Swedish shop # 2

Heartbreakingly gloomy private chronicles of the times of stagnation. Feminism in some cases is still somehow treated. Female alcoholism - no.

The author is the ex -wife of the famous prose writer Andrei Bitov, in the mid -70s - the mistress of the Leningrad Literary Salon. Then her novel "Big Sand Clock" was published.

Quote: I no longer curse, as it happened, of our men and I do not blame them for their shame and humiliation. The men have nothing to do with it. They themselves are probably more than women, crippled, exhausted by the merciless machine of our regime. If a man is deprived of the opportunity to maintain and protect his family, he ceases to be a man and turns not even into a woman, but into something uncertain of the middle kind, into a sort of wild, worthless mutant (we are easily called assholes), in comparison with which even a murmur, like a mule, feels his expediency and dignity. Any cattle is useful, and our mutants are not only harmful, but even dangerous because of their wildness and potential crime. Yes, all our men are not only full degradants, they are criminals.

Vladimir Dudintsev . Between the two novels: the story / publication of N.F. Gordeeva (Dudintseva) and M.V. Dudintseva; Str. Art. B.N. Nikolsky. - St. Petersburg: Neva magazine, etc. Summer Garden, 2000. - 240 p.; additional. circulation of 1000 copies.; ISBN 5-87516-151-5.

Two novels - "not by bread by one" (1956) and " white clothes " (1987); Dudintsev did not have time to write the third. But he managed - this touchy, confused autobiographical book. The biliary was Vladimir Dmitrievich. It was an unkind man.

Quote: I remember, Yevtushenko once read his poem somewhere in the column hall √ "In the year, the seventeenth of the seventeenth gave freedom to all nations." I saw that somewhere by chance √ for beer whether, in the car, he gasped √ what a beautiful rhyme! And he began to hang a poem from all sides to this rhyme ...

Dmitry Merezhkovsky . Dramaturgy / Vost. Art., comp., Podg. text and comm. E.A. Andrushchenko. - Tomsk: Aquarius, 2000. - 768 p.; circulation of 1000 copies.; ISBN 5-7137-0115-8.

The whole drama of the wife of Zinaida Hippius. Including unpublished. Including the cinema concern "Dante" (mid-1930s) and "Boris Godunov" (late 1930s).

Quote: Summer star night looks out the window through the thick cast-iron grilles of the gloomy palace, the fortress of the de Bardi clan, he changed the nobles. On the bed, under a magnificent brocade canopy, a patient with Beatrice. Monna Bath, her sister, enters the bedroom and, going to Beatrice, gives her a letter. That, in the light of the lamp, warming in front of the icon of the Mother of God, reads the poems of Dante ...

Beatrice kisses the sheet, hides it under the pillow and says:

- Bath, when I die, put this sheet with me, in the coffin ...

May God reward the one who gave me love and suffer so much!

Sergey Makovsky . Portraits of contemporaries: portraits of contemporaries. On the Parnassus of the "Silver Age". Artistic criticism. Poems / comp., Preparation of text and comment. E.G. Inogatskaya, Yu.N.Simonenko; Afterword E.G. Inogatskaya. - M.: Agraf, 2000. - 768 p.; circulation 3000 copies; ISBN 5-7784-0099-3.

Being in exile, the founder of the aristocratic "Apollo", a talented editor and literary critic, Snob and Estet Makovsky (1877-1962) writes memories of his contemporaries - portraits of bright personalities of the beginning of the twentieth century. Osip Mandelstam and Zinaida Gippius , Alexander Benois and Alexander Blok, Maximilian Voloshin and Innocent Annensky: the interweaving of fate and creativity, debut and recognition of the public: a kind of introduction of pre -revolutionary literature in the history of pre -revolutionary literature. Here, for the first time, poems of Makovsky himself were published for the first time. Sometimes it is better to be a good critic ... However, depending on what to compare.

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L.V. Tydman. I hut, house, palace: Russian residential interior from 1700 to 1840s. - M.: Progress -Tradition, 2000. - 336 p.; The circulation is not indicated; ISBN 5-89826-061-17.

Tydman is a person who knows everything. For many decades, he worked in the management of the protection of monuments and therefore can clearly and intelligibly explain what risalitis is and what retirada is (the "Dictionary of the terms" is attached). Reading the book is a pure and elevated pleasure for lovers of historical details and privileges that are not burdened with cultural studies and structural anthropology. Just and without any undertaking to find out how people lived, built and attached, rebuilt and destroyed. For example, when you get into a brightly lit museum-water interior, it would be nice to understand that it is not designed for hundreds of watts and lumber of lighting. He is supposed to lurk in the flickering twilight of candles.

