Is music possible after Auschwitz?
The book of the novelist and essayist, laureate of the Goncurov Prize (more than deserved!), Musician and musicologist, one of, if not the most refined modern French writer, the propagandist of Viola da Gamba and other baroque aesthetics. Because “hatred of music” - how, from Kinyar, whose books are literally permeated with music?! - This is really about the negative in music, about the negative from her. Yes, of course, his hatred is very close to love.