6. But no, 7.

Expectations with which the reader usually approaches the novel are formed at least by annotation. Annotation to the novel “All capable of breathing” could sound, for example, as follows: “... The event was called“ Asson ”, and its scale was such that inside it failed without a trace and two wars (one, as it should be, someone with someone, and the second, as only later, is all with all), and such a madness that even a certain system was discovered, and the great resettlement was found, and the other Great settlements are peoples who have not considered themselves the peoples before, and there are many more things that have to be discussed separately. All this was Asson, and what was after Ason was also an Asson - and, as always, completely small things were important, because when Asson occurs, no one lives ason, but lives with life. Before Ason, the world was divided into everything that breathes, and everything that does not breathe, and after the Ason the world is divided into everything that breathes, and everything that does not breathe - only now these words mean not at all what before. Here are the remains of a detachment of soldiers who survived after the battles in the zoo, but the “remnants” are people who refuse to evacuate from the cities abandoned by the population, but a person who is trying to provide medical assistance to the exhausted population, who hate him with fierce hatred, but “Volnya” who does not need any help, because Assent gives out gifts with a characteristic of any disaster. With generosity, but the little sectarians who go home with beautiful pictures, so that everyone becomes good and clear, and all of them - nothing, live. They breathe and live, somehow breathe and live. ” As a New Year's gift to its readers, Colta.ru publishes excerpts from the novel by Roman Linor Goralik “All that can breathe breath”.

6. But not

On the fourth day, they opened the door, opened. He discovered this when he managed to understand that even scarlet pain in the right eye - completely unlike pulsating purple pain in his left eye - was caused by light, making his way through the eyelid. He began to work with the current situation and, after a very short period of time, managed to open one eye - the left, opening with less effort - and bring his head to a position that allowed a few seconds to concentrate his eyes. This gave him the opportunity to make sure that the door is undoubtedly open and that he himself (almost undoubtedly) abides in consciousness and may rely on his own impressions. After a short rest that needed his body to restore strength (the light slowly left, night came, already night), he was able to concentrate, draw up a small plan and bring him into action. The result was impressive: now his body was lying on his stomach, slightly skewed to save the crushed ribs on the one hand, and taking a strategically important direction - his head towards the door, hind legs into the dark corner, where the open jar with tuna began to hide. The light went around the crumpled bucket, turning it into a stupid black sign against the background of a shining rectangle filled with dawn and cold. If the calculations were correct (and he honestly admitted that at the moment his ability to correctly evaluate the distances was far from height), he only needed to crawl to the bucket, to rest, throw a bucket from the road and continue to crawl in the same direction - a total of five or seven hundred meters. He only needed to crawl to the bucket, rest, throw a bucket from the road and continue to crawl in the same direction - total from a five -meter -out force or seven hundred meters. He only needed to crawl to the bucket, rest, throw a bucket from the road and continue to crawl in the same direction - total from a five -meter -out force or seven hundred meters. He crawled to the bucket, and there was a night, and the officer entered the basement, and this ended their exciting dispute about free will - a dispute that began immediately after his arrest and ended with a lone shot behind a closed door.

Material for children's reading

Designed for independent children's reading, reading with parents, for methodological classes in schools and pediatric slowers, for use in the provision of psychological assistance.
Publishing House: Department of Social Projects of the Southern Military District (Maarahot-South)
The series "The book is in a hurry to help"
Text: Suri Magrib
Illust.: Ilana Gartman-Gideon
Use. Load. 4-9 years
Ed. Code A -006KMP -49

Shuli collects a suitcase, and dad is rushing away: “Come on, baby, already night, and at seven in the morning we will already be picked up - and go!”

Shuli remembers that a lot cannot be placed in a suitcase. Dad weighed his suitcase - ten kilograms! And Shulia should have no more. It seems a lot - but how many things did not fit: both rollers and onions with arrows. Even the books had to be taken only the most beloved. They do not leave for good, everything will go in order soon, and Shuli will again ride rollers on the children's alley near the house. But now she is very sad.

Dad weighs her suitcase: almost ten kilograms!

- Decide soon, Shuli! - says dad.

Shuli hesitates. In her hands, a book about Bilby is the best book in the world. “If you take only a few books with you,” Schuli thinks, “those that can be re -read at least a hundred times!” There are five stories in the Bilby book, so the book is heavy, if you put it in a suitcase, there will be just ten kilograms. Shuli really wants to take Bilbi with me to an unfamiliar camp! But something bothers her.

Behind the back of Shulia, someone sighs, quietly, quietly. Shuli pretends not to notice anything. She knows that there is a large, long cage on the chest of drawers, and in the cage-a beautiful plastic house: not even a house-a palace! There are three floors, ladders, hanging rings, slides, rooms, drinking strokes, feeders ... Previously, Shuli had no more joy than watching her hand -handed anemon runs through his palace: as if a golden stream flows!

