Swedish regiment #8 (88)

Khlebnikovsky-epic and Zabolotsk-innovative poetry of Malevich, marked by roll calls with the work of Harms and nevertheless extremely independent, is a completely adequate analogue of the Suprematist Black Square.

The author to such an extent did not believe in the paper incarnation of his labor, sculpting in 1992-1997, which began to publish it on the network. However, it happened. Stage - in addition to jokes - the monograph is doomed to popularity and a hail of thorough reviews, including RSA. In the meantime (in brackets) a spoon of tar: over the two pre -printed years, Glory could correct numerous negligence, inaccuracies and errors that sunk into the manuscript. For example, not to call Ilya Tsalcyper I. Zincyperdt , and the second person of the pronoun is the second number . So the following fragment contains (in brackets) one statement, whose injustice yells directly to heaven. Guess which one.

Quote: “Magic” ┘ Letter in the early nineties surfaced in the independent newspaper culture department, which later became the art department of the Newspaper Today: here is the romantic literary dashing, which determined the color of prose and essays in the low -tech spring, was integrated into the pages of a large national newspaper.

Perhaps this project reached its peak in 1994, after which there was a certain qualitative decline. But just by this time, "newspaper journalism" or "newspaper literature" became the main topic of Russian literary criticism, and this interest did not subsorious in the ninety -fifth and ninety -sixth year┘

The fact is that this criticism frankly behaved as elegant literature. Firstly, it was given a lot of space in the events of the personal life of journalists, their relations with comrades in the department, etc.: The newspaper strip turned into a postal hollow, through which the group of humanities spoke and conveyed greetings (later this “party” reached some fatal limits and the project is insulting in many ways thanks to it). Secondly, almost in the principle of work of all kinds of hoaxes was erected here: next to normal reviews and reports, not from time to time, but “falsified” reports and reviews constantly appeared. Thirdly, “character” was widely developed here: the letter is not on behalf of the pseudonym, but on behalf of the mask, character with his character and style of writing (the most famous mask - Adelaid Metelkin - belonged to Yuri Gladilshchikov). The individual literary style was cultivated fundamentally: the authors of "art" today wrote on their page even a parody of each other. Fourthly, the reception of a letter on behalf of a real person was widespread: Deleuz’s housing, for example, or Gerard Depardieu. As a result, for a long time, the "Art" department today has become the most popular topic of oral and written discussions in the humanitarian environment.

In 1999, before the "Day of Money" , the "New World" surrendered, which had not previously complained. The work is really more and more likely and more likely. Some of the inserted novels (of which the novel, in fact, consists), ask for an anthology. In addition to the "day ┘", the book includes the optimistic stories "The death of the guitarist" and "Viselnik".

Quote: She grabbed the money that he gave her the day before, and shoved it into his suitcase. She snapped the locks, fastened her buckles, rolled up to the door.

- Get out! I can no longer breathe with you with one air, S.P.r.o., V.L.B.!

- T.Sh., D.S., V.G.Ya.T.V.!

- Ch.T.P.V.V.S.!

- L.E., Ch.G.V.T.!

- M.!

- P.O.ch.!

- W.!

- With enthusiasm!

The opinion of Lev Danilkin about Slapovsky

The charming and simple master line, made back in 1968, the future founder of the Ardis publishing house. The version of the "Symposium" this charm is leaning: in the comments, the translators gently bothering the naive proffer and generally frolic ( "Here we, so we raise our hat and politely bow to Leskov passing by" ). Yes, and the tandem of their surnames looks quite nabokovsky.

Quote: allusions by allusions, but Humbert Humbert will never kill his adored Luo. The fatal dagger Aleo, inherited Jose after the death of Zemfira for reprisal with Carmen and selected by Nabokov on the literary roadside, will not find his refuge in the tender and young chest of Lolita.

The gap is filled. The latter (out of existing today) Roman Faulza came out in Russian. Get ready for the fact that the Mantissa (1982) in the stationery of I. Besserial will seem boring to you. This is not the most exciting creation of the master in the original. For nothing that Stephen King is obsessively used the Mantissa motive in his Miseri psychotriller (1987).

Quote: He was now no less scared and shocked than before, but he still lacked his will to push this young and such persistent nurse. In the end, she is not so to blame┘, besides, he experienced some pleasantness from the opportunity to pull his nose to the doctor, showing more desire to cooperate with her subordinate. And he was not mistaken in his judgment about the manpower hidden in it: this restless and flexible creature made him back on the pillow and almost covered him with his body, as if wanting to demonstrate his own ability to extend and deepen the kiss. A moment, the other, and the sister managed to lay down on him entirely. Dr. Delphi, meanwhile, apparently managed to get out of bed. He felt Kory's sister felt his palm still lying on the litter and laid on an elastic rounded contour to her right┘ Well, say, cheeks. To the now shamelessly unambiguous synecdoks of her tongue, shudder and awe of naked flesh under his palm were added. In a vain attempt to calm down his sister, he raised his right hand and lowered it to the other cheek.

For the first time translated into Russian, the drama about False Dmitry I. Still, de Vega is a real block. Mary humanity. And Leonid Tsevyan is a genius of underly sarcasm (Understatement).

K about n r and d o
Hastily
Go all the prince.
From painful mental crushing
He was broken by a blow, and I suppose
That he is about to hand his soul to God.

K r and s t and n a
Alas, unprecedented troubles threaten
Our power.

T E O D O r O
Oh, don't pretend
And say how you feel, Christina.
You are happy that the prince killed Juan,
And I am happy that he himself dies:
After all, I will become a prince, and I am a fool,
And, therefore, you will rule the country
Which is not more extensive in Europe,
So far, Demetrio does not mature.

B about p and C
No, you are wrong. Why do you judge so badly
Are you talking about my sister, your wife?

T E O D O r O
Ah, Shurin, what comfort
A moment of terrible shocks can give
Madman sky, except freedom
To carry everything that will be overwhelmed to his mind?

Hush, Masha! I am Lubos Dobrovsky. Abstract: "The collection has previously been published in Russian plays and the journalistic works of the outstanding Czech playwright and politician, the President of the Czech Republic of Vaclav Gavel." As if we had not been enough here and previously translated here. The plays when the dissident Gavel still managed to praise. And about Brodsky it is known that he did not praise truly talented writers. From the principle.

Quote: Dear Richard von Vaitsecker, dear friend, thank you for everything that you have done for Europe!

Dear Mr. President Herzog, thank you for everything you do for Europe!

Dear Helmut Kohl, thank you for everything that you did and do for Europe!

The good that you did everything for her, you also did it for the Czech Republic.

The book includes selected translations from medieval Chinese collections of BICSI ( BI - brush, Ji - notes). These collections were generic - from poetry and jokes to ethnographic notes and magical stories and united into a single whole personality of the author - usually a sign for the Chinese literary tradition of the figure.

Quote: Ouyan Syu. Records of returning to the fields . Here is what Ce Si-Shang said: “When Song Gong-Chuy served according to the historical part, then every time he headed for the restroom, took a book with him and read it there loudly and clearly-everywhere it was very well audible! So he diligently indulged in science!”

I noticed Ce S-Shawan:

- And I most often write my works in three places - riding a horse lying in bed and sitting in the restroom. After all, only the best intentions are born in these places!