Journalists Irina Petrovskaya, Tatyana Malkina and Masha Slonim argue about:
can this work be considered a strong documentary where does the border between documentary and propaganda lie? does the viewer’s place of residence influence the perception of the film why the film was nominated for an Oscar and why other films about the war caused scandals.
We also talk about documentary works:
“Russians at War” by Anastasia Trofimova “Returned” journalists of “Novaya Gazeta” the role of documentary films during the Northern Military District
Is it possible to show complex reality without simplification? Why are films like this made today?