The intrigue of the New Pelevinsky thing begins literally “from the hanger”, that is, in this case, with the cover made in a deliberately alapled poster-pop-arrae manner. And the name of the book is “Generation“ P ”is conceived as a kind of bunch. What, they say, is for "P"? Well, well!
The fact that “P” is the “Pepsi” unconditionally chosen by the “new generation” is clear from the first pages. And the fact that this is also a capacious Russian word that describes the whole spectrum of catastrophic sensations becomes clear to the end. This, obviously, is also any concept with the prefix “post”. We will not forget, of course, about the name of the author, who tells us with all the delicacy what he is capable of, who exactly the same “New Generation” chooses from modern writers. In general, polysemy. (In the same letter, by the way.) As it reads, the sensation of another “P” increases, hardly provided for by the author. This is a causing natural protest that you are taken on the Pontus - the concept in this case is more appropriate than its normative and venerable synonym "Author's ambitions".
The fact that the author is ambitious is beyond doubt. It is also clear that his claims are not “good” claims, but to “new” prose. Prose, based on other, non -power, technologies, the main of which is success technology. And he, judging by the desired result, he has a certain idea. Moreover, the difficult mechanisms of balancing on the verge of elitist and poppy (again “P”) for him not only the technique, but also the topic: “There is a clear definition, Morkovin said instructively. Alternative music is such music, the commercial essence of which is