In the life of a great artist, the period comes when he already understands everything about this world and speaks of him without the mumble of his youth, in an old manner, quietly, most often even meager and sparingly. So Haneke removes "love", and Dodin puts the "enemy of the people." Both are no longer enthusiastic about the world, they are disappointed and do not have illusions. But thanks to their wisdom, they do not focus on grumbling. They share their thoughts with the viewer. And if there is no close person nearby who would talk about life, there are large and close artists nearby.
In the small dramatic, rare, not hackneyed, smart ones were always able to find plays. The "enemy of the people" of ibsen is like a sip of fresh air. None of the living people spoke about modern man as Ibsen did. About the loneliness of a decent person, about the impossibility of resisting the will of the majority .
Sergey Kuryshev - the actor is not the most even. He is not Igor Ivanov or Pyotr Semak, who amaze immediately. You don’t accept Kuryshev, you don’t immediately get used to his manner to stay on stage and speak. But his whole path, it seems to me, was started for the role in this performance. Because I am sure that this is the role precisely Kuryshev, no one else. It is his manner, speech, gestures that are manner, speech and gestures of Dr. Stockman. Rare, but in the performance of Dodin there is a lot of music. Music and air scenography of Alexander Borovsky make this performance beautiful. The tragedy of a person does not seem so terrible when such a house and such music surrounds him. The director is sure that in the house of Dr. Stockman they will definitely break the windows: people do not forgive that someone is more decent and cleaner than them . I am still 29 years old, and I'm not so sure about the broken windows, but thanks to the play MDT, it will be easier for me to live with this understanding. I was warned. And, as always in MDT, they showed which direction of broken windows to stand. 