Antonina Baever and Arnold Weber debunk myths and superstitions in a joint project. Until August 31 at Triumph. The joint project of Antonina Baever and Arnold Weber “#Godnormativity: Open Access Revelations” is published in the genre of epic or parable. By inventing the new term godnormativity, they simultaneously refer to the existing discourse about gender (gender normativity) and equality/inequality in the modern world, but also declare that the discourse is quite outdated.

The bright hopes of all progressive humanity placed on the so-called.

Mikhail Zaborov “The language of art” is a common expression, but what is it? No one seems to have really explained it.

Alain Badiou's "Century" was a series of seminars held between 1998 and 2001 at the Collège international de philosophie. We publish a chapter entitled “Anabasis”, in which Badiou analyzes two poems of the same name: one by Saint-John Perse, the other by Paul Celan. Anabasis November 10, 1999 How did the age understand its own movement, its own trajectory? - Like an ascent to the origins, like a difficult construction of a new thing, like a rejected experience of an undertaking.

From Ravager #22. Chronos . Translation by M. Abramova and N. Malinovskaya. “...the poetry of facts is stronger. Items that mean something and talented, tastefully arranged, become a poetic fact." Le Corbusier-Saunier We have already had occasion to say: the ability to see is a completely new system for measuring spiritual space.

Alexander Skotnikov, at the request of his mother and due to his great growth, went to work on March 1st. Yakov Antsyferov dropped out due to illness on April 10th. Nikifor Yudinov dropped out on February 20 due to his childhood. 28 students remain on the face. Gittenferwalter (signature) Read also: Holidays and punishments of workers at the Narva outpost. Materials for the play “Red Noise”

“Gender is an outdated 20th-century social construct, just as class struggle is an outdated 19th-century concept,” future sociologist Judy, a 22-year-old Chinese American, tells me. In her studio, not far from Columbia University, we eagerly eat the sauerkraut I brought, which I presented as the Russian version of kimchi. Judy confirms the precariousness of the gender construct through her example. At school, she came out as a lesbian, to the dismay of her straight parents.

Flows of information, youth, collapse—a direct speech from artist Goran Chanter about the exhibition “Where Without Each Other.” In Triumph until August 31. I am addicted to an endless stream of visual information; peace does not come with my eyes closed. All I want to see is everything. Shoes, hair, nose, posture. Speed ​​and direction. The burden of sudden interaction.