
The Monthry of Daunbitt, sent the August issue of the magazine with the results of a survey of musicologists and historians of Jazz. “Jazz Time” is dedicated to five winners: Cecil Maclorin Salvan, Nikol Mitchell, Kenny Garret, Regina Carter and Joe Lovano.
The traditions of competitive surveys of full -time or freelance musicologists and historians of Jazz Monthly Daunbit turned sixty -two years. The first annual summer competition is the decision of professionals, the second is the readers themselves. This 2014 is pretty surprise. And there are many women among the winners. That is - winners.
Cecile Mclorin Salvant - Womanchild - 6:07 (Cecile Mclorin Salvant - Womanchild - Mack Avenue)
"Womanchild" - text and music Cecil Maclorin Salvan. The name can only be translated in the meaning of the text of the song itself: “Wild-woman”:
- The child is staggering, trying to take an uncertain step.
Why do they think that she can walk in big steps?
She cannot stand directly if someone does not help her ...
The woman-woman stumbles, awkward on her legs,
Uncertained where she will go when her hour comes.
And she will never know until her hour comes ...
As always, my substrate; With the most complex last line. I can only replace it with the statement of Simona de Bovoir: - Women are not born, they become women ...
Father Cecile is a doctor with Haiti; Her mother is a Frenchwoman. So, most likely, her name, which I have not yet been heard in the English -language broadcast, sounds like Cecil Maclorin Salvan. She is 24 years old and she won prizes in four categories: a jazz album of the year; jazz vocalist of the year; The rising jazz star and the rising vocal star.
But here is the composition of her combo: Aron Dail - the piano; James Chirillo is a guitar and bandjo; Rodney Wytekter - double bass; Herlin Riley - drums.
Cecile Mclorin Salvant - I DIDNIT KNOW What Time It Was - 6:07 (Cecile Mclorin Salvant - Womanchild - Mack Avenue)
“I DIDNIT KNOW What Time It WAS”, “I did not know what was the hour” - Richard Rogers and Lorentz Hart. "I did not know who was an hour until love broke ...". Here, perhaps, is the best way to orient in our earthly time. The same composition Combo Cecil Maclorin Salvan.
She is not on Vicki so far. At least today. There are no jazz guides and encyclopedias. This is what is known for this hour. Cecile grew up in Miami. From the age of four, she was engaged in classic piano and took singing lessons. Then she had to make a difficult decision-to go to France to the Conservatory of the ex-en-province. Cecil speaks the same in English, French and Spanish equally. In exse, she was at first carried away by the music of French Baroque, but then her teacher, saxophonist and clarinetist, Jean-France Bonnel, gave her a complete collection of records of one of the ancestors of the blues-Bessie Smis. Later, the turn of the great vocalists of jazz and the other great vocalists of the jazz came up. Returning to the United States, Cecil Maclorin Salvan, not without pressure from her mother, decided to speak at the Teleonius Monka vocalist international competition. There was 2010 in the yard. Her career broke from a place in a gallop.
Cecile Mclorin Salvant - What a Little MoonLight Can Do - 8:14 (Cecile Mclorin Salvant - Womanchild - Mack Avenue RDS)
“What A Little MoonLight Can Do”, “What can do with you a little moonlight ...”-a song-standard 34 years of Harry Woods. I repeat the composition of the combo: Aron Dail - the piano; James Chirillo is a guitar and bandjo; Rodney Wytekter - double bass; Herlin Riley - drums and Cecil Maclorin Salvan - vocals of the album “Womanchild” (into one word) took place last year. More about the vocalist and the pianist in the nearest gears.
The veterans committee introduced the Hall of Fame, the Hall of Fame - singer Daina Washington. The third volume of Miles Davis in Phillmore (this is an illegal entry) was recognized as the best historical album. The best jazz group is named by the combo of the saxophonist Wayne Schorter. The best large orchestra, not for the first time, the orchestra of Maria Schneider. The thrombonist of the year is Wahycliff Gordon. The guitarist is Bill Frisel. The smuggler is Christian McBride. I do not call the rest, because you will have time to hear someone today.
