In the days of quarantine, the need for the magical properties of cinema - to make separated from each other joint and modern - especially aggravated. Intuitively or intentionally, films collected in the program of the Oberhausian Echo, exactly about this: how the movie registers and stores traces of the past, what was somewhere there, for a long time, not with us. Here, for example, “Month of Static Personnel” Lynn Sax (winner of the festival) is a film that makes the past present.