Le Club, August 6-10, the production of Fedor Pavlov-Andreevich, some biographical information from the life of the co-operated. It becomes known about her daughter, before she became part of a two -headed creature, she had many men; That one day she climbed into the well, where she received injuries that are not compatible with life. About her mother, what her husband abandoned, and she did not have particularly passionate feelings to her lover. By the final of the drama, one of the ladies has the opportunity to move to the donor body of an unexpectedly dead husband and father. But the women who hated each other in the face of separation and scalpel grazed each other, and dreams of freedom give way to explanations in love. The “surgical” plot, director Pavlov-Andreyevich, decided with the help of an artist from Great Britain Nina Kobi. She equipped the performance with sterile hospital interiors, in which there is a transparent flask, where a two -headed lady periodically lives. Somersaults and pirouettes for a two -headed body were set by Anthony Grove, a leading young performer of modern dance in Europe. Music was written by Pavel Karmanov. Fedor Pavlov-Andreyevich came up with mechanical turns of the head, the manner of speech a la Robot and, which is especially spectacular, flashlights in the mouth. With them, the artists run from corner to corner along the dark scene, and these pas-de de, with a brightly highlighted mouth, apparently, should be recognized as the promised triumph of Art Nouveau over the classic. In any case, it was not possible to find anything else, despite the obvious efforts of the staging group. Maya Odin on the stage "Under the roof" of the Mossovet Theater