Kuritsyn-weekly from April 18 Big Raskolbas (about Lviv and the lion). Plus 2 comments from Berger about the bath. Vyacheslav Kuritsyn Publication date: April 18, 2002 Along with all this (meaning textual events related to Olshansky’s famous work) is Proskurin’s attack on Bavilsky and the sawing of the Duma. That is, there was some feeling of growing tension, some kind of hysteria gradually growing. Everyone was somehow nervous. Sokolov came at me - well, it would seem, what nonsense, nevermind.

It is not difficult to find a child on a map of Africa - it is much more difficult to find the Internet in this country scorched by deserted winds. Talks about the geographical prevalence of the Internet on the globe have been conducted for a long time (since the beginning of the 90s, this is the topic of constant research and analytical forecasts). There are many indicators for which “advancedness to cyberism” is evaluated.

Review by S.K. #101 Modern "postmodernists" in search of energy Sergey Kostyrko Publication date: April 17, 2002 In the last review , dedicated to the situation in modern literature, I promised to end the conversation with stories about domestic postmodernists. More precisely, about those literary phenomena that are generated by a lack of their own artistic energy, but at the same time claim to be mainstream. About the game of literature and literary life.

It's either a bazaar or a zugunder Dmitry Kuzmin Publication date: April 18, 2002 The controversy over the current literary situation has become truly astonishing over the past few days. The direct transition from poetics to politics, which seemed completely obsolete in the late perestroika years, suddenly found new life in the work of the famous literary critic Dmitry Olshansky. The move turned out to be contagious - and the process began.

Hunger 72 Practical gastroenterology reading Alexander Ageev Publication date: April 17, 2002 Yes , as Roman Leibov said in the forum, “ it’s interesting here .” We started with Prokhanov and Olshansky (reasons, to be honest, were so-so, of limited usefulness), and then we started cutting for life - “ liberalism ”, “ conservatism ”, “ patriotism ”, “ shameful 90s ” and other fresh stuff repertoire of Dmitry Lvovich B.

Something about the color red, the Volkov family and the photobiennale (oddly enough) Publication date: April 17, 2002 I confess that I deceived the audience (listeners and readers). I called that a photo exhibition “Landscape” was open in the A-3 gallery. Lie. The Volkov exhibition is still open in A-3. Alexandra with Andrey. The Volkovs are an artistic family with a centuries-old tradition.

There's no point in blaming the mirror... Please review Valentina Totskaya Publication date: April 17, 2002 Perhaps the most entertaining and most revealing program for today's television was “Freedom of Speech” on NTV , where the possibility of creating a union state was discussed with the participation of the President of the Republic of Belarus Alexander Lukashenko .

Parisian spring in keffiyeh Natasha Kanevskaya Publication date: April 17, 2002 During the period of the IDF's Operation Protective Wall, vigorous pro-Palestinian and anti-Israeli activity unfolded in many cities around the world. As one might expect, this kind of campaign gained the greatest momentum in Paris.

We start from names, books and reading them is a journey into the depths of the signature. In the collections published in the "OGI" poetry series , there are no autographs of the poets (as in the collections of the "Pushkin Foundation" ), because here it turns out to be completely unnecessary: ​​the names of the poets are so self-sufficient (each of them has its own fields of associations) that we are pre-biased : the body is initially tuned to perceive certain poetic systems.

Russian "early dance" Artem Ivanov Publication date: April 17, 2002 The relationship between the supreme ruler and the bureaucracy seems to us here and now to be a very significant factor, if not the main one, determining our future paths. In any case, this was the case until recently, when of all the dimensions of our political-economic life only one provided us with volume, while all the others concerned only geometry on a plane.

Introduction The concept of globalization is increasingly subject to misinterpretation and abuse. To its opponents, it signifies a conspiracy to achieve US dollar hegemony. Oddly enough, supporters of dollar dominance often use the term in this sense. Those people who see beyond appearances react too violently. The result is a destructive confrontation. This confrontation is not beneficial to anyone, either in the short term or in the longer term.

The beginning is here . Before discussing the actual problems with tax discipline, it is worth saying a few words about the “theory of rational expectations,” which is currently influential among economists and tax experts. The author of this theory, a representative of the Chicago School of Macroeconomics Robert Lucas, earned the Nobel Prize in 1995.

Conduct of reform Alexander Abramov Publication date: April 17, 2002 On the eve of the day when the president addresses the Federal Assembly and outlines new reform goals, it’s time to talk about what has been achieved. These achievements may also have a negative sign, just as the result of an experiment - although negative, is still a result. Few would deny that of all the ongoing reforms, the most significant and, dare I say it, fateful is the education reform.

Right and left Political rhetoric: not in art, but in the near-cultural space and, in particular, in criticism. Publication date: April 17, 2002 Some time ago I read in the Theater Supervisor an article by Pavel Rudnev from the newspaper Vremya Novostey. This was a review of the play "A Very Simple Story", which was released at the Taganka Actors' Commonwealth Theater.

Political rhetoric in art Correspondence round table Publication date: April 17, 2002 It is quite obvious that today there is already a discussion about right and left in art. In literature - around the novel by Prokhanov , in the theater - around the performances of Doronina and Gubenko. They argue about the political potential, so to speak, of left-wing figures. But why not argue whether the “right” has “its own” art? Is there such an opposition today - left and right in art?