Commissars of their own security

The fate of the professional patriot: the more you adore power, the more you are afraid

The infantile thirty -year -old boy Valya is working as a “victim” in investigative experiments. He himself, however, is not a victim, even on the contrary - is quite capable of poisoning a toxic fish, uncle, a pregnant bride. The criminal solitaire is laid out strictly according to the Hamlet. However, the ungrateful business to try to reproduce the plot of the film, in which it, the plot, is dissolved in the elements of a hilariously ridiculous black comedy and at the same time a deafening terrible black reality.

The other day, Kirill Serebrennikov himself, the director of the film “Picting a victim”, was able to feel in some way the hero of this marvelous mixture of black comedy with black reality. People in masks, actors hostage, machine gunners, funnels - everything as we love. A separate insert novel is a bag of hash, found in the kitchen of the director, coupled with an already filled cigarette, covered with a red cloth. The number of millions stolen with each news release grew and widened, the red napkin aroused the imagination of television composers, but soon everything somehow resolved. Millions began to melt, they completely forgot about drugs. The only question remained: what was it?

Specially trained people from Solovyov’s detachment are immediately ready to answer him. It is worth giving the first word to a person with a phenomenal sip, Dmitry Kulikov, as all the accents will be correctly placed. The main culprits of the incident were appointed Serebrennikov defenders. There, Kulikov, "abuse of a social position," there. Very promising wording. Karen Shakhnazarov is pulling himself up to the prosecution: why, they say, they filed a petition to the king in front of the whole country. Not to come with the same petition quietly into the office, everything would be resolved. The discussion is interspersed with sebaceous hints. Someone Arseny Mironov, director of the Russian Heritage Institute, apparently, is not very aware of this heritage, since he believes that Pushkin wrote “dead souls”. But he knows the cardinal: if Serebrennikov saw on the threshold of two kissing police officers, he would have no complaints about the investigating authorities. Everyone smiled knowingly.

The discussion resembles a standing swamp. Soloviev is not busy with the development of thought, but by anger management. Everything is as usual, nothing new. Once again I try to understand what makes people famous with a sad noise (spiritually and sincerely) be naked live. The era of personal PR is already behind - great standing in the studio lasts four years. A new stage comes: professional patriots turn into their own safety commissars. The term, once launched into the circulation by Victor Shklovsky, is always relevant in our latitudes. The unbearable ease of repression is in the blood. The transformation of yesterday's idols into today's prisoners is the everyday life of Russian life.

The following is a non -firing retreat. The search from Serebrennikov coincided with the final series of the film about Peter Leshchenko. An ordinary Bayopic, in which storylines sometimes scatter like cockroaches. There is only one “but” - the grand work of Konstantin Khabensky in the role of Leshchenko. The great actor managed to fill the life of the singer and his uncomplicated songs with such a depth and meaning that it is impossible to break away from the screen. Now about the essence of rhyme with our time. Soon after the Soviet liberators came to Bucharest, the people's favorite was arrested right at the concert. The impudent demonstration of the action to match its meaninglessness. No one, including the investigator, understands what Leshchenko was tied for. Timothy of the Tribune, as an investigator, seems excessively grotesque in his ferocity. But the actor masterfully plays the animal fear that the executioner experiences, destroying the victim. Fruitment is the only shaky guarantee of his well -being.

The community of commissars of their own security was born not yesterday and not today. So far, in Versailles, Putin and Macron are honored by Peter the Great, the father of diplomatic relations between the two countries, it is appropriate to recall another act of Peter, but already local significance. Five years later, grateful descendants will be able to celebrate the 300th anniversary of the Pravda of the will of the monarch. From now on, the heir to the throne was announced by the one to whom the emperor himself will indicate, whose will became the only source of law. On a legal field sown with Peter, bizarre flowers grew. Separate bouquets have survived to this day. The investigator from the series about Peter Leshchenko and the studio glutters are the same people. The more correct (from the point of view of the current historical time) they pronounce words, the worse they are. The more publicly you adore power, the more you are afraid that in your garbage bucket someone in a mask will suddenly find a white rustling bag.

The investigative experiment in Serebrennikov’s film “Preferring the victim” imitates reality. Most likely, the investigative experiment in Serebrennikov’s life will also be an imitation, not reality. This is what we are comforting. The faceted glasses fell from the table ... I’ll call my beloved friend, and we will talk about incomprehensible for a long time. What was Khabensky-Leschenko with us that we (unexpectedly for himself) continue and continue to listen to him?