© Palais Liechtenstein Heinrich Friedrich Függer. Prometheus brings fire to people. 1817On June 8-10, conductor Vladimir Yurovsky will continue the educational cycle in the concert hall. Tchaikovsky in Moscow with three contacts dedicated to the myth of Prometheus in music.
The first three concerts of the series “History with the Orchestra. Vladimir Yurovsky conducts and says ”, presented in the Moscow Philharmonic last year, were held with full halls, and the maestro decided to resume the project in the new season.
According to the conductor, the figure of Prometheus never left people indifferent. To trace how the look at the myth of Prometheus at different times changed, and the creation of which arts inspired this image of composers and playwrights, and there is the main idea of the summer concert cycle.
The State Academic Symphony Orchestra of Russia will take part in all concerts. E.F. Svetlanova under the direction of Vladimir Yurovsky.
In addition, on the stage of the concert hall. The singers Boris Pinhasovich, Lilianna Petrusenko, Ekaterina Kichigina, Nadezhda Gulitskaya, Maxim Mikhailov, Ellison Bell, Evgeny Liberman, pianist Alexei Tsyganov and Chulpan Khamatova, an ensemble of shock tools of Pekarsky, and choral groups of Moscow, and Moscow groups.
In the concert program on June 8, Beethoven’s heroic-allegorical ballet “Creation of Prometheus” and fragments of Prometheus Orf on the tragedy of Aeschylus. On June 9, fragments from the musical drama of Foreta Prometheus, Lulu-Suite Berg, the Oceanids of Sibelius and Prometheus (“Poem of Fire”) of Scriabin will sound.
At the final concert of the cycle on June 10 , the symphonic poem of the leaf “Prometheus”, the cantata of Saint-Sans “Wedding Prometheus”, the songs of Schubert and Wolf, as well as the third symphony of Beethoven (“heroic”) will be performed.