Belarusian photo from perestroika to metamodern
This review is the first in a series of notes about photographs of post -Soviet communities outside Russia. Here, modern photographers, and especially the researchers and critics of the post -Soviet space, even from previously popular Lithuania, are poorly known here: the general cultural space of exchange was destroyed by one of the first. Meanwhile, encountering partly similar, and partly very different problems, they analyze history and modernity a little differently.