Evening Moscow/№9Translated material
Trainspotting
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Alexey Kortnev
1230-1245 NTV
"Golden Gramophone"
By the way, the plans of the creators - that is, "Russian Radio" and the TVF studio - include quarterly concerts of the leaders of the audience's choice parade and a possible increase in broadcasting time to real "morning-postal" 30 minutes.
Now there is a picture. In the television version, “Golden Gramophone” lost one of the presenters, since Valdis Pelsh is firmly bound by a contract with ORT, and the lonely Kortnev was supplemented by a group of operational musical reporting represented by the “Express Camera” film crew (the columns “On Everyone’s Ears” and “The Car is Three”) and guests in the studio: all the same fans who can now (the column “Photography 9x12”) to greet spectators and “stars” with modern folklore. If they watch a mixture of “Morning Mail” from the eighties (presenter, light background music), “Clips” and “Sign of Quality”.
- No, according to “Gramophone!”
NTV at one point practically destroyed all popular music on the public airwaves, and now it seems that it has decided to back down. Every Saturday in the morning (by weekend standards) broadcast – 12.30 – the channel will feature a TV version of the popular Russian Radio program “Golden Gramophone”. This is an attempt to create an analogue of the Morning Mail. In the audio version of “Gramophonchik,” Alexey Kortnev and Valdis Pelsh read aloud weekly fan letters (wearing the leader’s yellow jersey for months in a row, fans of “Ivanushki International”) with poems, confessions and reports from their own experience of communicating with their idols, and play songs of the public’s favorites. In a recent interview, Alexey Kortnev noted the following: “I can’t say whether I like myself as a presenter, since I haven’t heard a single broadcast of the Golden Gramophone and in general I try not to watch myself on TV or listen to myself on the radio. I like the way it sounds in the studio. I want to still be embarrassed by the lack of a picture: any assessment of what the interlocutor said has to be expressed verbally, everything has to be spoken out - this is where the chaos begins. On stage, I can act out with gestures and facial expressions without interfering with the perception of my interlocutor.”