But in most cases, directors of the big cannot find new theatrical solutions, and the old ones have uncertainly. Hence, either absolutely helpless in the directorial and scenographic terms, performances (like “guardsman”, where only the professionalism of the conductor Mark Ermler helps out), or “innovatives” imitating a certain old style. So, the Don Quixote ballet, resumed by Alexei Fadechev, was presented as the restoration of the classy Moscow edition of Gorsky in 1900.