The courage, satirical ardor and directness of statements always depend on the artist himself, but in the case of the performance of Konstantin Bogomolov, “On any sage”, a large role is played by a frame framing the canvas. The frame, however, was also chosen by the artist, but not one. Bogomolov - with his ability to compose one, full of fierce sarcasm Opus - has always been a romantic figure, which included the circumstances of his life in the semantic plots of performances.