© Museum of MoscowFrom August 24, lectures, workshops and laboratories of a parallel program for the exhibition “Electrification. 100 years to the GOELRO plan. "
The program is published on the website of the Moscow Museum .
At lectures, it will be possible to find out how the formation of a new electric world influenced the visual arts, music, theater and architecture of the 1920s and what impulse gave for their future development.
In addition to the lecture program, workshops and laboratories on the study of sound, light and photo objects are planned.
All lectures of a parallel program can be seen at the YouTube channel of the Moscow Museum .
Schedule:
August 24 is a lecture “How to tame utopia. History of electrification "
Lecturer: Culturologist Natalia Nikiforova
August 25–29 - Vorkshop "Laboratory of cyanotypia: Creation of photo collages"
Presenters: artist, photographer and video. Vera Laponkina, artist, photographer and curator of educational projects Alla Afonina
September 4 - show of the film "Homeland of Electricity" Larisa Shepipko and discussion of the same name by Andrei Platonov (at the center of documentary cinema)
September 7 - Lecture “Training of electricity: from Faradey and Maxwell to Edison and Tesla”
Lecturer: Associate Professor of the School of Philosophy and Culturology of the Higher School of Sciences, Member of the Scientific Council of the European Society of the History of Science Daria Drozdova
September 9 - dialogue "Great generation. Electrification of art "
Participants: Researcher at the Center for Electro-Acoustic Music of the Moscow Conservatory, Head of the Laboratory of Sound, Learl of the School of Photography and Multimedia named after Rodchenko, founder of the Termen Center Andrei Smirnov and candidate of art history, senior researcher at the Tretyakov Gallery, curator Lyubov Pchelkina
September 14 - Lecture “GOELRO PLAN. Facts. Persons. Fate "
Lecturer: senior researcher at the exposition-memorial department "Apartment G.M. Krzhizhanovsky ”Ivan Zozinov
September 16 - Lecture "Light, Color and Electricity: Artistic experiments of the beginning of the XX century"
Lecturer: Researcher at the Russian Institute of Art History Olga Kolganova
September 21 - Lecture and Vorkshop "Theater and Goalro: Dream of Electrification"
Lecturer: Candidate of Art History, senior researcher at the Classical Art sector of the State Institute of Art of Art, Associate Professor of the Department of Izu GITIS Natalya Vavilina
September 23 - dialogue “In the New World: Electrification, Theater and Cinema of the First Third of the twentieth century”
Participants: art critic and theater expert Valery Zolotukhin, culturologist and researcher Julia Leaderman
September 28 - Television "Watching Ear: The Evolution of Drawn Sound"
Participants: composer, performer, media artist, visual artist and curator of contemporary art programs and media archaeologist Anton Yakhontov AKA Patrick KH (online) and composer, sound artist and media artist Oleg Makarov (Knnno)
September 30 - October 2 - Laboratory of the School of Termen "Music of Electricity. Termenovs 100 "
Presenter: Head of the Termen School Peter Termen
October 5 - Lecture "The image of the Light in the architecture of the avant -garde"
Lecturer: curator of the exhibition "Electrification. 100 years to the GOELRO plan ” , candidate of architecture, head of the Center for Vanguard Alexander Selivanov
October 7 - Lecture "Evolution of the image of Russian energy since the end of the 19th century"
Lecturer: Energy Historian, Head of the Study of the Corporate Culture of the Samara Regional Branch of the Union of Machine Builders of Russia Vladimir Gromov
October 12 - Lecture "Goalro plan in architecture, construction of the first power plants"
Lecturer: Scientific consultant of the exhibition "Electrification. 100 years to the GOELRO plan ”, architectural historian and museum employee Julia Shulenina
October 19-Lecture "Group" Electroorganism "and the mythology of light in Soviet art of the 1920s"
Lecturer: Doctor of Art History, Head of the Department of Culture of the Institute of Slavic Studies of the Russian Academy of Sciences, Leading Researcher at the State Institute of Art of Art Authority Natalia Zlydneva