The film regime from relaxed summer holidays returned to the dense schedule of current premieres

In the comb of the Danube Wave

“Danube” is a meditative auto -firm Lyubov Klumen - one of the most relevant author of the new Russian cinema. According to her scenarios, Natalya Meshchaninova, Valery Todorovsky, Nigina Saifullaeva were shot. She helped Kira Kovalenko develop a plot for the Cannes winner, the film “Frightening Fists”. In her directorial debut, there are two heroines: young hope and unlucking Serbia, to whom the heart was accustomed to obviously.

One modest introvert Nadezhda (Nadezhda Lumpova) dared to rush - as in water - into the life of another country. Its with the air to fill the lungs, to swim with the flow, to live one day, to fall in love without memory - either in the street juggler is not, who and the balls of his future throws into the air - either into freedom, which her new acquaintances and strange, unpredictably mash Serbia cannot breathe. As a seeker of love and adventure, I want to become her own here. Enter this jazz rhythm ... and survive a break with a dream, making your own adult choice.

Here, Belgrade everyday life is swinging at the waves of nightmanships and conversations before sunrise. The camera of Mikhail Khursevich catches her, clinging to the real locations of Belgrade.

Either the feature cinema, or the dock with sewn personal stories. Non -professionals are mixed with actors. Cinema breathes and holds his breath,

Remembering that “New Wave” with its street faces and vsemelish intonations, then the rough ravitry cinema. At times, it seems that the director, as her heroine, is too fond of the chosen method - so that everything is like in life, slowly, almost improvisational - she is very very good in the warm waves of her Serbian pseudo -Dodok. She, like a free wind, juggles a little in the frame: now the fate of the heroine is thrown by a red ball, maybe now someone will catch her ... or she will fall.

Premiere on October 21.

Titanic number 6

For the film, which won the Grand Prix of the Cannes festival, Lyubov Kubomenko wrote dialogs. The film "Coupe number 6" Yuho Kuosmanen was shot based on the book by Rosa Lix.

On the dimensionless freezing country of the 90s, warming with Royal alcohol, the train rushes so that one young Finnka, the beginning archaeologist Laura ( Seydi Haarla) , could see petroglyphs, which are only 10,000 years old. The intelligent Laura is forced to divide with dashing Gopnik Lyokha ( Yura Borisov ). Two worlds - two Shapiro in two with a small meters swinging housing. Russia and Europe. Testament. She draws, studies history, removes the present, catches the thread of time. He - "Will you be a vodka?" "Russia is our great power." Frudes on one stuffy Titanic: which they are not mentioned by them, continue to rush through the snow -covered darkness far north. They are trying to either get rid of each other, or at speed to break out of loneliness. Strangers, aliens from different worlds will combine sympathy, tenderness. The very tenderness without which the earth is empty, the petroglyphs are erased - the past, and the future blinking with semaphores, is approaching. In the artless movie, Yuho Kuosmanen, at first annoying, at the same time everyday and heartbreaking, drawn up gradually, as if reluctantly. And you begin to live/breathe in his unhurried rhythm. Together with the non -pound, non -Glake - as if by the heroes spied on the train. Under the heart beating of the wheels.

Premiere October 22.

And today we have a cat ...

“The cat worlds of Luis Wayne” , it seems to me, will suit first of all groups of spectators. To the cats and fans of Benedict Cumberbatch. This is the Family Bayopic Willa Sharpa about the eccentric aristocrat, the artist Louis Wayne, the famous portraitist of anthropomorphic cats, an exotic representative of Victorian magical painting. The very one that Herbert Wells spoke on the radio: “Louis came up with a cat style, a cat community, a whole cat world. English cats, not like Louis Wayne's cats, should be ashamed. ”

In the execution of Extravagant Cumberbatch, Wayne looks an eccentric in a square. He is engaged in discoveries in the field of electricity, writes something like a wild opera, is ready to fight with a bull,

But at the last moment, Arachis will offer him. And most importantly - he is trying to control the storm of irresistible nightmares and seething chaos in his head. The feverish interests pull him in different directions, so you can have its main gift - drawing - to pass. This is a sentimental (in places to sweet syrup) a journey into the imaginary world of an artist who tried to get an injury - the early death of his beloved wife - and became famous for not numerous talents, but with cute drawings of cats in a wide variety of poses and classes. This is Wayne - in any case, he is convinced of this - invented a cat as a beloved pet, and not just a catcher of voracious mice. And with his light hand, even the nobles began to contain cats.

Throughout the film, we try to sympathize with his grief, to be touched by the homeless kitten Peter, doused with the rain, which was to console the inconsolable widower and give direction to his work. We try to admire his drawings that have been better than us closer to the finale. Coals-kulinar, musicians, readers, artists, ladies and gentlemen. You can, of course, rejoice at cats, the electric energy of which will once allow them to turn blue and become eager. You just need to believe in this, as Wayne believed, balancing along the edge of eccentricity and madness. If it doesn’t work, maybe you will be consoled by rare sparkles of absurdity, a mass of decorative vignettes in the spirit of the Victorian era, a picturesque dickens poverty of the Wayne family and his hysterical sisters, and above all, the generous game of Cumberbatch as another Paganel - a suffering, tender creator and scientist. They say that Cumberbatch sought this role, defeated Eddie Redmain in a symbolic duel, and then with all responsibility plunged into the image of the artist, learned to draw with the teacher like Wainon, to keep a brush and pencil in a special way. He would have more material - "the kingdom is not enough - there is nowhere to walk around."

In this old -fashioned bio there is a lot of sunbathing text, as if it is a radio broadcast from the time of Herbert Wells. The Oscar -winning Olivia Kolman reads, and she leads us into the border of dreams, drawn and the real, human and cat worlds. From her we will learn that cats prefer to look to the north. And about the danger of electric stress, due to which the wars begin. And about the stupidity of mankind, which instead of enjoying Wayne's sweetest cat worlds, begins to exterminate itself.

Premiere on October 21.