But after Ason Shuli, everything will not get used to that the anemon can now talk. As if not a favorite anemon, but who is unknown. Shuli cannot even sleep in the same room with Anemon: suddenly he will speak with her at night, but she will not know what to answer? Even the word "badshab" seems to be terrible, prickly. Anemon knows this and is always silent with Shulia, but she is still scary. Therefore, the dad moved the cage with Anemon to the living room and only toned tonight to the room with suitcases, so that in the morning to quickly and quickly take everything. Shuli heard several times as dad and Anemon were talking. Dad said that he was very bored with Shulina's mother, and Anemon comforted him.

Shuli is also terribly bored with mom, but with whom will you talk about it? Dad is so sad, even if he tries not to give a look. And all the friends of Shuli and their families have already been taken to the camps. Shuli does not know when he meets them. “Maybe,” Schuli thinks, “there will be a psychologist in the camp, to whom I will tell you how I miss my mother.” Behind her, the suspension quietly tinkles. Shuli knows-this anemon climbed onto the very most of his palace and looks at her. But she does not want to turn around.

Dad looks into the room and is already angry.

- Shuli! He says strictly. “You won’t get enough sleep and you won’t give me!” Or leave the room, or collect the palace yourself!

Shuli is very difficult, but she slowly goes to the book shelf and puts his favorite Bilby in place. The place that remains in her suitcase is for the plastic palace. Now dad will take him to pieces, and in the camp he will gather again and put in a cage so that the anemone is more fun. Shuli leaves the room and pretends to be a door behind him. She still needs to brush her teeth and take pills from rainbow dust. She is tired and happily lies to sleep, only in her heart is sad.

Everything is scattered in the apartment, but Shuli knows that this is not scary: just dad tried to get together quickly and not forget anything. Shulina’s toothbrush, paste and tablets are carefully waiting in the bathroom: their dad will lay them tomorrow morning. Shuli brushes his teeth, and he listens to herself: now dad enters the room, now the cage castle was clinking lightly, now, probably, there will be noise and knock from the details of which the palace consists. But there is no noise and no. Shuli freezes with a brush in the mouth: what is happening?

- Shuli! - Calls dad. -Come on, look here.

Shuli is surprised. Did she forget to pack something important? Then you have to get another book from the suitcase! Shuli does not enter the room right away, but asks through the door:

- Is the cell closed?

“Closed,” Dad answers, and Shuli comes in.

Shuli tries not to look at the anemon, but to look only at dad. Dad looks very surprised, and Shuli does not know what to think.

- Do you really want to take Bilby with you? - asks dad.

Shuli nods.

Then dad takes a thick, heavy book about Bilby from the shelf and solemnly puts a suitcase in Shulin. Shuli does not understand anything. Then dad says:

- Anemon said that it would do without a palace. It is no longer small, and there will be many new impressions in the camp, and he will not get bored. Anemon said: "Let the shulik take a book, I see how she wants."

Shuli looks at the anemon, for the first time he really looks into his friend's eyes from the very beginning of Ason. The eyes of anemon shine, golden wool shimmers, and Shuli sees how glad he is. Shuli is very embarrassing, she does not understand how she could be afraid of anemone and abandon him for so many weeks. Shuli does not understand how she could do this with her friend.

She approaches the cage and strokes the anemon with a finger on the head.

“A paw-bead,” says Shuli. -You are a paw-bead.

And the anemon is only quite squinting and does not answer anything.

How do you think…

• Why did Shuli be afraid of anemon?
• What happened to Mom Shulia?
• Why did Anemon abandon his palace?
• What did dad feel when Anemon refused his palace?
• What did Shuli feel when later, in the camp, I read my favorite book about Bilby?
• Do all Badshabs behave like anemon?
• How else can Badshabs behave?
• What rules of conduct with unfamiliar Badshabs do you know?

Additional. Materials in the series "The book hurries to the rescue", exc. Load. 4-9 years:
-S. Magrib, “The mysterious incident in the ninth caravan”, A-001SNP-49;
-S. Magrib, “Shuli is hiding from the storm”, Y-002xnp-412;
-R. Maimonid, “Marik fell ill”, A-003SNP-49;
-K. Gagnus, "poor holiday", E-004SNP-49;
-R. Maimonid, “Shuli misses the house”, E-005SNP-812;
-R. Maimonid, “how dad has become a lifeguard”, A-007SNP-49;
-T. Klimanski, “with the housewarming, Marik!, Or the second incident in the ninth caravan”, A-008SNP-810;
-S. Klimanski, “White Ship in the Rainbow Sea”, B-009SNP-49;
-T. and S. Klimanski, “Ronen, the most silent of the Badshab”, Y-010KSNP-412;
-I. Gartman-Gideon, “Shuli returns home”, Y-011SNP-49

[*] Distorted בYmp once Maybe “The owner of speech that is not a person” (Hebrew)

To be continued.

1. Rahoy
2. Leaned
3. Trembling, 4. Eeeeeeeeee
5. The stepmother