Quote: The customer, even when he dreams of fashionable and the highest architecture, always wants to achieve this goal with the least costs. Hence the preference to architects designing cheaper buildings.

G.G. Amelin , V.Ya.moreder . Worlds and collisions of Osip Mandelstama / Preight. Alexander Pyatigorsky . - M.: Languages ​​of Russian culture, 2000. - 320 p.; circulation of 2000 copies; ISBN 5-88766-018.

A luxuriously published monograph in the spirit of "philological intuitionism" (definition of A. Pyatigorsky).

Quote: We will not just take language games, but the inter -linguistic games mainly ... The poet falls into the situation of the heroes of Jules Verne’s novel “Children of Captain Grant”, when the message from the bottle, written immediately in three languages ​​and pretty well spoiled by the sea, can be deciphered only by combining English, French and German copies into a certain unified text ... The text is incomparable in the space of several Languages.

A.R. Usmanova . Umberto Eco: Interpretation paradoxes. - Mn.: Propiley, 2000 (series Humanities). - 200 p.; circulation of 2000 copies; ISBN 985-6329-29-9.

About novels - very little and in passing. In addition to them, IVF made a lot of semiological brochures with crafty names like "kant and plasticos". The study of Almira Usmanova is an attempt to comprehend these works of the sacred monster. Not retelling , namely comprehension. The author narrates easily and gracefully about the dentist -free abstruse matters. The “conclusion” lists possible claims to the book from the side: incompleteness, collage, superficiality, lack of critical distance. The most pretty is that Almira Rifovo is inclined to agree with these claims.

Quote: The semiology of the reality of Pazolini is based on the conviction that the movie only regulates the previous language - the language of action. The question is how he understands these actions. Pazolini obviously interprets them as the “natural” actions of a person whose combination in the film creates a certain text, a significant message. IVF shows that the “reality” of Pazolini is a reality, as it were, natural, dormant, documentary. Whereas, in fact, all this is culture and conventionality ... In other words, all human gestures and actions are semantic units that can be rationally explained and systematized ... Therefore, there are syntax and semantics of gestures and actions that are already qualified as a language.

Alexander Kosarev. Philosophy of myth: mythology and its heuristic significance: a textbook for universities. - M.: Per SE; SPb.: University Book, 2000 (series Humanitas). - 304 p.; circulation 3000 copies; ISBN 5-9292-0003-3 (PER SE); ISBN 5-7914-0085 (University Book).

The myth is not some kind of obscure chimera there, but a form of strict knowledge. Myths are created by gods and peoples. Scientists envy them powerlessly. For A. Kosarev, the authorities of Florensky, Yung , Losev , Golosovker , Nalimov are unquestioned.

Quote: There are many structures. There is a whole hierarchy of structures - from those located near the wall (Plato's cave. - RSH ) to those near the fire. Science studies the world of shadows (phenomena). She sees her task in predicting the appearance of others √ Discover new effects. But it is impossible to catch the connection between the shadows, remaining only in the world of shadows. Therefore, building all kinds of theories and models, scientists freely or involuntarily try to look into the world that these shadows discardes, they try to "know the woman." A woman is a structure in this model.

Intellectual Forum: International Journal. # 1. - 239 p.

Our answer to Chamberlain: a selection of fresh materials from The New Republic, London Review of Books and The New Yorker, competently translated into Russian and supplemented by Mark Belkin “Why and for what? A traveler and tourist in a historical perspective” and Sergey Earthly “Religion, Theology and Philosophy as areas Fiction. The works of Dmitry Krasnopevtsev under the section "Vernissage IF". Annoted reviews of non-fiction books and new serious music.

The founder of the publication is the Russian Institute (Moscow). Frequency - every three months.

Quote: Materials are consciously not divorced by rubrics: the culture is contraindicated. The genre of most articles can also be surprised - a review. However, in the English or American magazine, a review is a more complex form than the one that the Russian reader is used to. The internal rod of each text is the author’s dialogue with a book, a phenomenon, an event, a dialogue that generates a complex picture of intellectual relations, as in an attraction with mirrors facing each other. The articles of Russian authors presented in the journal we selected in accordance with the same principle.

What unites at first glance plotly incompatible materials of the room, from the history of the Parisian sewage to metaphysics, Horhe Luis Borhees? The complexity, mobility and non -obviousness of the world behind the outskirts.

Intellectual Forum: International Journal. # 2. - 258 p.

