On Thursday, John Zorn , a great and terrible avant-garde, a provocateur and Havi-Metal-jazzman, creator of many projects and his own label with the eloquent name "Tsadik Music" , performed in the Youth Palace. It would seem that Moscow will not surprise Moscow anymore. Super -affected Rolling Stones and the famous gourmets of The Resident have already come to us. This is only about legends whose arrival seemed impossible, like the arrival of Mozart or Bitles.

The year of Germany in Russia turned out to be as assertive as a stormy wind. Before we had time to discuss the vague “ Moscow-Berlin ”, another comparative exhibition followed. Dedicated, this time, to the dialogue between revolutionary culture - the theater of Vsevolod Emilievich Meyerhold - and European - theater criticism in Germany in the early 30s. It is called temptingly simply: “ Meyerhold and Germany ” - and takes place in the Bakhrushin Museum.

Genius loci Mikhail Vizel Publication date: April 30, 2004 On , performed at the Palace of Youth Thursday, John Zorn , the great and terrible avant-garde artist, provocateur and heavy metal jazzman, creator of many projects and his own label with the eloquent name "Tsadik music" . It would seem that Moscow will no longer be surprised by any tours. The super-promoted Rolling Stones and the well-known gourmets The Residents have already come to us.

What Russian has not sometimes - at least involuntarily - imagined himself in a cell or in a camp? Do you want to meet? Welcome, let's go: “The deprivation of the initiator of his status (ritual humiliation) occurs at the initial stage of imprisonment in a pre-trial detention center: significant elements here are beatings, invective, undressing, washing and shaving of the hero (symbolizing humiliation and ritual death).

The year of Germany in Russia was assertive, like a stormy wind. They did not have time to discuss the slurred “ Moscow-Berlin ”, as another comparative exhibition is walking along. The dedicated, this time, the dialogue of the culture of the revolutionary - Theater of Vsevolod Emilievich Meyerhold - and the European - theatrical criticism of Germany in the early 30s. It is called tempting simply simply: " Meyerhold and Germany " - and takes place in the Bakhrushin Museum.

Which Russian sometimes - at least involuntarily - did not imagine himself in the cell or in the camp? Want to meet you? Welcome, go: “Deprivation of the initiator of its status (ritual humiliation) occurs at the initial stage of imprisonment in the investigative insulator: significant elements here are beatings, invectives, undressing, washing and shaving the hero (symbolizing humiliation and ritual death). The main character in the ritual plays a passive role: the rite is performed above it.

Bronze media art Andrey Kovalev Publication date: April 30, 2004 In the evening, a malicious shout was heard from the Kremlin in the direction of Zurab Tsereteli. It all started with the fact that ZKTs sculpted a very similar GDP in a kimono and declared his desire to make a gift. But apparently, the master of behind-the-scenes games has already appealed to the appropriate authorities, and received a spanking.

The name was borrowed from a nice lecture by Vitaly Arkadyevich Naishul , read recently in Bilingual. Unfortunately, the situation with the relative weight of state thought is not the best. This is to put it mildly. If a little more firmly, then the certain, or something like, marshmallow quality of speaking on serious topics has almost ceased to amaze.

Country of ready answers Maxim Momot Publication date: April 30, 2004 A lecture by sociologist Simon Kordonsky , held on Thursday at the Bilingua , president of the Foundation for Effective Politics, who was present, club and dedicated to the social reality of modern Russia, turned, according to the remark of Gleb Pavlovsky into a mysterious exchange of extremist statements. The main attention of the speaker, as is now popular in government circles, was focused on criticism of Gaidar’s reforms.

Samuel Lurie: "I don't like the word essay" This is criticism. Issue 27 Publication date: April 30, 2004 We continue to publish conversations with literary critics. Today the “guest” of the column is Samuel Lurie . Russian Journal: Is the myth about St. Petersburg generated by the real properties of the city or, on the contrary, having learned to distinguish in an ordinary city the phantasmagoria dreamed up by Dostoevsky and Blok , we project it onto the reality around us? What comes first: St.