Recently, I, as a journalist and curator of the label “Dark Horses” , called me to the live broadcast of one Moscow radio station to talk about new Russian music and its problems. At the end of the conversation, the host of the ether asked why in our pop music there were no projects such as, for example, the British Disclosure ,-modern, fashionable, affordable, funny, with new sound and hit songs that conquer radio and TV. What is wrong with Russia?