Thomas Hirshorn: Installation and Intuition
The most noticeable work of the European Biennale of Modern Art Manifesta 10, which is held in St. Petersburg, in the Hermitage, was Tomas Hirschorna's “cut”. A noticeable and literal sense of the word: cyclopic sizes, the installation, which occupied the largest of the largest courtyards of the main headquarters, is visible from almost all its internal windows, and a rare review of the “manifesto” is complete without mentioning the Swiss artist. The exhibition of the curator of the St.