Translated material
To betrayal mysterious passion
People's artists against colleagues. YouTube review from Irina Petrovskaya
Audio version
This material has an audio version on YouTube . Subscribe to the channel - Irina Petrovskaya reads the text.
The mysterious passion covered part of the artistic community to betray. Although why "mysterious"? It is quite clear and understanding passion. To get into the stream, once again remind yourself of yourself in the calculation of possible dividends, to break through, finally, in the “tops” - how to avoid temptation? How can you not substitute the goals on the way to achieving goals - not to betray a comrade? No way. Especially if the comrade is to blame - carried whatever. He was warned: you dig a hole for yourself. He did not hear anyone. But they heard him. I heard. And reported.
Artist Tatyana Vasilieva, who now goes to work as a job, admitted Vyacheslav Manucharov on the Empathy Manuchi channel in the fact that she laid her close friend Joseph Reichelgaus. Together for many years they worked in the theater, he staged good performances for her. And when “this whole mess” began ”(so !!!), he became not his own. Well, it’s clear, Odessa, he was very worried, wicked, spoke out abruptly, her, a real patriot, hesitated from his words.
And about a year ago, in an interview with “one journalist” (it was Krasovsky, but for some reason she was shy to say his name Vasiliev) about the anti-Russian position of Reichelgauz. Krasovsky became attached: “What does he say? Why are you afraid to quote it? "
Vasilieva and quoted. Soon the creator and artistic director of the theater "School of the Modern Play" was fired.
It was then that Vasilieva realized: after all, she had a hand in his dismissal. Now he considers himself to be guilty, but only half - after all, she was not heard by her Kramol alone, but the whole troupe.
Manucharov also wants to know what the disgraced director said. Vasilieva is riding, but again, albeit not as details as Krasovsky’s, retells the outrageous speeches of Raichelgausa. The host is amazed: “Even so? Well, how could it be silent here? It seems to me that you did nothing like that ... And besides him, from your environment, someone is trying to tell you such things today? "
Vasilyeva, according to her admitting, tries to “not touch this topic” in conversations with her colleagues, so as not to “do something like that” again (betraying like Reichelgauz), but still in some acting company breaks her. And everyone around is silent, no one argues with her. So these people think differently!
“Afraid! Of course, after Reichelgausa, ”the host is quite grinning and develops the topic:“ How do you manage not to join these liberal pacifist artists who oppose their? ” Vasilieva, with a proudly raised head, marks the very thought of a possible loyalty to these “renegades”: “I have a position! She will not change. Never! It took shape once and for all. "
And then on the blue, as they say, he lays his other partner - Alexander Feklistov, whose position she cannot explain the position of anything but insanity.
It would seem that such a quiet, peaceful person, a good actor, such a Russian. And about it: he is against his. Well, crazy, what will you take.
Then follows the traditional set of celebrities for Manucharov, to whom Vasilieva, like all his other interlocutors, glues offensive labels: Chulpan Khamatova traitor, Galkin* Bastard, Pugachev great, but very stupid, Sobchak generally conducts an subversive work ... But the most suspicious are not even those who speak out of his mud. He is silent: "They just wait, they are these very liberals." All of them cannot be categorically not allowed, even if they ask. “Here they are not needed here. There should not be such here. The people will not want. "
In the final, the artist summarizes this sincere conversation:
“There is some kind of magic when you are talking about what you have never talked about. I like that there are no gossip here, what I would not want to talk about, but you are forced. ”
The competent move of the host is the last word of the hero. That is, now she will no longer be able to blame another “one journalist” of that he forced her to convey her to his comrades in the workshop. Herself, everything herself. But voluntary recognition, alas, does not facilitate her fate, although she clearly does not know about it yet.
Another artist, Alena Yakovleva, visited Manucharov a little earlier Vasilyeva. “Let's start with the fact that I am a patriot. And I am such a convinced Patriot ... I was always a patriot, ”she said, as if hateers of the Fatherland could get into the“ Empathy of Manchi ”. Her patriotism, like the patriotism of Vasilyeva, is, in addition to the agility of everything Russian in the unconditional support of any actions of the state, and whoever is not with us is against us. “Culture is an advanced ideological front ... Therefore, when my colleagues begin to tell that it is terrible, this is aggression, we invaded, I say:“ Stop, guys, now you are on the side of them ... well, then don’t live in this country. ”
The mores in the creative environment, which the artist painted, truly shocking. Just not at any gate. Imagine, “at one event”, where Yakovlev was present, an elderly artist raised a toast “For Victory!”, And another famous artist shouted to him ... an indecent word (which, however, she, all so exquisite, protesting against indecency and perversions in art calmly pronounces on the air).
"What was the event?" - clarifies Manucharov. “Festival in Blagoveshchensk. Seryozha Novozhilov, ”Alena Yakovleva gives out passwords without hesitation. "And who was this artist?" - He does not let him in. She still does not name the last name, but shares her observation: according to her estimates, 70 percent of the people who were there, the toast of the elderly artist did not support.
“In vain, the names of the artists are not named - it is time to tear the masks from the traitors living at the expense of the citizens of our country,” one of the audience of the Empathy Manchi channel is indignant in the comments.
Well, this defect is easy to fix, if you wish, just look at the list of guests of the festival and interrogate them all, that is, to interrogate them. Calculate the carbonary. They will dive to a shameful pillar, going towards the requirements of an indignant viewer.
“This situation (prevailing after the start of the one) has overwhelmed everything that can be convex,” Yakovleva summarizes. You can’t say more precisely. It seems so it was soaking that it was no longer ahead of the back.
Audio version
This material has an audio version on YouTube . Subscribe to the channel - Irina Petrovskaya reads the text.
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