Life for three chords

When the guilty Russia sang

The battle motto "Women, fight criminal romance!" I have been known to me since childhood. A father, who knew Kolyma’s life, spoke about such a slogan on the gates of the camp firsthand. I am struggling as I can, trying at any point in space and time to cross with plowmen from different spheres of life.

But recently, a strange thing happened: I managed to almost love the “three chords”. The program was born five years ago and at birth caused my noble anger. Then it seemed that the sequestimization of thieves on Channel One (with subsequent concerts in the Kremlin Palace) was a symbol of complete freedom from common sense.

A degree of collective catharsis from the song “Lyuba-Lyubonka, kissing you in the Gubonki” shook the foundations. Now I think differently. I will try to explain why.

The last Russian revolution of the end of the last century approved the electorate in its vague-aging fears: the era of the dictatorship of the Secretary Generals finally flowed into the dictatorship of Pakhanov. The blatarization of the society that Shalamov warned about was accomplished. The lads filled both the first and second reality. The beginning of the new millennium unexpectedly for everyone plunged the country into stability. In the hope of the upcoming respectability, shaved naps changed into Brioni. It was possible to adjust the form, the content is not very. Stable Fatherland sat down on the new Russian chanson. The phenomenon of Stas Mikhailov will have to study grateful descendants for a long time. When the authorities realized that the power is best controlled from the TV, there was another change in the paradigm. The main political class was the security forces. You can’t get niagars of aggression with a sugary chanson. It was then that the thugs of three chords came in handy.

Now the new season has started. Against the background of the scandal with the Voice project, the obvious was manifested: “Three chords” - the most national and, it seems, the only original project. Only here the jury member Alexander Novikov will explain the stylistic difference between the inspection at customs and the shmon at the stage with knowledge of the case. Good actors come here. What is one Nikolai Fomenko, who has not been on TV for ten years. It is impossible to fake a vote, because it is initially highly subjective - the four jury votes. The best rooms are in pure butter. Probably the mysterious law of emotional memory is triggered. A normal person is sick of a chanson, but he enthusiastically listens to "gop-stop, Zoya." Against the backdrop of the current animal hatred of everyone to everyone, the farm girl Zoya looks like a kind of victim of circumstances. An amazing thing - the same Mikhailov at least Tyutchev will fulfill it under Gusli, it will go out. And it will come in, Anatoly Zhuravlev will be spinning in the “Chubchik Kucheryav” - and an instant of art will happen.

"Three chords" fall into the apple. Kolyma motifs are again relevant. Yuri Dud, who knows how to recognize the noise of time, is far from accidental right now he shot a film about Kolyma. Arrests, landings, torture, interrogations, shmons are included in everyday life. Some masters of the genre manage to repress even flowering tulips on the streets of cities. I enveloped the flowers with iron wire - sleep calmly. So reliable, more familiar.

A television country is equipped in the manner of the camp area. It was in the camp that the one who knows how to “squeeze the romance” (stress on “o”) was used by the favor of at least Pakhanov, at least shusers-pcers. Oral narratives had bright stories, which had their audience with numerous camp huts of different latitudes and longitude. Previously, one malakhov had this marvelous gift. Now political broadcasting has also pulled up. Soloviev, Shein, Norkin compete in the art of “squeezing novels” - about Ukraine, America, Europe, the Fifth Column invisible to the world. All this nasty thing is invariably opposed to the perfect Russian world order.

Already the last point is enough to prefer the underground Zekovsky anguish by a long -standing tradition.

The time passed when schoolchildren sang in chorus “Vladimir Central”. Now, in the vastness of the Motherland, thieves in the format of rap triumphantly walks triumphantly.

The Burder of events Pavel Lobkov describes the scale of the phenomenon. The group of young innovators from the Litvinenko Stavropol - 25 million views on YouTube. And these groups are immensely, for every taste - from "Butyrka" to the Mafile. One of the performers explains the new trends quite convincingly: thugs become a rape and turns into a protest music. This is a curse of the Russian soul.

It is correctly noticed. In real thieves' songs, such purity and light, such dare, such sadness - a lump in the throat. If anyone heard how the wonderful poet Anatoly Zhigulin delayed “I remember that Vaninsky port,” will never forget. His voice captured the soul of those whom Gleb Uspensky called "guilty of Russia." And how many guilty ones wandered around the prisons and camps of superpower - it is not to count at all. These songs grew mainly from the 58th and other articles of the Criminal Code. Now we live in the era of the humanitarian triumph, the prison population of Russia-only some half a million people. The 58th has long been gone, but the 282nd article of the Criminal Code of the Russian Federation is not bad for the prosperity of thieves folklore.

On the Children's Day, the Balti police officers prepared a gift for the children: they opened the rear doors of the car carrier and allowed everyone to sit in it. Let them get used to it. You will sit down before, you will come out before. It seems that in our Fatherland that the project “three chords”, which is guaranteed eternity to gaining power, is guaranteed.