Sergey Kara-Murza - about one dispute with Yuri Levada First, the history of the topic. In 2001, a seminar was held at the Higher School of Business of Moscow State University. A report on the results of 10 years of reforms was made by VTsIOM director Yu.A. Levada, for some reason I was invited to make a co-report. In Russia at that time, a large project of dismantling the Soviet way of life was in full swing. Yu.A.

Alexander Veltman. Kindergarten Sarah Novel Moscow, Libra Press, 2015. - 369 pages.

Never before has culture been so closely interested in gender issues as in the last few decades. Even an independent (and generous in the sense of distributing and spending grants) interdisciplinary direction has emerged - gender, which studies the problem of gender relations at all levels of existence.

At first glance, “The Old Bolshevik Worker Over Lenin’s Tomb” is a rather unexpected text for modern poetry, since it addresses minority voices rather than the speech of historical figures whose names are associated with escalating violence. But if you know a little about Sergei Zavyalov’s texts of the 1990s-2000s, then you can perceive this fragment as a trope according to V.I.

There is no doubt that the Terminator, a killer robot, a soulless death machine, has become an integral part of the value system of several generations of our contemporaries. However, what does this image mean in terms of its social function? In other words, what kind of figure of social exclusion does he manifest among other victims of virtual (and real) collective violence of citizen film fans - werewolves, ghosts, vampires and zombies?

I wonder what God tastes like? Sweet, salty or slightly sour? To resolve this issue, humanity, since ancient times, has been eating the flesh of the gods. This is called "theophagy". People started out as pantheists and animists. Everything around was alive, everything was imbued with a spark of divine plan. And we revered what we could neither explain nor subdue: fire, thunder, wind, the Sun and the Moon. Often an animal or plant was chosen as a totem.