Charles Rosen about Johann Sebastian Bach; The glory of Zizhek and Perry Anderson about Vaclav Gavele; Mary Bird about the ruins of the ancient Pompeii; Sergey Zenkin about the heirs of structuralism. And much more.

Quote: As soon as volcanic slags settled, the locals returned and began to dig undermines to get things that represent at least some value: from silver bowls to bronze statues and marble plates. Almost two thousand years later, robberies smoothly flowed into the first, as it is customary to call them, “excavations”: all the best was cut down from the frozen lava and took them to a meeting of the Neapolitan king; The finds of the “lower grade”, unworthy of the attention of the crowned patron of the arts, were doomed to consistent destruction. The robberies from the very beginning were at the same time profitable and risky. There are many corpses considered victims of eruption - in all likelihood, the remains of robbers who died in the labyrinths of hopeless slopes.

Erich Auerbach . Mimesis: Image of reality in Western European literature / Per. With him. Al.V. Mikhailova, Yu.I. Arkhipova; Articles by I.N. Lagutina, V.L. Makhlin. - M.: Per SE; St. Petersburg: University Book, 2000 (series "Book of Light"). - 511 p.; circulation 5000 copies; ISBN 5-7914-0042-x; ISBN 5-7914-0023-3 ("Book of Light"); ISBN 5-9292-0009-2 (first SE).

The fundamental work (1946) of an outstanding German culturalist, published in Russian in 1976 under the name "Mimea ZA ", has long become a rarity. And it is not surprising: a thick, dense -focused monograph on the metamorphoses of the refractiveness of reality in the brains of various authors from Homer to Virginia Wolfe (about the shift of the literary epistemic , as Michelle Foucault would say), was read out, like a detective Ladlam.

In this publication, the translation of Al. Mikhailov and Yu.Arkhipov is published "with small clarifications": here, in particular, "C" instead of "Z" on the title. The old "steam" preface is removed; At the end - the substantial articles by I. Lagutina "Horizons of waiting" Erich Auerbach "and V. Macolin" Teste: Erich Auerbach and a test of philology. "

Quote: Despite the undoubted literary reminiscences, Rabelaus built the world in the giant's mouth in his own way, peculiarly. In front of Alcofribas, not fantastic chimeras and few people who somehow adapt to circumstances appear, he finds a developed society and economy in Pantagruel’s mouth, in which everything is established exactly as in his native France. At first, the narrator is surprised that people live in the mouth; First of all, he is surprised that everything looks not in a special way, not in a different way, but as in the world familiar to him.

Walter Benjamin . Franz Kafka / Per. With him. Mikhail Rudnitsky; Predwell. Mikhail Ryklin ; approx. Sergey Romashko and Mikhail Rudnitsky. -M.: AD Marginem, 2000 (collection "Philosophy along the edges).-319 p.; Circulation 3000 copies; ISBN 5-93321-015-3.

Unfinished essay (1934) genius about genius. With the add -ups of black notes and letters of the first genius simply talented people: Gery Sholem, Werner Kraft, Theodore Adorno.

Quote: Kafka did not get tired of listening to the beasts, trying to catch them forgotten. They seem to be not an end in itself for him; But without them nothing happens. It is worth recalling at least a "hunger strike", which, "in fact, serves only as an obstacle to the menagerie." And the animals in the "hole" or in the "giant mole" - is it not obvious that they rummage not only in the ground, but also in their thoughts? On the other hand, one cannot but notice that thinking is some kind of very scattered. In indecision, it jumps from one care to another, fearfully sniffs at all fears and in the habits has some kind of moth doom of despair. For Kafka also has butterflies: burdened with guilt, but he did not want to know the “Gracch hunter” about this fault of this fault.

Barbara Kassen. Sophistics effect / Per. with fr. A.Rossius. - M.: Moscow Philosophical Fund; St. Petersburg: University Book, 2000 (series "Library of modern French philosophy).-238 p.

The history of sophistry is not limited by the framework of antiquity, but still lasts. As, however, any sane person suspects without any hint from Barbara Kassen.

In the original language, the monograph was released in 1995.

Quote: with all possible reservations, it seems to me that the difference, designated by Plato and Protagoras, still retains its strength: we can say that this is the difference between the mighty tendency of Heidegger and the powerful tendency of Hannah Arenal ... recognition of the specificity of politics does not mean the ability to avoid mistakes and horrors in politics: Karl Shmidt, Max Weber and Reimon Aron think about political as such. It remains to find out how the specification is thought, the isolation of politics, why, how it is applied. But whatever this specification, it, by its definition, will never coincide with the ethical separation of the good and bad, or the theoretical separation of the true and false, which could undoubtedly reassure us at the moment, but probably horrified later. It is here that the essential characteristic lies, with the help of which, bypassing Aristotle and up to Hannah Arendt, the sophisticated artifact of politics is determined.

