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Each “star”, invited to the Utube channel “Empathy Manchi”, must necessarily meet two criteria: unconditionally support his and just as unconditionally condemn the artists who left Russia. A separate point of the compulsory program is related to Alla Pugacheva. It is not forbidden to show sympathy of the great one by the Primadonna, who exchanged popular love for ephemeral freedom in a foreign land.
Film director Svetlana Druzhinina with honor passed these, so to speak, tests and even exceeded the traditional Manucharovsky plan, sharing invaluable memories of that “our previous one”, as she says, to the war, which she experienced a very little girl. She has something to compare with, and she compares. Yes, so that it is breathtaking.

Druzhinina remembers how, at the beginning of the war, crowds of people on the streets of Moscow stood with black reproductors, listening to the last reports of the Swinformburo. And everyone was baptized. And this was a common experience - something that, according to Druzhinina, is so lacking for people today. While some guys from the mostly remote regions are voluntarily going to fight, they live in the center as if nothing was happening. This is not good. And it pleases and encourages it that many compatriots helps the front than it can: “Yes, we were taken by surprise, yes, we had a lot of things,” well, nothing, gradually made up. Actually,
When they declared his own, she was absolutely sure that everything would be much simpler, “because there are certain human, objective centuries -old laws,” the strict observance of which would not lead to what happened in the end, and the Kakhovskaya hydroelectric power station would not be all unharmed, and the Crimean bridge would not be attacked.
Of these words, you will not immediately understand who exactly does not comply with centuries -old objective laws, but soon it deciphers its deep thought.
Remembering the days of evacuation near Stalingrad, Druzhinina talks about massive enemy raids. But, it turns out, the Germans allegedly bombed only three points - a railway station, a power station and an elevator where grain was stored. “No one dared to drop a single bomb on residential quarters ... but look what now. How they are pouring directly on the bus, which takes out people. What is it? "
"Oh, what are you saying, Svetlana Sergeevna?" - The host should have grabbed the head. However, he is completely calm and obviously neither a catch nor sores.
And the director, showing remarkable analytical abilities, summarizes: “To start a war against Russia means to be just an illiterate person. I just would not advise anyone.

Not because I am a evil, somewhat triumphant Russian person. No, I am just a competent person in this matter ... We will defeat the cost of great efforts, incredible patience. This only illiteracy suggests that it can be different ”(quite laughs).
"In your popularly beloved film" Gardemarina, go ahead! " There is a unique phrase: "Fate and homeland are one." Are there any circumstances when fate and homeland are not united, but separately? ” - He deepens into the favorite theme of Manuchars. “No, I never had this,” the “ancestor” mints “Mardemarinov”, adding that Russia does not live without such honest and brave patriots, like the heroes of her film. And the best of them are there today, on the front line.
Meanwhile, an extremely unpleasant story is clarified. The long -playing “midshipmen” (“Gardemarins, forward!” (1987), “Vivat, midshipmen!” (1991), “Midermarins III” (1992)) recently received their continuation and could continue to serve the noble cause of the patriotic education of youth. Moreover, the money for the end of the filming, when her own ended and she was already completely desperate, Putin himself allocated her. So told her on the phone Sergey Kiriyenko, who informed the good news. And then she fell to her knees and exclaimed, raising her hands to the sky: “Lord, thanks to Vladimir Vladimirovich Putin!”
But for three years now the finished “midshipmen 1787. Mir.” And “midshipmen 1787. War” lie on the shelf, not one of the television channels takes them, fooling the Creator with vain promises
(“Hy-ky-ky”-the Druzhinin is again emerging, clearly offended by such a neglect of the television leadership to her merits to the Fatherland). “The most unpleasant,” says, “that my own channel“ Russia-1 ”, the homeland of“ Mardmarinov ”, promises, but does not take. How is it so? You have a place. You show so many nonsense. And this is a strong series! "
“After our interview, they will take it,” Maunacharov throws a replica with a confident tone of a large boss capable of solving any issue. In short, “Do not hang your nose, midshipmen!”

Well, wait - we will see if his word is so significant. Although in the plot of "Vesti", which came out after "Empathy Manuchi" and dedicated to the 85th anniversary of her husband, the operator Anatoly Mukasei, the "midshipmen", was remembered by a kind word and showing fragments. Perhaps the ice started, and Svetlana Druzhinina did not in vain on the air of Manacharov. I put a word for my priceless brainchild. It is possible that this was her condition for the visit to him - in response to his, completely irrelevant conditions for her. You are me - I am to you. No one is in voyage. Spectators too. “Wow,” they write in the comments, “87 years old, and such a clear head” (everyone is pleased to find consonance with their own, albeit gleaned from his own to the friendly channel thoughts, set out with such disarming sequence and simplicity).
And Manucharov, by the way, pumped up in the final. He suddenly asked: “Why, of all the“ girls ”(the film, where the young Druzhinin played the role of the bitchy beauty of Anfiski) only you remained?” (Incredibly hinting that all her other partners have already left this light). Druzhinina either did not catch the meaning of the question, or specifically evaded the answer, but to the next, even more shocking question: "Are you afraid of death?" - Again, she relocated: “I'm not afraid. But I don't want to. I want to live! " Old age will not find her house.
Audio version
This material has an audio version on YouTube . Subscribe to the channel - Irina Petrovskaya reads the text.
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