Cement for the nation

Culture of cancellation in Russian: the more stubborn excavators prohibit the stars of the scale of Pugacheva, the more they need them for their own survival

"Who are all these people?" - I thought, probably, I was not the only one, watching the president’s meeting with the new inhabitants of the Public Chamber. They inspiredly thanked all Vladimir Vladimirovich, talking about personal successes with hasty ardor. More other inhabitants of Putin were interested in violinist Peter Lundstrom. He plays not only Bach with Paganini on the front line, but also fond of artistic whistle. The president smiled subtly.

On the eve of the International Cultural Forum in St. Petersburg, it is worth reminding: artistic whistle is the main genre of the era. Saluts have long died about an unprecedented take -off of arts after February 24th. Even the declared poetic renaissance, claiming a new silver age, was dissipated by the November fog. On the patriotic Olympus, only the shaman resisted. They decided to cement the nation on the day of popular unity, as a result of which the concert of the singer (it seemed to me - the same) launched three federal channels on the air.

Cement had not yet managed to harden, as popular unity was subjected to a new test. Pugachev came to Russia for several days, who, also useful to remind, predicted ten years ago to Yaroslav Dronov, aka a shaman, coming glory. What did not prevent the masters of artistic whistle from attributing to Alla Borisovna persecution of a patriotic diamond. The usual thing - it has long been reproached for everything, hiding weather.

And now it's time to recall the features of the culture of cancellation in Russian. In our area, it originated long before the new Western ethics. Russia even managed to cancel itself in 1917. What can we say about such a small person as individuals. In the 37th account, abolished for unnecessarily went to millions. But what's interesting.

The previous abolition culture was performed under the motto "There is no man - no problem." Today is the opposite. There is no person, but there are more and more problems with him.

Borisovna is much more persistent about those who left Alla, than ever in her former life in his homeland.

Alla Borisovna is a brilliant woman. She keeps a great power for 50 years. First, they were exaggerated by husbands, lovers, intrigues, true or imaginary, relatives, coupled with housekeepers, the main keepers of terrible secrets. Now artistic whistles rushed into the subcortex of Pugacheva. Her arrival in Moscow is lightly surrounded by versions, which are no less than dirt in the village of Dirt: she came to remove Christina from the will; wants to sell the castle; dreams of earnings on New Year's corporate parties; asks for a performance of 500 thousand dollars; Records a new album. Emphasize the right one.

Some Mardan can talk contemptuously for hours that the “collective Pugachev” today is decisively interesting to anyone. But the idea that enemies of the Fatherland can also earn money here will bring it to frenzy. However, he, Mardan, is even ready to forgive Meladze already a signed contract for 120 thousand euros for the performance, let the singer repent. So after all, it does not repent, a wretch.

If Pugacheva suddenly disappears from the radar, the “collective Mardan” will come up with a digital copy. Because the special operation in the culture is kept on the mechanism of redistribution of guilt. There are many historical evidence: the ward, that is, executioners, destroying the victim, experience animal fear, which is compensated by even greater ferocity. But this is not the key to reliability. The largest patriot understands that tomorrow and he can replenish lists of all evil spirits like foreign agents. That's why

The current heirs of the Proletultists are trying to work thinner. Their business is to move the people from reality to the space of the myth, which they themselves come up with.

The myth is based on the cultural oracles of the Dofland (mean February 24) era who do not want to sing in the choir.

Urgant has been in the Deaf underground for a year and a half, and the day does not pass so that it is not stamped. Recently it was a marvelous news: Ivan was invited to give a lecture in MGIMO. What could be worse than this fact for future followers of Nebenzi? And although the leadership of the institute immediately refuted his hearing, the whistles could not calm down for a long time.

I just looked at the interview with Boris Grebenshchikov (declared an ino -agent) to Anton Zhelnov on the Forbes Talk portal. He will soon be 70 years old, he is wise, meek, enlightened, full of strength. BG looks like a river, carrying its deep waters contrary to the tanks of the mud, which pour into this river. He does not cancel anyone, accepts everyone, understands everyone. An experienced Zhelnov is nervous, he is not ready for such a degree of inner freedom. BG did not run anywhere, did not emigrate, he has been living abroad for thirty years. Zhelnov clarifies: you used to come to Russia, but now not. The Grebenshchikovo in agent looked at him carefully and quietly answered: it is more convenient for me to work not in prison, but at large.

In Russia, any, or almost any power dreamed of turning a thinking matter into a unthinking one. Today it succeeds better than before. Constant public fury does its job: it drives into the abyss. “The ruble is a tendency to strengthen,” the optimistic regulator regularly reports. I also sometimes want to show a tendency to strengthen, but it doesn’t work out-because of a dense veil of darkness and despair.