
Shaman and Ekaterina Mizulina Photo: Mikhail Tereshchenko / TASS
In the first place-the 50th anniversary of Tatyana Navka in the Ice Arena Ice Palace (it turns out, there is one). The festival is overwhelmed by a gigantic scope of plan and embodiment. Before the Olympic champion could announce the life credo: “Every woman should have the only beloved man,” how a miracle happened. Under the bulking melody “And I like him, like it, Dmitry Peskov personally floats on the ice. The couple begins to spin at a breathtaking pace, after which the presidential secretary, not without difficulty catching his breath, shouted in the voice of a real headliner: "Navka, I love you." The completely unsuccessful Navka nodded in response to her head regally.
In second place is the continuation of the topic of paired dances. The general thinker Dugin voiced an unexpected version of the political mainstream: "Putin and Trump dance tango." Further, Alexander Gelievich demonstrated enviable knowledge of the topic.
In the tango, he explained, it is not always clear who leads, and it seems to everyone that he is leading. The version is so good that it is quite worthy to follow ideal dancers Navka and Peskov.

In third place is a whole documentary series with a detailed biography of the shaman and Mizulina (songs and dancing are also, of course, present). A couple with such perseverance fixes every moment of being that the future creators of Bayopic about these blond pigeons will only have to connect the video chain. One of the exciting videos is associated with the life of the doves. Mizulina in the kitchen cooks a shaman soup (this modest bird plays an important role in the mythology of a luminous couple, more than one image is dedicated to it). She is thoughtful, concentrated, but suddenly she interrupts silence and with a special expression on her face is reported by the fundamental: chicken soup is made of chicken.
This couple in my rating stands apart, as it has some philological value. Life and death of words is a separate, very interesting topic. So, in the era, the concept of “vulgarity” imperceptibly went out of appeal. Against the backdrop of dental vocabulary, it was perceived by something distant, obsolete, like a dusty rug with swans. But in the public space, the caramel shaman with Mizulina turned around, and the word again gained the original meaning, determined by Nabokov.

The dictatorship of emotions is now above all. And here it is impossible not to admire the philological sensitivity again, this time Tatyana Navka, who called her performance extremely accurately: “More than the show”.
This general definition is related to the policy with Trump, and Mizulin and the shaman mixed with chicken, and negotiations in Istanbul, and even the initiatives of the scientific family like this: the vain state Duma suggested establishing the day of domestic history on January 28, on the birthday of the historian Vasily Klyuchevsky.
We pause, evaluate the beauty of the idea. First, turn the story into some semblance of a collection of compromises (this is where the deposits of emotions are stored), and then the neoplasm is crowned with a worthy name. The more struggle for historical truth, the less it is in reality.
How to break through emotions, natural and plastic, imposed artificially, to common sense, not to mention the truth, a separate question. It is time to build a new department that would separate visibility from the essence. From the latter: Zakhar Prilepin took care of the creation of the theater of patriotic dramaturgy in Moscow, and Putin already instructed to create just such a theater. But he, Prilepin, if I am not mistaken, serves at the Moscow Art Theater on Tver Boulevard as deputy artistic director. What prevents him from staging patriotic performances there? By the way, at the beginning of the year he undertook such an experience in the representation of “real” with the participation of Shaman, Anton Shagin and poets writing about his. But it seemed only once. And the main performance of the theater - “Yesenin’s women” according to Prilepin’s book - has been going on for several years.
I will finish my excursion into a beautiful one another sage - Stas “Ay, how simple!”. Patriotism, he believes, is always about loot. I’ll try to convey the essence of the fiery speech of a millionaire blogger, moreover, the host programs on the Solovyov channel and the Sputnik radio. When a high feeling becomes the subject of bargaining, only one thing is clarified: it cannot offer the buyer selling his goods except patriotism. The celebration of the 80th anniversary of the Victory on TV confirms the expert opinion of Stas,
The anniversary was celebrated loudly, large -scale, on a grand scale. From the blue, modest scarves, baked with pressure with a variety of voices, in the eyes were inhabited. Pompous concerts advanced on the heels of each other, new films about the war were stunned by the roar of heavy computer battles. And then I switched to the Culture channel. She looked at the very warm human cycle "The daughter of the Victory commanders." She could not break away from the project “Goodbye, boys” dedicated to the memory of young poets who died in the fields of the Great Patriotic War. And when Yuri Nikulin, who had passed the war, sang, almost physically felt how he was still painful.
It was quiet, light, majestic, and the soul trembled.