Dixieland and Straida, from Kansa and Chicago schools, from swing to Bibop and hard -bop and further to the cooler, third stream, vanguard and fijn. Thanks to everyone for the comments and Imila. Lists of the best compact disks of Steve Harris were sent. New applications are accepted immediately.
7. Barney Bigard - A Lull At Dawn - 3:10 (Barney Bigard - That Old Feeling - History)
DS: “A lull At Dawn”, “Locked at dawn” - Duke Ellington. Barney Bigard - leader Trio, Claret; Eddie Haywood - Piano and Shelley Mann - drums. New York, November 27, 44.
Barney Bigard is a native of New Orleans. He was born on March 3, 1906. And his brother, and his uncle, and nephew played jazz. The town, as you know, is swinging. Lyon of Albania Barney Bigard himself learned to play a clarinet and a tenor-saxophone with the master Lorenzo Tio the Younger. But he made his debut not on the stage, but in the atelier of photographers and only then - in the orchestra of Albert Nicholas, in his cabaret. Jazz was still primarily a performance. In the year 24, Bigard in Chicago at King Oliver, who insists that Barney play only on a clarinet. In 27, he was called to his Cotton Club New York himself Duke Ellington. Barney lingered at Duke for as long as 14 years. He became the leading musician of the orchestra and Duke Ellington composed quite a few plays in co -authorship with Barney and, say, “under Barney”. This is Mood Indigo, Ducky Wucky, Solitude, Stompy Jones, Clarinet Lament and Mardi Gras Madness. But Bigard (and he was not the first) was tired of endless tour and in 42 he assembled his own combo with the pianist Freddy Slack. Until 45, he played on the 52nd street in the Onyx club, and then went to California, conquer Hollywood.
8. Barney Bigard & Claude Luter - Mood Indigo - 5:48 (Barney Bigard & Claude Luter - Vogue)
DS: “Mood Indigo” by Duke Ellington. The duet of two clarinetists - the American master Barney Bigard and the French Claude Luther. The rhythm group included: Eddie Bernard-Royal; Rolan Bianchini - double bass and Teddy Martin - drums. The record was made in Paris on December 14, 60.
Who remained overboard this half of March, which of the March anniversaries has the right to demand a complaint book? Tenor-Saxophonist Eddie Lokjo Davis, saxophonist and flutist Jan Garbarek, Cornetist and pianist Bix Bayderbek, pianist Dick Katz, Clarinetist and Bandelier Brown forest, another Cornetist Jimmy McPartland Harry James. Sorry, gentlemen, Next Time!
On this, the “Time of Jazz” is still lowering the winter curtain. We will again be at your frequencies in a week. You will find the podcasts of the latest issues on our website www.svoboda.org. All you are blessings, a successful and boring week, Chao, Bai-Bai!