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In the capital, the 38th Moscow International Film Festival opens. What to watch

Solid age and classic status do not prevent Sergei Solovyov from making youth cinema (frame from the movie "Keda")

The start of the 38th MMKF this time will give a classic of domestic cinema Sergey Solovyov. His new film “Keds” is a film adaptation of Andrei Gelasimov’s story about a young man who decided on the eve of the draft in the army to spend his savings on the purchase of a pair of fashionable shoes. It is no secret that the main competition program of the MMKF always causes the smallest stir with the public-and if some paintings there are in high demand, then, as a rule, domestic ones. This year, this role will be played by the “monk and demon” by Nikolai Depal (winner of the Grand Prix of the festival for 2009), a paradoxical picture of the relationship of the monk and a line named Legion. The names of the rest of the contestants (Danishka Puck Granden, the Frenchman Sebastien Betbeder-not to be confused with the Beznbeder!, Kostarikan Ariel Escalante, Philipan Ralston Jover, Croat Milos Radovich, etc.) is unlikely to say something to the general public. True, the Brazilian Rui Herra and Pole Yanush Maevsky in his homeland are considered classics, and the Italian David Haroux worked as an assistant at Pazolini, who is dedicated to his own film.

As usual, the main lines will be on paintings brought to Moscow from other festivals. Some of them, of course, are then drawn in the box office. But firstly, the festival show is always more exclusive and therefore somehow brighter. Secondly, in the halls of the cinema "October" with a guaranteed original sound and subtitles (and not in a dubious dubbing) to watch more pleasant.

So, in this capacity, the “sea in the fire” of the Italian Dzhanfranko Rosie, the only documentary in the world who has two higher awards of the main festivals-“Golden Leo” and “Golden Bear”, the black crime-abscal comedy of the Frenchman Bruno Dumon with Jules Binosh, as well as also, as well as the “Golden Bear”. The "stranger" is an ethical and social parable about the murder and retaliation from the Belgian brothers Dardenn. All three paintings are presented in the section "Euphoria" under the curators of Andrei Plakhov. They will also show the crazy thriller of the great Pole of the Hedgehog Skolimovsky “11 minutes”, the sensational sensation of the Cannes - the tragicomedy of Maren Ada Erdman and the two freshest Romanian tapes: the psychological drama “Certificate of maturity” Christian Munzhiu and the absurd life farce “Sienevada” Christie Puya. These paintings are in “eight and a half films” of Peter the Shepotinnik.

In the film "In a Poh -Omut" (it will be shown outside the competition), Juliet Binosh discovered a comedic actress

Finally, the author’s section of the third film critic, Stas Tyrkin, under the intriguing name Missing Pictures, will allow you to see Pavel Ruminov, among other things, “Love Machine”, “Endless Poetry” of the legendary Chilean cinema Alekandro Khodorovsky and “The end”-Paradoxical dreaming monophilm of Guyoma with The beneficial role of Gerard Depardieu.

The main lines will be on paintings from other festivals. Some of them, of course, are then drawn in the box office. But the festival show is brighter

Among the other films, the Berlin in Berlin for innovation in the art of black and white "Lullaby to the sad secret" of the Philippine Lava Diaza, which goes more than eight hours ("Sex, Food, Culture, Culture, Culture
Death ”),“ Love & Friendship ”in the narrow circles of Wita Stillman (program“ Holland Plus ”), a charming hipster“ Maggie plan ”Rebecca Miller (program“ Time of Women ”). And of course, a deliberately scandalous prime minister, who was sheltered with a false modesty as part of the Russian Trail program, is Andrei Nekrasov’s documentary “Magnitsky Law. Behind the scenes". Already several impressions of this picture abroad were disrupted, but this is unlikely to threaten Moskovsky.

Photo: kinopoisk.ru