Henri de Monterlan. Noble demon: Roman / Per. with fr. D. Solovyev. - St. Petersburg: Inapress, 2000. - 264 p.; circulation 3000 copies; ISBN 5-87135-117-4.

Born in 1896. Production of brutal fraudsters and plays. He was a rabid nationalist conservative, sympathized with the German Nazism. In old age, blinded. He committed suicide in 1972. In Russian - for the first time.

Quote: Kostal realized how much she became a woman, how exactly he made her a woman with all his behavior. From the first day, here, even for all her tenderness to his caresses, he noticed that she no longer had the voice of a schoolgirl, coming from another planet, her lunar voice of the previous days. The face and gaze seemed to be sharpened. And the energy with which she pierced the hairpins into her hair and combed her thick braids was tightly charged with threats for free thought. The little artichoke became a woman.

Italo Calvino. Collected works. Volume III. If one day a traveler: a novel, a story, short stories / per. With Ital. Kiseleva, N. Stavrovskaya , V. Polev; comp. Kiseleva. - St. Petersburg: Symposium, 2000 (EX LIBRIS). - 422 s.; circulation of 6500 copies; ISBN 5-89091-108-2 (t.3); ISBN 5-89091-105-8.

The reader is you, this is a hero, this is the author. Kalvino (1923-1985) plays, he is the Polish, and the Cimmerian, and the American writer. Should the unique manner of writing really be inherent in a specific author? And who is a true reader, why he picks up a book and why will he give preference next time? "If a traveler is one winter night" (1979) - a novel for the reader and about him; About the writer and those who are not such. He started a lot and just one end - but happy. Philosophical retreats shade the stressful plot, the action is transferred from one country to another. A lot of underdeveloped. If you do not understand anything, repel it again.

In addition to the title novel, the 3rd volume (published before the second) includes the story "Palomar" (1983) and the novelty triptych "under the sun of the jaguar" (1986).

Quote: What to do with the verb "read"? Will they ever say "read today," as they say "frost today"? If you think about it, reading is purely personal; much more personal than scripture. Suppose the Scripture managed to overcome the limitations of the author, but it will make sense only when it reads it and passes a certain person through its mind. This will be the only evidence that what has written has the true power of Scripture, a power based on something that goes beyond the limits of an individual. The universe will be expressed to express until someone can say: "I read, then it is written."

Pierre Paolo Pazolini . Theorem: scripts, novel, story, stories, articles, essays, interviews / per. from it., Fr., English; comp., Comm., Bibliography, filmography of N. Stavrovskaya; Postwell. O. Aronson . - M.: Ladomir, 2000. - 671 p., Il.; circulation of 4000 copies; ISBN 5-86128-375-2.

The almost sole feat of the film and translator of Natalia Stavrovskaya, who trembles in front of Italo Calvino, but Pazolini will worship. Не том, не фолиант даже - увраж : широкие поля страниц, покрытые мелким, но внятным шрифтом, дорогая бумага, обильные глянцевые иллюстрации. Абсолютно все об авторе "120 дней Содома"; нет разве что квитанций из прачечной и подписанных им ресторанных счетов. Эту книгу можно листать всю жизнь. Если, конечно, вы принадлежите к меньшинству культурного человечества и фамилия Пазолини не вызывает у вас стойкой идиосинкразии.

Перевод заглавного сценария - новый, совсем не тот, что мы читали и многажды перечитывали в журнале "Искусство кино" за январь - март 1992 года.

Цитата: Можно ли назвать жизнь Мандельштама жизнью? Она не схожа ни с какой другой из непосредственно известных мне, ни с теми, о которых я слыхал, которые воображал. Она не вписывается в "человеческую традицию", побуждающую нас воспринимать жизни людей как очень схожие между собой или, напротив, бесконечно отличающиеся, уникальные явления. Мандельштам жил будто ослепленное животное на незнакомых пастбищах.

Мед и мазут: Шесть ирландских поэтов / Пер. from English. и ирл. Г.Агафонова, М.Бородицкой, Ю.Гуголева , Г.Кружкова, А.Кудрявицкого, Т.Михайловой; comp. And the foreword. Григория Кружкова . - М.: Б.С.Г.-пресс, 2000. - 192 с.; circulation of 2000 copies; ISBN 5-93381-002-9.

