Yensider information

The beam of light, as expected, breaks through at the end of the tunnel. At the end of the film , when the North Korean gesniki, which control every step of the director, fall off for a short while and he is left alone with the girl Sin Mi and the translator. “Well, you were accepted into the pioneers,” Vitaly Mansky asks. “What will happen to you next?”

The girl is silent. Then he answers. Now, she says, an adult life begins. You yourself are responsible for your mistakes. And you think about what you can still do for a respected leader. And then she falls silent again, for a long time, and her eyes are slowly filled with tears. “Listen, try to calm down,” the director whispers and, turning to the translator, asks: “Tell her that everything is fine, that you don’t have to cry.” Let him remember something good. "What?" - the girl asks. "Well, about something joyful what happened in your life." Let him tell the poem, maybe the guest from Russia offers. And she, having wiped her tears, reads poems about how she was accepted into pioneers, like in the face of her comrades solemnly swearing to live, study and fight, and her eyes are empty, and Sin acquires peace of mind.

At the end of the tunnel, complete darkness is found.

This is a moment of truth when she talks about punishment for mistakes, about love for the Fuhrer, cries and swears. That is how fear in the totalitarian state is melting into love, burning the human face with the tears of inconsolable grief and endless gratitude. Director Vitaly Mansky made a very terrible film about the most terrible state on Earth, and why be surprised if the official Pyongyang protests. The reaction of official and semi -official Moscow is not so unambiguous. For the Russian authorities have their own accounts - both with Kim Jong -un and the author of the film "In the Rays of the Sun."

North Korea got everyone, including the Kremlin leadership, - both nuclear blackmail and the very fact of its unimaginable existence. So two weeks ago, when the Russian border guards were extremely hard, with shooting and murder, they detained the poachers from the DPRK in the Japanese Sea, it might even seem that Moscow deliberately went to confrontation with Pyongyang. Within the framework of a large-scale geopolitical scam, associated with the need to somehow reconcile with the West.

Anschlus of Ukrainian territories led to a cold war. Intervention in the affairs of the Syrian affairs, dictated by the desire to create an "anti -Hitler coalition" with Obama, turned into a smooth transition of the cold war to its strongly heated stage. That is why it seemed in mid-October that Vladimir Vladimirovich, who could surprise, decided to somehow get closer to America and Europe in a different circle, through North Korea. Through the frontal collision with her, to the joy of progressive humanity. However, Kim Jong -un was not led to a direct conflict, and this plot has not yet had a conspirological plot.

Vitaly Mansky is also not loved in Moscow, especially in the Ministry of Culture, where he had long been enrolled in Russophobes and Medinsky himself, reflecting aloud about the theme of the works of the hated director and the like, enriched the dictionary of contemporary art history with the term "Rashka-Khnyshka". For this reason, it is probably also because funds from the Russian treasury were initially allocated to the DPRK’s happy tape about the happy tape about the happy life of the young pioneer, the metropolitan cinemas in the mass order refuse to demonstrate the film. Nevertheless, it is not formally prohibited, in which the hybridness of the current era is naturally manifested.

On the one hand, Russophobe and Juchefob Mansky. On the other hand, a big policy that boils down to the fact that we are not bending to anyone, and Kim Jong -un, we generally keep in reserve, as if in extreme cases. On the one hand, Dmitry Peskov said , calling for the order of the rebellious Konstantin Raikin that “censorship is unacceptable”, but the girl is sponsored by the one for whom she agrees to dance in advance. On the other hand, you can’t just take and declare that “in the rays of the Sun” is a cynical falsification, concocted for the sake of the forces of an imperialist reaction, the purpose of which is the attempt on the indestructible fraternal union of the Russian and North Korean peoples. What is the union there. Maybe Putin is still tolerate and accept in some European capitals that a man named Kim Jong -un lives and works in Pyongyang. Everything is known in comparison, here Vladimir Vladimirovich is known.

By the way, I think that in the DPRK they partly agree with the views of the presidential spokeswoman for the creative process and therefore secretly even more offended. In the sense, they agree that the state should totally control directors and other artists, paying for their useful work. On the contrary, the bourgeois twists in Peskov’s statement, about the state of non -interference in the internal affairs of sovereign artists, are able to cause a sense of severe perplexity among the northern Koreans. Mansky would go in order with other Russian cinema figures and would only shoot what was ordered, as it was in the DPRK, and there would be no scandal, and delighted viewers would have to cry with happiness, observing the reception of eight -year -old Sin Mi in pioneers.

Now they also cry, but these are completely different tears. Vile, treacherous, wrecking. Or they even laugh at the local Chekists behind civilization, who did not even occur to that the movie can be shot on a camera with two memory cards. As a result, one camera remembers exclusively what is allowed, and the second fixes everything in a row, including the prohibited reality.

The process of rehearsals on the eve of filming in a house where they did not live and will never live Sin and her parents. The speech hung with orders to the eggs of a veteran who forgot to congratulate the girl and should speak again. A trolleybus with a lowered arc, pushed by hand by unhappy passengers. Minoists, with the help of which the inspectioners feel bouquets brought to the foot of the monuments of the previous two, forever living Kims. The tears of the pioneer when a foreign uncle asks her about the future. Bitter children's tears, so desperate that darkness at the end of the tunnel seems hopeless.