Dad, Santa Claus died. Konstantin Shavlovsky about the sequel of the folk hit

Shot from the film "Dad", dir. Dmitry Efimovich

The main film of the year was released in Russian rental. Gazprom-Media deputy leader Tina Kandelaki at the premiere at the Oktyabr cinema said that such works as Dad 2. Grandfather should represent Russia at Oscars. The producer of the dilogy Gavr Gordeev said in an interview that “Dad” and “Dad 2” are “fathers and children” of the 21st century. The sequel of the Folk hit “Dad” for the first weekend confidently raised almost half a billion rubles-more than, for example, the film “Prophet” for the same period. "Dad" is our real. And "grandfather" is the main screening. Republic is versed in the traditional values ​​of Russian cinema with Konstantin Shavlovsky.

Dmitry Efimovich’s film “Dad” was released in February 2021 and collected 500 million rubles in a rolled rolled rolled passing after Covid. Initially, the authors of the project conceived a web series, consisting of humorous sketches about education in the nineties, but in the end united them into full-length cinema.

The protagonist Max is traveling by car with his family on the 70th anniversary of his father, who alone raised him “as all Soviet people did” (quote from the annotation). Looking at his children who fight in the back seat by the tablet, the hero recalls his own upbringing, and all Russian men 40+ at these moments allow a mean tear of tenderness. A set of sketches played by Vladimir Vdovichenkov in the Alcoholic T-shirt, who is mocking his own son, painfully recognizable. Here are the models of aircraft in the sideboard that you can’t play, here is the treatment of garlic slices (you need to shove a slice in each nostril and endure) and inhalation over potatoes, here is a reading of the newspaper instead of the alphabet, but humor “with a diet in a beer” and “with a diet on a playground” with all the ensuing.

And constant saying: "Well done, man!" At the moment when the child endured another muck.

The producer Gavr Gordeev explained the phenomenal success of the Bati through gender optics. Like, modern men do not dare to talk to their fathers: what was it at all? The proposal laughing with your past, shake the skeleton out of the closet (or rather knock it out like a carpet - a symbol from the posters of both films), understand it and forgive it, apparently, fell into folk aspirations, in any case, into their male half.

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