Томас Маккарти. Джон Монтегю. Пол Малдун. Нула Ни Гоунал. Фрэнк Ормсби. Том Полин. Нарядная подарочная "зеркалка", подготовленная при живейшем участии Посольства Великобритании в Москве, Британского совета и Ирландского комитета культурных связей.

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Силвия Плат. Под стеклянным колпаком: Роман / Пер. from English. Виктора Топорова . - St. Petersburg: Amphora, 2000 (series "Herbarium"). - 333 с.; circulation 5000 copies; ISBN 5-8301-0161-0.

Роман (1963) безвременно погибшей - покончившей с собою (1963) - американской поэтессы, супруги британского стихотворца Теда Хьюза. Дамы, не выходите замуж за собратьев по профессии! В последние годы среди феминисток крепнет убеждение, что несчастная Силвия была по всем статьям талантливей своего конформиста мужа. Сама Плат, впрочем, думала иначе: "Он - гений. А я - его жена" (из дневников).

Цитата: Я не спала уже двадцать одну ночь подряд. Я думала о том, что на свете нет ничего прекрасней тени. Миллион движущихся теней и бесконечное множество теней неподвижных. Тень таилась в ящиках письменного стола, в шкафах, в чемоданах, тень жила под домами, деревьями и камнями, тень была в глубине человеческих глаз и улыбок, и тень, долгие мили сплошной тени - на ночной стороне Земли...

Этим утром я предприняла первую попытку. Я заперлась в ванной, наполнила ванну теплой водой и достала лезвие "Жиллет".

Thomas pinchon. V.: Роман / Пер. from English. Н.Махлаюка, С.Слободянюка, А.Захаревич; Predwell. Н.Махлаюка, С.Слободянюка; Comm. Н.Махлаюка, С.Слободянюка, С.Кузнецова. - СПб.: Симпозиум, 2000 (серия Ex libris). - 670 с.; circulation 5000 copies; ISBN 5-89091-126-0.

Пальцы немеют. За последние месяцы о русском Пинчоне и так написано больше, чем требуется.

Цитата: Ему действительно снились сны, в которых он уменьшался до микроскопических размеров и отправлялся исследовать мозг. Входил в одну из кожных пор на лбу и попадал в слепой мешок потовой железы. Затем, продравшись через джунгли капилляров, он в конце концов выходил на плато лобовой кости и двигался дальше сквозь череп; пройдя через твердую, паутинную и мягкую мозговые оболочки, достигал моря мозговой жидкости с бороздчатым дном. Оставалось лишь переплыть это море, чтобы совершить последний бросок на серые полушария - вместилище духа.

Katie Lett. Givingic attraction: Roman / Per. from English. M.L. Pavlycheva. - M.: Thornton and Sagden, 2000. - 360 p.; circulation of 7400 copies; ISBN 0-330-33527-8; ISBN 5-93923-009-1.

The Thornton and Sagden Publishing House , marked in the Russian market in early June, acts quite sweepingly, releasing first -oriented (but not high -grade) foreign bestsellers in toothy (but far from impeccable) translations. But the advertising department at T&D works perfectly. The "big troubles" of Dave Barry and the Bridget Jones Diary Helen Fielding received a loud press. Ahead is the “beach” and “Tesseract” by Alex Garland, the “desired thing” by Tom Wolf, “following the blood trail” of Joseph Uombo, the “New York trilogy” of Paul Oster, the “empire of the Sun” by John Ballard. RG removes the hat.

История, рассказанная Кэти Летт, проста до банального. A kind of provincial from Australia enters London, where she tries to break into high society. A friend throws her, she turns out to be pregnant and a good half of the book wanders in search of work. The novel is very physiological: the process of childbirth is described in detail, and there are no disabilities in love scenes.

Quote: In essence, all men need only a fashion model of underwear with tied pipes and in a psychiatrist. Madlin Wolfe came to this conclusion, being on the wretched streets of conservative Britain, which is not at the peak of economic development. Surprisingly, London did not need the instructors on the underwater swimming ... Participation in the suspect identification procedure cost four pounds per hour. You can still lay your hair with foam, draw a ring and wander around the Picadilles-sirkus, collecting ten pounds from Japanese tourists per photo ... There is still a service that helps "little boys look like real stallions." The responsibilities are simple: to flirt with them at receptions and cause jealousy of their arrogant girlfriends. They pay forty -five pounds per flirting, but there is no medical insurance.

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