Ezhenedelnyi Zhurnal/№ 29Translated material
Bifem
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The editor-in-chief of the magazine "Hammer", the showman and TV presenter Fedor Pavlov-Andreyevich made his debut on the theater stage. At the height of the dead season, the latest theater company “Theater of Coffee Ambassador” released a performance based on a new play by Lyudmila Petrushevskaya “Bifem”. According to the program, the new play managed to put it only in the Swedish Royal Theater. The same program announces the premiere of "Bifem" in Moscow as a supervision, an event claiming to form a new theater style, the triumph of Art Nouveau over the classical theater.
The “two -time” name Bifem is the name of the mother of BI (it is played by the artist Ramta Derevyanko, connected in one word) and daughter Fem (Tatyana Ipatova). However, two women are united not only in one word, but also into one body: the head of the 27-year-old daughter after a fatal accident and as a result of a fantastic medical experiment was sewn. And then the ladies pulsate together, crying, hissing and cursing. In the process of crossing one head with the other, a lonely and helpless airplane soars the sea with the sea.
Airplanes are the same frequent characters of Batyankov’s drawings as all sorts of destroyers. Firstly, because planes are the main threat to ships and the first-stage means of combating any fleet. Secondly, Pope Batynkova served in aviation. And Batynkov himself was born in the legendary Sevastopol "City of Russian Sailors." That is, the exhibition has very personal (not to say, Freudian) roots.
You feel these subjective overtones when you see clumsy and very “manual” variations on the topics of “sea battle”, hanged under each pattern. A huge, elegant, beautiful leaf, and under it on a notebook leaf, someone played in a school game. The quality of execution so varies that you begin to pay attention to worthless handwriting against the will. And gradually you understand that the author is in them.
Because Marina is too “Frenchmen” - so they painted in Paris in 1910-1920, albeit not in mascara, but with multi -colored watercolors. And they defiantly talk about the taste and education of the artist. But in the fatal-mazocist "sea battle" they play only in Russia. Despite the fact that the shabby cells are given by bitter tsusim.
Gallery "S. Art "