Nicole Mitchell - Yearning - 6:46 (Nicole Mitchell's Ice Crystals - Aquarius - Delmark RDS)
"Yearning" is a strong desire for something or acute longing. Nikol Mitchell, the flutist of the year, born in 67 in Saraxy, New York and living in California. She has been a “ascending star” in this star category of Daunbita since 2004.
With Nikol Mitchell, flute, played: Jason Adaslevich - vibrophone; Joshua Abrams - double bass and Frank Rowls - drums. The Crystal of Ice - Aquarius disk was released last year, but this year its combo has already released a new diabetes - "Secret tricks of the velvet enderson."
At a recent reinforcement of the computer, I lost something from the mail. Including Imail of a sailor, captain, boatswain - I do not know the title - who listened to the Jazz "Freedom" in the Open Sea. I would be glad if you wrote to me again!
Kenny Garrett - Pushing the World Away - 9:12 (Kenny Garrett - Pushing the World Away - Mack Avenue RDS)
“Pushing the World Away”, “Pulling up, pushing the world ...” - the composition and combo alt -saxophonist of the year Kenny Garrett, who in this case plays soprano saxophone. Listening to him, it is difficult not to recall John Coltrain, including text inserts that sound like a slander. Vernell Brown - Royal; Corcorn Holt - doublebas and Mark Whitfield - drums. The disk came out, as in the case of Cecil Maclorin Salvan, at the young company Mack Avenue.
Kenny is from Detroit, Michigan, he is fifty -three years old. He began in the orchestra of Duke Ellington in 1978. In that era, the orchestra was led by the son of Duke Mercer Ellington. For three years he played in the orchestra of Mela Lewis and, noticeably, followed the trail of Charlie Mingus. For five years he spent in the Milesa orchestra of Davis in the same "electron-electrical" period of the trumpeter.
But hurry. All plays are now a fair length, and I, as you know, try not to give fragments from the standing compositions.
REDINA CARTER - Death Havy Mercy - 8:21 (Regina Carter - South Comfort - Sony MasterWorks)
“Death has Mercy” is a folklore southern melody “Have mercy, death ...”. The gloomy principle passes into something like dance jiga. Again it is southern - from the other world to this one.
Regina Carter - winner of 2014 - violin; Vil Holshauer - accordion; Marvin Syuuel - guitar; Jess Morfi is a double bass and Alvester Garnet Harnet.

Regina Carter played a teenage girl in the Detroit Symphony Orchestra. She was fantastically lucky: she also participated in Master Classes by a schoolgirl, Yitzhak Perlman and Jehudi Menukhin. Her jazz career launched in the nineties in the female pop annsmble "Straight Ahead". Her first solo disk was released in 95. She wrote jazz, folk and classics in parallel. Today it is considered the master of jazz violin improvisation. My favorite Regina Carter discs - “I'll BE Seeing You” 2006 and “Reverse Thread” - 2010.
The finish line of the summer and the swinging "Jazz Time". "Daunbitt" on our waves and on our website www.svoboda.org . The microphone in a hot town on the hay is your DS.
Joe Lovano - Star Crossed Lovers - 7:34 (Joe Lovano - Cross Culture - Blue Note)
"Star Crossed Lovers" - "Blessed Lovers" Joe Lovano. Lovan (and not the first time) took a leading place among the tenor-saxophonists. Joe is sixty -one years old. He was born in Cleveland, Ohio, but his parents are the Sicilians. Joe grew up under the tingle of his father of tenor-saxophonist Tony "Big T" Lovano. In addition to dad, who faded him from the spoon and put him on the pot, the younger one grew under the influence of John Coltrane, Dizzy Gillespi and Sonny Stiet. He performed, and often, throughout Europe; He is also known in Russia.
The composition of his combo: fishing-tenor-sax; James Waidman - Royal; Lionel Luke - guitar; Peter Slava - double bass and Otis Brown - drums. Joe Lovano Cross Culture went to Blue Note last year.
That's all for today. The director of this issue of Jazz Time Alexander Arkadyev, the author and presenter - Dmitry Savitsky. We will be together again in a week. But, if you wish, you will find the podcasts of the latest gears of the Jazz Time on our website www.svoboda.org . All you are blessings, personal and business, sunny week, Chao, Bai-Bai!