
*Sergey, hello!
Vara wrote about Sorokin, and I will write to you about Chekhov! I left the colony, leaving almost all the books there. And those that were read at the stage.
I arrived and speak in quarantine: Bring to read something from the library. The choice was straight to the point: “Resurrection”, “Crime and Punishment” and ... Stories and plays of Chekhov. Well, I think, as if by order. You wrote to me about the plays - and here they are.
From the very first I found out where the phrase “In Greece is everything” came from, which is often pronounced in my house - that is, that is. From the "Wedding". But then a blow was waiting for me. The convicts in a special regime to the APCh (Anton Pavlovich Chekhov - approx. Ed.) Related without food, and all other plays raised half of the sheets. So the plays remained in my waiting sheet, alas. But a bunch of stories has been preserved. And, you know, I read and everything thought that I had to share - you write. From school we (well, I have at least) the impression that Chekhov’s stories are such simple little little things. Type funny, but not very. “White -faced”, “gooseberries”, what else are they reading there at school? "Man in a case."*
*And then I read all this fucking “cargo-200” from the end of the 19th century. “My life”, “three years”, “in a ravine”, etc. I do not find such darkness in the description of hopelessness and poverty and the FMD (Fedor Mikhailovich Dostoevsky - approx. Ed.). Really, I read “in the ravine” and looked stupidly at the wall for another 5 minutes. Just like after watching the “cargo-200”. Who would tell me that the most gloomy Russian writer is Chekhov. So you, of course, are right. We must read the classics! We don't know her!
I hug, A.*
