A fairy tale for mature

A fairy tale for mature. The seventh and last film of Potterian Harry Potter and the Gifts of Death will set a world length of duration for youth commercial films. The film as a whole will be pulled, apparently, for five hours. But the differences between the new film and the previous ones are not only in duration - they are essential. They were analyzed by The New Times

The seventh Film of Potteriana is the story of the totalitarian nightmare studio Warner, which filmed the seven novels of the Englishwoman Joan Rowling about childhood, adolescence, youth and universities of the Mrakobor Magari Harry Potter, gives the epic about him as the main screen event for the new audience of the XXI century. This is both fair and not very. It is fair, because the epic - both book and movie - hundreds of millions of fans and fantastic billionths. It is unfair, since the film adaptation of Potteriana is the most non -independent in the history of the cinema. No innovations and improvisations. These films are more or less accurate clones of novels. Rowling managed to achieve full control over film versions. This corresponded to the wishes of the public, who had a little-Maly deviation from the plot, a step to the right, step to the left, would cause anger.

He did not return from the battle with the only film of the cycle that was out of order, was the third - Harry Potter and Prisoner of Azkaban, made by the Mexican Alfonso Koaron, who before Harry took off the obscene tragicomedy “And your mother, too” (and as soon as he was entrusted with the then to touch Potter's idol?), And then - stunning Thriller-antiopia "human child." Koaron rightly reasoned that fairy -tale mantles would look strange on the screen if the heroes are already 13-15. And he put on Hermione, Harry and Ron (these are the main ones for the unknowing ones) in jeans and sweaters, making them his own for teenagers who filled the halls.

In the last Harry - not a single optimistic frame of Kuaron is now raised to the shield, nevertheless, the director of the last three films was appointed more controlled British David Yates. But he also learned. In the seventh film (unlike the previous six, it is divided into two parts: the first came out with us and in most other countries last Friday, and the second should appear on July 14, 2011), he managed to change the epic genre. Before, it was a gloomy, but still romantic fairy tale. She demonstrated an alternative history of mankind, which many viewers would like to become a participant in. The new film is pure anti -utopia, that is, the story of a potential totalitarian nightmare that humanity can wait. What romance is there? In the seventh Harry - it’s even hard to believe in it - not a single bright optimistic frame. Only fog, cloudy, twilight ... Yes, there is one sunny episode in the finale, but that is the scene of the funeral. They buried the devotee Harry Elf Dobby, whose appearance from the moment of his appearance in the second film of the Harry Potter and the Secret Room forced the Western media to laugh, since Dobby externally is a caricature of Vladimir Putin. And what? GDP advertising. Now Dobby finally proved himself to be a selfless hero.

Voldemort, like Hitler, in fact, Harry Potter was inclined to adulthood for a long time. From part to part (which is novel, that movie) - more and more blood and deaths, and the characters from among the loved ones died. From the film to the film (even stronger than from the book to the book) - all thicker than political relevance. In the first four paintings, the action developed in the world of magicians, invisible to ordinary British mortal, who in Rowling's novels contemptuously called Muggles. But already in the fifth, the characters are twice over the true city-over Temz, past parliament, Big-Ben, Tower. Demons attack ordinary people. When several dangerous black magicians, supporters of Devil Wolan de Mort, run from prison, officials from the parallel magical world have to notify the British Prime Minister about this. Presumably, personally, Mr. Gordon Brown (at that time, Prime Minister of Great Britain). In the sixth film, supporters of Volan de Morte even hold promotions in London, comparable to attacks not even to the London metro, but to New York twin towers. In particular, the Millennium bridge is destroyed - this was not in Rowling’s novel.

The devilish bastard Volan de Mort (Ralph Faines) The seventh part gives an explanation of why Volan de Morte behaves so brazenly. He strives for the universal dictatorship. He has already seized power in the world of magicians and is now trying to spread it to people. He is a devilish bastard. Magly people are sitting in his offices sealed in the painful poses of prisoners of concentration camps. Moreover, the main task of the new government, as any totalitarian, is the search for internal enemies. Witch hunting in the best Stalin-Gitler-Makartist traditions. It is in these traditions that the new government checks the wives of the main dignitaries for whether they are half -breeds (this is a more correct option for the issue) or mudballings (fascist version). That is a crush of a magician and a Magla. The Ministry of Magic, which was occupied in the seventh film, the supporters of Volan de Mort, is a pure Third Reich. There, pamphlets are massively printed on how to distinguish a mudbill from true citizens and how the dirt threatens the world's cleanliness. Soldiers are walking around the parquet in uniform. According to the opposition radio, which they listen to hiding, sadly and sadly read out the lists of the missing-former wizards, well, that is, the ex-communists, as in Chile or Argentina. Well, Potter with us now! The loneliness of Harry Potter, Hermione and Ron, which is very important in the seventh Potter, is perceived in such a context as the loneliness of the leaders of hopeless emigration, a semi-intelligent, but still necessary resistance to the system.

A film about fascism who came to the world. Fascism is universal, which, in general, is the novelty for the whole new movie and the entire new literature. After all, it is despised - and destroyed - absolutely all of humanity, regardless of races and nations, gender and age, becomes an object.

PS: Since Potterian heroes grew from book to book and from series to series, and with them their admirers were also growing up, it can be assumed that film -tierian also became unique from the point of view of sociology. The first two films released at the turn of the 2000s, a teenage baby listened. The main audience of the last, seventh, the film will be, one might say, a student audience: a former baby, which is now 17–25 years old.