Risk rabies

Leah Akhedzhakova put on lati

Risk rabies. Leah Akhedzhakova headed the revolution and decapitated power. This happened on the stage of the Nations Theater in the performance of Circo Ambulant

Someday she had to do this: put on armor, grab a wooden spear and saddle a felt horse. Her civic courage gained artistic embodiment: the artist and the role merged in romantic ecstasy, exploding the audience with cries of delight. A small brave woman with one ear, broken by the back of his head and a broken hand hidden into a large red glove, looks into the quiet gaze with a wet look and admitly admits: “Having received a stick on the head, I celebrated and now I see everything in genuine light.” Akhedzhakov turns the circus finale into a theatrical rally, her huge red glove shines, rinses above her head, like a banner: “People, wake up! I will give you freedom! "
Prime Minister and Premiere
In the fall, the theater of nations after reconstruction was opened by Vladimir Putin. Personally scored a silver coin between the boards of the scenes (for happiness and luck), personally played on the “accidentally” that had arisen in the wiretrous in the wings, had a cupchair with artists, joked with a young Khudruk. Evgeny Mironov, relying on a wand (after the operation), reciprocated the premiere, poured compliments on the verge: "You, Vladimir Vladimirovich, do not burn in the tank, and do not thin in the water." The prime minister shouted his lips with a smile. The dive was frighteningly theatrical, hidden meanings and daring subtexts crawled out of laconic dialogs, breaking the entire prepared structure: the scene of the master’s arrival to the slaves, Hudruk spoiled his straight back, sparkling with a pointing cane and dangerous jokes.
Evgeny Mironov stubbornly does not want to play the role of a court lyceum prepared for him: his surname is neither in party lists or front -line ones, he is not listed in either the ranks of supporters or in the election headquarters. But in the place of Vladimir Mashkov, he was supposed to be in all signs! Imagine how this felt speech performed by Evgeny Mironov would sound. But Mironov did not play this performance. The repertoire of the Theater of Nations is not much like the repertoire of the court theater: Camu Kamya, Grenhelm Method Galseran, “Freken Julie” by Strindberg, the current Circo Ambulante and completely incomprehensible origin ... “Well, you have a repertoire!” - Ivan Vasilievich Bunsha would be indignant.
The art program is clear as a day: the confrontation of a person and system, a rebellion of a person against the rules, schemes, stereotypes, the struggle for the right to be different imposed by a system.
The island of the damned
The theme of the Donestyism is painful and attractive to any artist, because art itself implies this eternal unequal struggle of a madman with windmills. The line between madness and heroism is so thin that the conversation can easily slide into the vulgarity of pathos or ridicule. Director Andrei Mighty, together with the artist Maxim Isaev, composed an anti -utopia about the madman and his wife, who picked up the banner from the hands of the dying husband and completed the work of his life, risking his own. Although, by and large, the verb was “composed” to this work is not applicable, since the performance continues to compose. The mighty does not put the plays, he extracts the plot from the original source, as a musician - a melody, gives each artist his party and requires improvisations. The larger the artist, the freer the improvisation.
Retelling this performance is as pointless as deciphering metaphors. Everything that is not said directly will torment the variety of interpretations and arrogance, the brutality of embodiment. A gloomy ominous factory landscape will open behind a frankly circus painted curtain: huge iron pipes from which plywood puffs of smoke stick out, television screens are mounted in the neck of each pipes, in which the drawn news of the day is shown. White bears move around the stage and the hall, unfolding the absurd banners of popular “monstrents” such as “with us moss!” or "Gerda, Ikai!" Under the inscription "meat processing plant" on iron hooks, rag meat carcasses swing. They are cut by women in rubber aprons, felt slippers and lowered coarse stockings. The main character Maria (Leah Akhedzhakova) once served in the circus, assisted her father in the room “Disappointed Dulsinea”, until her father grabbed her ear with a kitchen knife named “Fidel”.

The island opposition: the former supervisor David (Alexei Inglevich) and Maria (Leah Akhedzhakova), who continued her husband's case
In the “Mary’s apartment” (as the inscription says) on the zinc trestle, as on the operating table, a motionless naked man lies. This is the paralyzed husband of Maria Anton (Albert Filozov), who once changed his wife and broken by stroke after the party meeting. “The stroke and paralysis returned my husband to me,” Maria will say, admitting how she wrote an anonymous to her wife in the party committee (just like that - the party committee). Anton was chained to bed for twenty years and stands before our eyes at the call of the heart, having read Cervantes, who pushed him to the path of a heroic suicide bomber. Anton gets up to free the island from the spell of his ruler of the chief conducer. Dvarik David (Alexei Inglevich) refuses the career’s career and sides the side of the rebellious Anton, ready to lead the opposition. The people of the totalitarian island are represented by villagers and settlers of various classes, including intelligentsia and prostitution. A huge shark swims through the scene from the inscription "Morg" towards the inscription "Bar of the Cuba", and the young Che Guevara laughs inaudibly and fluidly from the black and white screen. "Blave everything on x*th!" - the beautiful Gloria (Arina Marakulina) will tell himself - and everything will explode ...
Brain explosion
The density of the information and the speed of stage transformations are offset: it seems, a little more-and the spectator brain will explode, unable to withstand this “atmospheric pillar”. At some point, you should relax, stop listening to the texts and follow the plot intensely, then the performance will drag you along like a crucified carcass on an iron hook. The main secret of the Circo team is in collective fearless. So the messenger with sensational news flies on the off -road, tight, getting confused in the grass, falling into the pits, stumbling about the roots sticking out of the ground, not noticing the cheeks torn into the blood ... flies to have time to warn about treason in order to protect you from death. "

The art program is clear as a day: the confrontation of man and system, the struggle for the right to be different

“When you understand this, you will open the“ third eye ”, and the stage space will become three -dimensional, as in 3D, and the verbal and visual details that are bulging on each other will gain logical harmony and artistic harmony.“ God, I am a cow! ” - You will have time to read, or to think and with pleasure, stick a long iron rod in the round belly of Lieutenant Rodriguez.
This, of course, is the Mad people who imagined that they are able to change the world. They will not change the world, but at least they will question it. The first thing the viewer leaving the hall comes across is his own reflection in the mirrors is clearly something has changed.