Ruino therapy

Author: M. Bruk

04/27/2016 05:49

Often a person, seeing ruins in nature, experiences depressive emotions .

The idea goes something like this:

A person has put effort into something, but now no one needs it - he is sad, being abandoned.

This feeling is understandable

But let's look at it from a deeper point of view.

Every person has (relatively speaking) parts that feel useless.

And they resonate on the ruins, projecting their program outward.

Key approach:

Nothing is accidental.

The Almighty sends us a task so that we, as a correct solution:

A) discovered a harmful meta-program;

B) neutralized it;

C) selected a useful meta-program;

D) installed it;

D) received a return from the new meta-program and on the old “meta-data” (ruins)…

The very fact of detecting a harmful meta-program is the main part of its neutralization, since the power of the insidiousness of these programs lies in our unawareness of them.

They live in the "shadow" zone.

Awareness is (among other things) the shedding of light - and the elimination of the shadow zone, which was the parasite's habitat (living environment).

By changing the environment, we eliminate its inhabitants...

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But an even more effective result is (in addition to shedding light) the selection of a new appropriate meta-program, which we install in the vacated meta-space.

If “a holy place is never empty” (but is inhabited by all kinds of evil spirits),

That is, “an empty holy place is clogged,” that is, a place cleared of the parasite (which has become empty) is populated with a “holy” one, that is, an exalted meta-product.

And here there are possible options.

We offer one of the possibilities (and you, dear readers, can offer yours so that there is a choice).

It is very interesting that gradually the ruins turn into a part of nature, like stones lying on a field.

Of course, the aesthetics of ruins is something they call “not for everyone”...

But in fact, this reveals a special art of perception.

It is interesting to pay attention to the color scheme of the ruins.

The iron is covered with a brown rust color - in harmony with the colors of living nature.

Copper is covered with greenish-colored oxides.

Wooden structures sticking out of the water are covered with green algae.

So, the green-brown color scheme brings the ruins into “chromatic correspondence” with the natural color scheme.

As a result, nature incorporates ruins into its landscape.

The ruin moves from the status of “occupier” to the status of “cohabitant”.

If you have religious “piety”, you can go further and perceive the painting “Ruin ​​in a Landscape” as “the author’s”, where the Author (with a capital “A”) is the Almighty himself.

And then you “turn on” the second program - Meeting with the Author in the “face” of His creation.

Thus, having come across ruins in nature and discovering a depressive element in yourself, you can transform the situation into a productive one and ennoble your perception of the world.