
Last weekend show, the sensational performance “Dementia” of Cornel Mundruzo opened the main program of the NET festival . New European theater. " The key events of the forum are in the COLTA guide . Ru .
Julia Lustarnova “Lecture on nothing” on November 17, 18, 19, MMSIA distinctive feature of the program of this year is the abundance of the names of young Russian directors whose performances are not so much formed by a parallel international program as they organically embed in the general festival posting, at ease disavowed the naming the thesis “Russia NOT Europe”: NET -2015 represents a group portrait of the directorial generation that has grown up on the performances of the “new European theater”. The Russian NET Russian program consists mainly of the repertoire performances of Moscow theaters (Normansk Yuri Kvyatkovsky, Cinderella of Martha Gorvitz, Konarmia Maxim Didenko), and two of the prime minister will be presented - both from Dmitry Volkostraelov. Under the curtain of the festival, the theater of nations will show the prime minister of his “Russian romance” , and this week the St. Petersburg “ Post theater” will play in the MMSI on Petrovka “Lecture on Nothing” - just nominated for the Golden Mask, the first production of one of the key texts of John Cage.
Putting a “lecture on nothing”, Volkostroles creates a curious precedent: the author of “4'33” in Russia is perhaps better than other classics of the avant-garde of the twentieth century, but they are valued mainly in the musical and near-music community-it is difficult to name at least one or two named after the theatrical directors who recognized them in the influence of Cage or who turned to his inheritance. There are not so many stage stories of the Cage of Lectures on Nothing: the emblematic interpretation belongs, as it is easy to guess, the Apologet of Kage Robert Wilson . Spectators - such, as they say, are the features of the scenographic solution of the performance.