Velvet abuse and blood on the dance floor

We continue to introduce the series from the program of the New Season festival

"Kesha must die"

Kion, Marmot-Film Studio, director Konstantin Bogomolov.

“Well, this one, like him, God ... Mo ...” The heroine Evgenia Dmitrieva in “sex, something like this, recalls the beloved director Bogomolova. Before and after. "

The new series composed by the screenwriter Anna Kozlova (“A Brief course of a happy life”, “Garden ring”, “female of the Mother of God”) is a centripetal concentrated Bogomolovsky cinema about one spiritual manipulator and birds in love with it.

It is not clear when the architect Innocent (a melancholy, deeply thought by Konstantin Bogomolov) has time to work (maintenance of rich customers). He maintains close relations with the beauties of ex-wife (Alexander and Julia Aleksandrova) and the beauty obsessed with healthy lifestyle-the current wife (Julia Snigir). He has such a large heart and cosmic libido. He is enough for everyone. On wives, children, raped dog Sarah, the ubiquitous mother (Elena Popova).

And even from the next business trip to Kazan, he brings not a new architectural project, but a new beloved, young rude swimming instructor, with whom he met at the hotel (Vasilisa Perelygin).

“Kesha ...” is an ironic drama about the relations of the sexes, a velvet Abuez. Manipulations. The fact is that each of the "beloved" believes that she is the only one. Well, almost everyone. And when a global deception is clarified with the emergence of a new lady of the heart (Kesha does not believe that he is deceiving someone), the wives are decided on revenge.

Note that all actresses are good here. And the fan of the gluten-free diet Varya (Snigir), and the unlucky actress Julia (Alexandrova), and hoping for the resumption of relations, the wife-colleague Lena (child). But the center of the film, of course, is the radiant Kesha-Bogomolov itself. All threads, all views, all thoughts - to him to his beloved.

Loving Kesha-Anti-Buzykin. The hero of Basilashvili could not choose between his wife Nina Evlampyevna and Allock, because the weak-lecharactic, confused intellectual-rokhlya, which is not able to refuse help to anyone. Not capable of acting and suffering from his indecision.

With Kesha, less obvious (in any case, in the first two episodes).

Over the years, this egocentric has been focused on themselves, beautiful, consisting, strong women have settled with his betrayal. Even when, with one pregnant wife, he starts a jelly from the previous one.

Why? Is he so charismatic? With this insinuating voice. Pseudo-sympathy. Hypocritical omissions. Loose body. Constantly disappearing, like a casper.

“What a creature you are,” one of his wives throws him sincerely ... after sex on the phone.

“Well, the native creature,” ex-men answers peacefully.

And when he loses his peer-comrade, he decides to live today, now, without looking back at the past ... and on those who are nearby. Even all his ex -wives sits near Strelnikov, to run around not far.

Leaving the variety to the new passion, he is explained in the love of that ... which he leaves. His voice trembles, his eyes are filled with moisture, he admits how madly suffering. This best scene at least a little opens the veil above the mystery: why everyone loves Kesha?

He is a mental manipulator, which starting to speak, immediately believes that he pronounces right now (by the way, there are many similar examples today). Not a minute ago. Not yesterday - another woman. Not tomorrow - next. No, he decided to live here and now. And in this regard there is almost no gap between the actor and the role

It is clear that the patience of women is not immense. One barely survived.

And then they, just like the three heroines of the “other woman” of Cassavetis (screenwriter Anna Kozlova most likely saw the same non -operating classic film) or like the sisters of Garvie (the Bad Sisters series) are gathering “into a fist” to take revenge on the traitor.

When in the final of the second series they finally decide to kill him, the hall sighs with relief.

A very witty musical solution. As the main leitmotif is a woeful night, with a repeating rhythm, Vivaldi's music: Baroque "mournful daughters of the Jerusalem."

They, daughters, today, here and now, have reasons for sorrow and crying.

"Cicadas"

Evgeny Podchkin (Kinopoisk)

A multi -part drama about teenagers. As a tragedy occurred at one party of graduates of a prosperous school. Suddenly. And expected.

The dance floor will be dotted with fragments and stained with blood. The gun hidden in the closet will shoot.

And now not only the investigator (Artem Bystrov), but also parents - will have to understand what happened. What happened to their children?

Actual cinema about a disastrous gap of generations. When parents and children live in parallel universes. They know nothing about each other. They say in different languages.

Perhaps that is why “Big Little Lies” - just like in a well -known series - constrains a whole class in one chain.

Or maybe school. Or maybe not only school.

And this is a movie about a terrible delicate transition, life on the edge. With maximum meanings: love, betrayal, fear, bragging, recklessness, crime.

Everything is nearby. At one desk. When the touch of the elbow beats with electricity. Age is like a downpour under which the brazhni are strongly tipsy yesterday's schoolchildren.

A strong series with great audience potential.

And the next beneficial work of the young actor Grigory Wernik with powerful negative charm.

More about the cinema
Larisa Malyukova leads a telegram channel about the cinema and not only. Subscribe here .