Great television steadily loses the viewer. Small television channels, on the contrary, are gaining momentum, there are more and more of them. The monolithic television audience breaks up into small segments, each give something of their own, here television requires a narrow specialization, and uniqueness is sometimes more important than universality. While the traditional TV is looking for exits from its protracted crisis, rare outlandish flowers bloom on the roadsides of telemainstream.

“Do you need? Take it, we have it, we have it all! " - The lady from the neighboring row held out a package with plastic whistles and puffs, which are usually used at the stadium. Evening toilet, thoroughbred profile and hate -burning eyes. It was after the premiere of Twilight of the Gods - the last opera from the cycle “Nibelung Ring”. The scene is FestShpilhaus in Bayroit, where the famous Wagnerogy has just been set by the notorious Berlin director Frank Castorf.

В самом начале сентября откроется организованный ЦСИ «Винзавод» и галереей «Риджина» специальный проект Пятой Московской биеннале Heavy Metal , в котором примут участие 11 художников: группа «ЕлиКука» (Евгений Куковеров и Олег Елисеев), Иван Горшков, Валерий Чтак, Михаил Most, Илья Долгов, Влад Кульков, Григорий Ющенко, Vladimir Logutov, Egor Koshelev, Ilya Romanov.

The “Window to Europe” festival in Vyborg was shown a “heavy case”, directorial fluke of Konstantin Murzenko and, it seems, the most strange Russian film of the year. In general, to write about the “case” to a person who was somehow introduced into the movie community is inconvenient, and strange, and funny: the script of the “case” was written by the film critic of “Poster” Stanislav Zelvensky, his ex-colleague played the main role, and now the director Mikhail Brashinsky.